Nominated for a Best Foreign Film Oscar in 1974, this follow-up to WITH FIRE AND SWORD is set in the 17th century during the Swedish invasion and occupation of Poland, known as The Deluge, which left the country in ruins.
Based on a novel by Henryk Sienkiewicz, Deluge follows the romance between a violent soldier and the young woman who tries to tame him.Read More »
Synopsis:
At the core of Without Trace is a story about a young girl who is the daughter a prominent doctor. When the girl goes missing her father gets the police to jump into action because of his class status / wealth. Early on this provides one in the story this provides one of the many intricate back stories. There is a loose cannon detective who takes offense to the fact that the police bend over backwards when someone of wealth is involved and drag their feet when it is someone from a poverty background. Things quickly change when the young girls body is discovered and this detective become more sympathetic towards her.Read More »
Museum of the Moving Images writes:
Taking full advantage of Caan’s versatile ability to play both a strapping intimidator and limber comedian, Freebie and the Bean is an early entry in the buddy comedy genre that partners him with Alan Arkin as squabbling San Francisco police detectives. While ostensibly in pursuit of mob boss Red Meyers (Kruschen), the real action takes place between the mismatched Freebie Waters (Caan) and Benito Vazquez (Arkin), who leave the city cowering in fear of their technically friendly fire and careering, crashing cars. Directed by Richard Rush (The Stuntman) and shot by László Kovács (Easy Rider, Close Encounters of the Third Kind), is full on, unbridled entertainment, riddled with hyperbolic chase sequences and viciously hilarious repartee.Read More »
Brooklyn Academy of Music writes:
Amidst the wide open majesty of Montana, an ex-con turned preacher (Eastwood) resumes his bank robbing ways when he teams up with a brash young scofflaw (Bridges). Clint Eastwood’s tough guy terseness plays nicely off Jeff Bridges’ goofy amiability in this wonderfully loose-limbed combination of ‘70s road movie, buddy comedy, and heist film, which marked the feature debut of The Deer Hunter director Michael Cimino.Read More »
Quote:
Handicapped Future is a 1971 documentary film by Werner Herzog about physically disabled children in Munich. The film was made at the request of a disabled friend of Herzog’s, specifically in order to raise awareness for the cause of the disabled in West Germany.Read More »
IMDB:
In one of his daily wanderings, Ghassem Siah, a young jobless guy who leads a street life, runs into a young American tourist girl who is spending her last day in Tehran. Without understanding each other’s words, they strike up a friendship and the girl accepts to sleep with him. But Ghassem doesn’t have a place of his own and the girl is to depart by the next morning. Together they set off on the glistening yet hostile streets of modernizing Tehran of the 70s, in a futile search of a corner of intimacy, while time is ticking away….Read More »
Bush Mama is the story of Dorothy and her husband T.C., a discharged Vietnam veteran who thought he would return home to a “hero’s welcome.” Instead he is falsely arrested and imprisoned for a crime he didn’t commit. Theirs is a world of welfare, perennial unemployment, and despair. To some, the film may appear bleak and nihilistic with its stark black-and-white photography, but its message is moving and distinct.Read More »
Synopsis
“Jump Cut” wrote:
In CHILD OF RESISTANCE (1972), the camera follows the central figure, a woman dressed in a robe, hands bound, being transported through a barroom into a jail cell, directly outside of which later appears a jury box filled with jurors. Linearity is rejected as space is treated poetically, following the coordinates of a propulsive social idea — the social imprisonment of black women.Read More »
Peter Martins – en danser is a classical documentary using illustrative visuals, interviews with the subject, and a linking narrative voice over paints a portrait of the Danish ballet star with the New York City Ballet. “I cannot deal with second best people”, the handsome, self-assured Martins says, describing himself as a monstrously ambitious man who is however able to regard his work as a continual learning process. The film follows Martins as a dancer and choreographer, primarily in the rehearsal room but also on stage.Read More »