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The military anti-terrorist army takes control of “Chuspi”, an unknown and faraway small village, isolated by the terrorist group “Sendero Luminoso” (Shining Path). A soldier called Vitin Luna, and other young soldiers face an invisible, perhaps superior force. Their unit is commanded by a brutal lieutenant who declares the entire village guilty of treason. In the face of this crisis, Vitin must choose between blind obedience and his own conscience.Read More »
Despite Lieutenant Frank Ochoa’s order to leave New York permanently in Death Wish (1974), Paul Kersey is back in the city to visit an old friend after taking down Nirvana’s gang of savage thugs in Death Wish II (1982). But, death seems to follow the grizzled executioner, and after a shocking discovery, Kersey cuts a deal with the Police Chief, Richard Shriker: kill as many creeps as he wants, provided that he keeps the police informed. This time, Paul means business, and as the sadistic gang of the unhinged sociopath, Manny Fraker, terrorises the tenants of a run-down tenement building, and the entire neighbourhood, Kersey’s brand-new .475 Wildey Magnum alone is not going to cut it. Can “The Vigilante” bring peace back to the once-quiet region?Read More »
A woman finds romance when she takes a job at an aircraft plant to help make ends meet after her husband goes off to war.
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Swing Shift is a 1984 American romantic drama war film directed by Jonathan Demme and produced by and starring Goldie Hawn with Kurt Russell. It also starred Christine Lahti, Fred Ward and Ed Harris. Lahti earned an Academy Award nomination for Best Supporting Actress for her tragic portrayal of heart-broken ex-singer and Hawn’s character’s close friend Hazel, losing to Peggy Ashcroft for A Passage to India. Singer Belinda Carlisle made a foray into acting and Holly Hunter can be seen in one of her first movie roles.Read More »
Paul Kersey thought his days as a vigilante were long behind him. But when his daughter and housekeeper are savagely assaulted and murdered, Paul is forced to take the law back into his own hands, hitting the tough, gang-filled streets of Los Angeles and embarking on a violent quest for justice. Realizing he has a ruthless vigilante on his hands, Detective Frank Ochoa races to put an end to the building carnage.Read More »
Grant Nebel wrote:
Melancholic Screwball
Into the Night resembles a lot of other films of its time: the Los Angeles version of Scorsese’s After Hours or what Miracle Mile would have been if that thing (you know the thing I mean) hadn’t happened. Moving forward, it’s Collateral with one character gender-switched and actually more gunplay, but its most interesting cinematic relative is Eyes Wide Shut. Let’s call it a second cousin: both films are about a man’s two-night journey after he realizes his wife’s infidelity (imagined in Eyes, real here) and more importantly, both take place in a city that’s not quite real. Kubrick created his own hallucination of New York for his film, but director John Landis and writer Ron Koslow had the advantage of making Into the Night in L. A., a city that’s always already part fiction.Read More »
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Miloud is a barber in Darb el-Soltane, an old proletarian neighborhood in Casablanca, who struggles to maintain a semblance of dignity. Life has dealt his friend Hmida hard knocks. A countryside boy who moved to the city after his father repudiated him, he turned to petty larceny to survive, for which he served a sentence in prison. Hmida is jobless yet boisterous, while Miloud is skittish and disheartened by his friend’s objectionable activities. When a wealthy entrepreneur who wields power in the neighborhood manages to evict the barber and his wife from the shop to build a centre for Koranic instruction, Hmida incites his friend to fight back. Deemed one of Moroccan cinema’s underrated masterpieces, Hallaq Darb al-Fuqara’ is infused with disarming realist grit. Adapted from a play by Youssef Fadel, a celebrated playwright, novelist and screenwriter who hailed from Darb el-Soltane and was imprisoned for his play “The War”, the film was Mohamed Reggab’s only narrative feature. He incurred so much debt to finance the production that he even spent time in prison.Read More »
In the late 1930s, world politics begin to head in a dangerous direction. In Europe, Germany expands and rearms and proceeds to annex several border countries into the Reich. Meanwhile, Italy attempts to establish a Facist Colonial Empire under Mussolini while the Empire of Japan stands ready for a major war with China. Enter the Henry family, headed by career naval officer Victor “Pug” Henry. “Winds of War” thus follows the exploits of Pug and his children, all of which are set against the backdrop of world events leading up to the Japanese attack on Pearl Harbor in 1941.Read More »
Biologie! was one of very few East German feature films to address environmental issues.
In a small East German town shortly before the fall of the Wall, Ulla, a sensitive and principled 10th-grader, meets computer-obsessed Winfried, son of a chemical plant manager. On a field trip with her biology class, Ulla discovers that a trout farm and weekend homes are being built illegally in a local conservation area. The situation gets complicated when she discovers that Winfried’s family is responsible.
Ulla nevertheless passionately agitates to stop the construction project, even soliciting Winfried to help her create a touched-up photograph of a rare bird as “evidence” that the conservation area is home to an endangered species. When Ulla’s deception is discovered, she faces serious consequences.Read More »
This little film was shot by Jean-Luc Godard in 1981 when he was visiting Francis Ford Coppola’s Zoetrope Studios in San Francisco, where Coppola was directing One from the Heart. It stars Andrei Konchalovsky reading a book about Cézanne, while a crew is trying to fix the light to film a painting by Georges de La Tour, Le Nouveau-né.
A few seconds of this film are included in Godard’s Les trois désastres.Read More »