1971-1980

  • Richard Loncraine – Full Circle AKA The Haunting of Julia (1977)

    1971-1980Richard LoncraineThrillerUnited Kingdom

    Review Summary
    The British/Canadian Full Circle is better known by its American title, The Haunting of Julia. The eponymous Julia, played by Mia Farrow, is driven to near-madness by the death of her daughter. Things don’t get much better when Julia and her husband move into a forbidding old mansion. The events leading up to her daughter’s horrible death threaten to repeat themselves, thereby explaining the film’s original title. Based on a Peter Straub story, Full Circle covers familiar ground, but fans of Gothic horror will be generously served. ~ Hal Erickson, All Movie GuideRead More »

  • Marco Ferreri – L’udienza AKA The Audience (1971)

    1971-1980DramaItalyMarco FerreriMystery

    This tiresome comedy features pop singer Enzo Jannacci as Amedeo, a country rube who comes to Vatican City seeking a personal audience with the Pope. Detailing Amedeo’s battle with officious Vatican bureaucrats and bungling attempts to catch the Pope off-guard, the film rarely rises to the level of director Marco Ferreri’s more subversive farces and resembles nothing more than a 1970s Neapolitan-style Pauly Shore vehicle. Italian film buffs will still appreciate the cast, which includes Ugo Tognazzi and Michel Piccoli of La Cage aux Folles as well as Claudia Cardinale, Vittorio Gassman, and Alain Cuny. ~ Robert Firsching, All Movie GuideRead More »

  • Agnès Varda – L’une chante, l’autre pas aka One Sings One Doesn’t (1977)

    1971-1980Agnès VardaArthousePoliticsVenezuela

    Quote:
    The intertwined lives of 2 women in 1970’s France, set against the progress of the women’s movement in which Agnes Varda was involved. Pomme and Suzanne meet when Pomme helps Suzanne obtain an abortion after a third pregnancy which she cannot afford. They lose contact but meet again ten years later. Pomme has become an unconventional singer, Suzanne a serious community worker – despite the contrast they remain friends and share in the various dramas of each others’ lives, in the process affirming their different female identities.Read More »

  • Hsing Lee – Qiu Jue AKA Execution in Autumn (1972)

    1971-1980AsianDramaHsing LeeTaiwan

    Plot
    Pei Gang (played by Ou Wei) was earlier sentenced by the magistrate to death for committing 3 cruel murders,even though he claimed that the killings were acts of self defense. We learnt that Pei Gang was in fact a spoiled brat and a bully. He also had a doting grandmother who promised that she’ll get him out of any trouble, including death row. Pei will not be executed until next Autumn, which gave him about one year’s time. When all efforts to get him out seem to fail, what will his next course of action be? The central theme of the story is not so much about his escape, but rather the transformation of this man from evil to good, from running away and blaming others into accepting responsibility for his actions and eventually, accepting his fate…Read More »

  • István Szabó – Budapesti mesék AKA Budapest Tales (1976)

    1971-1980DramaHungaryIstván Szabó

    A yellow tram lies overturned on the riverbank at the end of the war. Tattered, ragged, homeless men huddle together in a group, load it on rails trying to take it to the remise. Their journey is not easy, they have many difficulties to overcome. Each one has its own drama, yet they are united by a common will to reach their goal.Read More »

  • Kunt Tulgar – Süpermen dönüyor AKA Turkish Superman (1979)

    1971-1980AdventureCultKunt TulgarTurkey

    Synopsis:
    After a mysterious prologue in a Christmas tree ornaments-filled “starscape”, Turkish Clark Kent is told by his parents that he is an Alien from space and that he must leave to accomplish his destiny. They give him a green gem which he takes into a nearby cave. There, Jor-El, minus half of his front teeth, appears and reveals to Clark that he is Superman…Read More »

  • Kô Nakahira – Hensôkyoku AKA Variation (1976)

    1971-1980ArthouseEroticaJapanKô Nakahira

    The man who lives in the past and The woman who abandoned a past. They were lovers 10 years ago, and had met again in Paris.Read More »

  • Ovidio G. Assonitis – Chi sei? aka The Devil Within Her aka Beyond The Door (1974)

    1971-1980CultHorrorItalyOvidio G. Assonitis

    IMDB User wrote:
    I won’t waste time summarizing the plot for this film since the other users have done quite a good job themselves. Basically, you’ve got just one more in a stream of films that cashed in on the success of William Friedkin’s 1973 classic “The Exorcist”. I can only recommend “Beyond the Door” to those who enjoy these types of movies. Director Ovidio G. seems to be the Italian version of William Girdler, who directed his own “exorcist” knock-off that same year with “Abby”, a blaxsploitation version that was actually taken out of theaters after two weeks due to a lawsuit filed by Warner Brothers for plagiarism. If I’m correct, “Beyond the Door” was also attacked by Warner Brothers but I’m not sure what the outcome of that one was. It did manage to stay in the theaters though and actually did good at the box office. “Beyond the Door” copies “The Exorcist” in almost every way and you will either hate it or love it. This time, instead of a young girl, we have Juliet Mills (Nanny and the Professor, Passions) who levitates, vomits, spins her head around, and curses like a sailor, saying things like “lick the whore’s vomit” in a demonic voice.Read More »

  • David Cronenberg – Rabid [+Commentary] (1977)

    1971-1980CanadaDavid CronenbergHorrorSci-Fi

    Freud and Camus and the great Canuck fuck, a David Cronenberg bash. It begins with an abstruse dash of Dreyer (They Caught the Ferry) and briskly gets down to business, a biker chick (Marilyn Chambers) mangled in a road crash and pieced back together via “very experimental” skin-graft surgery. She awakens from her coma bewildered and bloodthirsty, under her armpit now lurks a quivering little Venus flytrap equipped with a peekaboo stinger; helplessly lunging at victims, she embraces, penetrates, and contaminates. The road to Montreal is littered with oozing cannibals snapping at each other, martial law is declared and machine-guns are brought out. On TV, the voice of Science weighs in: “So, uh… don’t let anybody bite you.” The venereal upheaval that bubbled up within the high-rise community in Shivers logically spills out into a foamy Quebec apocalypse, a wintry landscape smacked with tremor upon omnisexual tremor. Read More »

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