1971-1980

The Aurora (Авро́ра) is a Russian protected cruiser, currently preserved as a museum ship in St. Petersburg. She became a symbol of the Communist Revolution in Russia.
During the First World War the ship operated in the Baltic Sea. At the end of 1916, the ship was moved to Saint Petersburg (then Petrograd) for a major repair. The city was brimming with revolutionary ferment and part of her crew joined the 1917 February Revolution. A revolutionary committee was created on the ship (Aleksandr Belyshev was elected its captain). Most of the crew joined the Bolsheviks, who were preparing for a Communist revolution.
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Fashion model Sylvie falls asleep drunk in the cab of Munich taxi driver Paul, and an impossible love affair beckons. Renegade director Klaus Lemke had previously startled German TV audiences with the biker drama Rocker, announcing an unprecedented, unvarnished freshness and authenticity with nonprofessional actors, real dialect and on-the-fly style. In Sylvie, he adds a disarming tenderness.Read More »

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When the church discovers that Josefa is pregnant, she is sentenced to death by decapitation. Her lover Jeronimo is jailed before he can rescue her. When fate intervenes in the form of a massive earthquake, the two lovers have no idea what is in store for them.Read More »

When college professor Peter Proud begins to experience flashbacks from a previous incarnation, he is mysteriously drawn to a place he has never been before but which is troublingly familiar. As if drawn to her by cosmic force, he soon finds himself unwittingly in the company of his previous incarnation’s wife. This woman, Marcia Curtis, recognizes in Peter startling characteristics which he shares with her dead husband, Jeff. Even the sound of his voice seems at times to be that of the dead man. Peter becomes romantically drawn to Ann Curtis who is or was his daughter (Jeff and Marcia’s daughter). Recognizing the incestuous nature of their relationship, Mrs. Curtis tries to keep the two young people apart. But how? Must she reveal the terrible secret of the final minutes she shared with her husband in order to keep this man from her (their?) daughter?Read More »

AllMovie wrote:
In this amazing and complex Argentine historical drama, much of the true story of the 19th-century assassin Juan Moreira comes to the screen. At the time of its release, this Argentine film was the most popular locally made film ever to be shown there. Juan Moreira was a popular folk hero on a par with Billy the Kid in the U.S., and many stories and songs have been written about him over the years. In the movie, the innocent herdsman Moreira (Rodolfo Beban) is thrown into jail at the behest of an important cattle-baron. He emerges from jail a changed man. After killing the cattleman who had him sent to jail, he at first hides among a tribe of native peoples then moves into a brothel.Read More »

An unexpected response to Pinochet’s 1973 coup d’etat in Chile. A Super-8 film apparently found in an embassy -as it’s written in the original title-, where political activists had taken refuge after a military coup d’état. But the events -and their setting- are not what they first appear to be.Read More »

“A VIVIDLY EXECUTED PIECE OF PROVOCATION”

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A key film in the unimpeachable cry-in-the-wilderness corpus of Peter Watkins—a major filmography long marginalized and only now being prepped and released on any form of video— Punishment Park (1971) is an act of howling political righteousness, a dystopian critique intended for the peace-movement years but possibly even more relevant today. The premise is so simple it leaves singe marks: Watkins begins with the very real McCarran Act (just as he had based The War Game on Britain’s own nuclear-warfare cost analysis and contingency plans), which grants Ashcroftian summary-judgment powers to the president in times of potential “insurrection.” The Nixon-‘Nam years were those times, and so the film follows two groups of arrested protesters as they’re led to the Western desert, interrogated by a tribunal and then sent running, with national guardsmen and riot police following on the hunt.Read More »

She purchased a ticket of no return to Berlin-Tegel. She wanted to forget her past, or rather to abandon it like a condemned house. She wanted to concentrate all her energies on one thing, something all her own. To follow her own destiny at last was her only desire. Berlin, a city in which she was a complete stranger, seemed just the place to indulge her passion undisturbed. Her passion was alcohol, she lived to drink and drank to live, the life of a drunkard. Her resolve to live out a narcissistic, pessimistic cult of solitude strengthened during her flight until it reached the level at which it could be lived. The time was ripe to put her plans into action.Read More »

IMDB wrote:
Naive, but brash and sultry teenage runaway Bonnie finds herself lost and adrift in America. The lovely young lass runs afoul of a colorful array of evil oddballs who all treat her like an object: violent criminal Pat makes Bonnie help her kidnap the middle-aged Dan Daubrey; domineering lesbian painter Geraldine Mills wants Bonnie to be her kept girl and uses her as a model; and wicked misogynistic rich sicko Vincent Stackman desires poor Bonnie as the ultimate prized possession in his menagerie of caged female animals he keeps locked up in the basement of his swanky remote mansion.Read More »