Through the eyes of ten-year-old Alexander, we witness the delights and conflicts of the Ekdahl family, a sprawling bourgeois clan in turn-of-the-twentieth-century Sweden. Ingmar Bergman intended Fanny and Alexander as his swan song, it is the warmest and most autobiographical film combining the director’s melancholy and emotional intensity with immense joy and sensuality.Read More »
A la fin de l’été 84, Adrien, Alice, Hans et Laure vivent à Rome des histoires d’amour qui les poussent hors d’eux mèmes. Chacun va suivre obstinément son rève, sa quète, sa passion. Alice se perd dans l’alcool, Adrien dénonce sa maitresse à la police. Laure et Hans vont aller jusqu’aux limites d’une passion destructrice dans le huis-clos de leur chambre d’hôtel.Read More »
Quote:
An elderly man with wings is blown off course during a tropical storm in this symbolic fantasy. The Old Man (Fernando Birri) lands near a Caribbean island where a poor family gives him shelter in a hen-coop. Father Gonzaga (Luis Alberto Ramirez) is the skeptical priest who rushes to damn the creature. Soon the Old Man becomes the subject of curiosity seekers as Elisinda (Daisy Granados) and Pelayo (Asdrubal Melendez) start charging admission. A traveling carnival of human oddities camps near the Old Man as people flock to see the show. The Old Man is reduced to being an unwanted pet, and after six years, he mends his wings and flies away.Read More »
It’s a two-episode run of the Taiwanese TV anthology series Eleven Women, produced by actress Sylvia Chang. The idea—to have several younger directors make episodes about contemporary Taiwanese life, centering on female protagonists—was modeled after the Hong Kong TV productions (such as Below the Lion Rock) that kickstarted the HK new wave. And indeed, it started the careers of not only Yang but several other important figures who would go on to pioneer the Taiwanese New Wave.
Yang’s episodes were adapted from a short story by Di Yi. The title is “Floating Weeds” (literally, “Duckweed”).Read More »
Summary on IMDb:
Juan (Joan Estrada) and Ana (Anna Sales) suffer a marriage crisis. Ana’s pregnancy should harmonize her future, but John’s sterility will cause a whirlwind of unexpected emotions.Read More »
Synopsis from IMDb: An absorbing and chilling documentary about the National Socialist aesthetic, and how attempts to create the Aryan Ideal caused the extermination of millions. Aspects covered include: Hitler’s epiphany while viewing Wagner’s opera ‘Rienzi’, the rise of the homo-erotic Grecian/Nordic ideal, the parallels drawn between the ‘degenerate’ art of the cubists and dadaists and the mentally ill/physically deformed, the Nazi obsession with purity and cleanliness, and, finally, the descent of the Jewish people to the level of a virus/vermin.
(by IMDb)Read More »
Synopsis: Writer/Director Clemens Klopfenstein’s beautiful and profound movie Macao focuses on a married couple, Swiss linguists, who hike the Alps searching for rare words still uttered by rural populations. When on his way to a conference, the husband’s plane goes down over the ocean. The wife is advised to give up hope of ever seeing him alive, but her heart tells her otherwise. When he comes ashore on a tropical island-warm blue water, sun on white sands, palm trees-he and the other survivor, the plane’s pilot, are greeted by the smiling dark-skinned native speaking the island’s language. Back home, she waits to hear word from the search team; on the island, he learns a few words of the native language while he awaits rescue…Read More »
Cheech & Chong are invited to a celebrity party/festival in Amsterdam. When they get there, however, it turns out that the guy who invited them has taken off with all the money, and the rest of the hosts have a VERY limited budget. They are actually expecting Burt Reynolds and Dolly Parton, so our heroes gets to be Mr. Burt and Mr. Dolly. We follow them around Amsterdam, at their hotel, (still) smokin’ joints and doing shows. (IMDb Plot Summary)Read More »
Quote:
A landmark of the nascent Hong Kong New Wave of the early ’80s, this melodrama — directed by Ann Hui — concerns the plight of Vietnamese peasants shortly after the fall of Saigon. The film centers on a Japanese photojournalist named Shiomi Akutagawa (George Lam Chi-cheung) who ventures to Danang to document Vietnam’s attempts at rebuilding after the war. At first he’s bussed around by government officials showing off quaint villages and happy, healthy children. Later, he manages to get permission to wander about the countryside without a government chaperon. Soon he happens upon a young lass named Cam Nuong (Season Ma Si-san) who is from a desperately poor family.Read More »