1971-1980

This documentary provides a fascinating look at one of the world’s greatest schools of dance, the Kirov School in Leningrad, where renowned dancers such as Nijinsky, Karsavina, Anna Pavlova, Nureyev, Baryshnikov and Makarova have studied. This documentary provides a close-up look at the regimen these dedicated young dancers must follow in order to fulfill their dream of entering the company. Princess Grace of Monaco, a long-time dance enthusiast who supported ballet in her own principality, narrate the film.Read More »

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Harold, a prosperous English gangster, is about to close a lucrative new deal when bombs start showing up in very inconvenient places. A mysterious syndicate is trying to muscle in on his action, and Harold wants to know who they are. He finds out soon enough, and bloody mayhem ensues.Read More »

Synopsis
The very modest lawyer (Jean-Louis Trintignant) in this case of murder finds much more than he is looking for and then must decide what to do with the unwelcome information. He is defending a woman who is accused of killing her lover. It turns out that the lover was actually killed during a holdup, and was a member of a gang which did bullying favors for local politicians; and the trail doesn’t end there.

Un avocat est commis d’office pour défendre une prostituée chez qui a été découvert le cadavre d’un amant. L’avocat s’applique, face au mutisme de sa cliente, à faire toute la lumière sur l’affaire…Read More »

An editor goes to visit her lecherous old professor to discuss a new publication of Akinari Ueda’s Tales of Spring Rain, and he recounts the story of a revived mummified Buddhist monk who ran amok in a village in pre-modern Japan. In the present, he tells her that her late husband has been spotted roaming nearby lately…Read More »

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Werner Herzog’s third feature is a haunting, sardonic exploration of Africa as it was “in the beginning,” and as it becomes glutted with the wastes of technological civilization. Amos Vogel writes of the film: “Marvelous, sensual, 360-degree travelling shots of animal cadavers, barbed wire, industrial wastes, decaying trucks, sudden oil wells, ominous surrealist tableaux — all embedded in tragically alienated landscapes of sand and disassociated natives — create an obsessional, hypnotic statement whose anti-technological, anti-totalitarian, cruelly anti-sentimental humanism is subtle, overpowering, and inexplicable to shallow Left and know-nothing Right.”Read More »

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A half-breed ex-Union gunfighter attempts to protect his plague-ridden hometown from being overridden by his racist half-brothers and a Confederate tyrant.

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After the civil war’s conclusion, a half-breed returns to his home town only to discover that the ruthless gang is now in control and terrorize the locales.

Keoma was co-written and directed by Enzo G. Castellari, who’s other notable films include Street Law, High Crime and The Inglorious Bastards. Key collaborators on Keoma include cinematographer Aiace Parolin (Seduced and Abandoned, Baba Yaga), composers Guido De Angelis and Maurizio De Angelis (Torso, Alien 2: On Earth) and screenwriter George Eastman (Rabid Dogs, Erotic Nights of the Living Dead).Read More »

IMDB:
At the happy Willard ranch, a moonshiner father decides to teach his son a lesson or two about women, however, no one can come between Junior and his Sassy Sue.Read More »

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“The title refers to Japanese landscape painting on rolls. Furthermore it indicates the film’s theme, the balance of colors (blurred tones of blue, green and grey) and the type of montage that gives priority to continuity of development rather than to disruption and contrast. This continuity is achieved by dissolvings and double exposures and by extremely long pans. The rhythm accelerates: a meditation on landscape, which unfolds before the eye or is visually paced out, gives way to fluidity and pure motion, to a feeling of dizziness, the result of two contrasting camera movements.Read More »

Plot
The film opens in a puppet theater, where three audience members—a military officer, a taxi driver, and a woman on a shopping trip—discover they are being depicted as marionette caricatures against a backdrop of newsreel footage from the 1920s through the 1950s. They find themselves trapped backstage amidst bizarre circumstances … the puppet master is found dead above the stage, a gigantic plaster hand drops from the ceiling to the floor, and a deafening siren blares endlessly. The trio escapes from the theater to a beach, where the military officer locates the siren and kicks it, causing it to blow up.Read More »