1971-1980

A drama about four friends and the aftermath of a rape.Read More »

This strange Hungarian film is a cross between a “candid camera” documentary and a surreal fantasy. The film’s two actors impersonate traveling portrait photographers visiting a small Hungarian village. There is an uncanny congruence between the peasants’ favored forms of photographic expression and the antique photographs that they are shown as examples of the kind of work they can hire. This becomes unsettling as the film shows the peasants of today investigating pictures of the peasants of yesteryear and looking exactly the same.Read More »

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A short film in which a director’s voice appears to be directing all the action on a busy London street.Read More »

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Benegal’s successful feature debut is set in feudal AP and consolidated the New Indian Cinema movement. The politically inflected melodrama tells of a newly married urban youth, Surya (Nag, in his Hindi film debut), who is sent alone to his rural home to look after his ancestral property. Finding himself in the role of the traditional landlord, he has an affair with Lakshmi (Azmi, in her extremely powerful film debut), the young wife of a deaf- mute labourer (Meher), and she becomes pregnant. Her husband, believing the child to be his, goes to tell the landlord the good news but Surya, consumed by his guilt and afraid of being exposed, beats the man almost to death. Lakshmi then turns on her former lover with a passionate speech calling for a revolutionary overthrow of feudal rule. In the last shot, a young boy throws a stone at Surya’s house and then the screen turns red.Read More »

Genuine Italian-Mexican co-production of the 70’s, as relevant as ever. Sergio Fuentes is a kind fisherman who wants to build himself a better future elsewhere. He crosses the border and settles in New York. But life for immigrants in 1970’s New York is brutal and a downbeat cynical journey. He will have to fight for his life as he falls in love with a dangerous boss’ girlfriend.Read More »

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A short film which combines magazine pictures and text in the form of word association game.

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Images from magazines and colour supplements accompany a spoken text taken from Word Associations and Linguistic Theory by the American psycholinguist Herbert H Clark. By using the ambiguities inherent in the English language, Associations sets language against itself. Image and word work together/against each other to destroy/create meaning.Read More »

Comment ça va is one of the most dense and abstracted of the several essayistic videos Jean-Luc Godard made in collaboration with his partner Anne-Marie Miéville during the latter half of the 1970s. As with much of Godard and Miéville’s work from around this time, this video concerns itself primarily with meta questions: questions about how to produce a video or a film, how to show certain things that they’re interested in showing, how to communicate their ideas. They explore these subjects through the loosely structured story of an editor at a Communist newspaper (Michel Marot), who collaborates with the radical Odette (played by Miéville herself, though her face never appears) in order to make an educational video about the production of a newspaper.Read More »

Harada, a detective at the Shinjuku Police Station, lives with his little sister Noriko, who attends fashion school. One day, Harada is told by senior detective Ijima that Noriko is dating Yoshiura, a street thug. She quits school and rebels against Harada’s concerns. Soon after, Yoshiura is strangled to death, and Noriko’s pendant is found at the scene.Read More »

Armen is an employee of the State Archive, an irrepressible young man, who is not indifferent to the grief, injustice, and meanness of other’s. Armen feels responsible for solving these problems, even though they have no direct bearing on him.Read More »