Two distant cousins meet at a wedding banquet for an elderly couple. Over time, a close friendship develops between them, but their spouses begin to think that they are more than just friends.Read More »
1971-1980
-
Jean-Charles Tacchella – Cousin cousine (1975)
1971-1980ComedyFranceJean-Charles TacchellaRomance -
Pierre Grimblat – Dites-le avec des fleurs aka Say It with Flowers (1974)
Pierre Grimblat1971-1980DramaSpainSpanish cinema under FrancoThrillerSynopsis:
In this bizarre psychological thriller, a handsome young boy (John Mouder-Brown), who is marred by a strange birthmark on his face, tells a disturbing tale about how his family died. The family had been living for some time in a villa which was overgrown with flowering vines. Some of the vines even penetrate to the inside of the house. It seems that the boy’s father, (Fernando Rey), was part of a conspiracy to kill Hitler, and when the plot failed, he was forced to kill his family in order to prevent them from suffering horrible torture. Unable for some reason to kill himself, he escaped but became the victim of amnesia after a motorcycle accident. When a German governess came to stay, his father’s memory is revived. The boy travels to Germany in pursuit of the governess and learns that her family seeks vengeance from his father.Read More » -
Rainer Werner Fassbinder – Wie ein Vogel auf dem Draht AKA Like a Bird on a Wire (1975)
Rainer Werner Fassbinder1971-1980ArthouseCampGermanyWie ein Vogel auf dem Draht (1974)
“A pseudo variety show about the Aufbau-Era, the time of the German “economic miracle,” when Kondrad Adenauer was Chancellor of the Federal Republic of Germany (1949-63). Songs are sung and Brigitte Mira tells a few jokes.”Read More »
-
John Berry – Claudine [+Commentary] (1974)
1971-1980DramaJohn BerryUSA

Quote:
Diahann Carroll is radiant in an unforgettable, Oscar-nominated performance as Claudine, a strong-willed single mother, raising six kids in Harlem, whose budding relationship with a gregarious garbage collector (an equally fantastic James Earl Jones) is stressed by the difficulty of getting by in an oppressive system. As directed by the formerly blacklisted leftist filmmaker John Berry, this romantic comedy with a social conscience deftly balances warm humor with a serious look at the myriad issues—from cycles of poverty to the indignities of the welfare system—that shape its characters’ realities. The result is an empathetic chronicle of both Black working-class struggle and Black joy, a bittersweet, bighearted celebration of family and community set to a sunny soul soundtrack composed by Curtis Mayfield and performed by Gladys Knight & the Pips.Read More » -
Johan van der Keuken – Het Witte Kasteel AKA The White Castle (1973)
Johan van der Keuken1971-1980ArthouseDocumentaryNetherlandsHet Witte Kasteel (1973)
Part of Johan van der Keuken’s North/South series, The White Castle focuses on the impact of the West on the underclass: on the concrete realities of their daily life and on the way their existence is isolated and frustrated. Interweaving images of the Spanish tourist mecca of Formentera, a community center in Columbus, Ohio, and factories in the Netherlands, the film vividly illustrates the fragmented, alienated lives that the market economy produces and chillingly portrays what van der Keuken saw as “a conveyor belt [that] runs across the world.”Read More »
-
Piero Vivarelli – Codice d’amore orientale (1974)
Piero Vivarelli1971-1980EroticaItalySynopsis:
Yawalak e Sailuk, a girl and a boy fallen in love respectively with other persons, in order to avoid marriages established by their parents against their owns feelings, leave the native village and wander through wild areas until they reach a ruined temple. Here they are welcome by the Priest of Love and introduced into a community made up of young couples who follow the master’s precepts. The master, telling a lot of love or erotic oriental tales, teaches the secrets of the most natural, complete and satisfactory copulationRead More » -
Clive Barker – Salome (1973)
Clive Barker1971-1980ExperimentalHorrorUnited Kingdom

Salome (1973)
Clive Barker wrote:
These are home movies, they are movies that were made in people’s cellars and people’s front rooms, with a lot of passion and no money. I think they are interesting little films, almost a thing prophetic about them in a sense, particularly in ‘The Forbidden’, the atmosphere of dread and anxiety that hangs over the movie and obviously the erotic elements and the nails in the nail board. These definitely prefigure what we see later in the Hellraiser movies. I think they are an interesting artefact, and I am glad they have found their way to video. Just for the average filmgoer, they wouldn’t mean a whole heap. For people who are really familiar with my whole mythology and my approach to things I think they are an interesting piece of insight in to how these images and ideas developed over the years.Read More »
-
Bogdan Zizic – Ne naginji se van aka Don’t Lean Out the Window (1977)
1971-1980Bogdan ZizicDramaYugoslaviaYugoslavian Cinema under TitoNe naginji se van (1977)
IMDB:
Encouraged by the stories of guest workers who pay visit to their homeland, a young man Filip finds himself on a central station in Frankfurt on the Main, Germany. While looking for his old friend Mate who would help him to get around in new environment, Filip experiences one trouble after another until he finally finds Mate lethally wounded.Read More » -
Yasuzo Masumura – Sonezaki Shinju AKA Double Suicide of Sonezaki (1978)
1971-1980AsianDramaJapanYasuzô Masumura

From All Movie Guide:
“Suicide has long been used as a form of social protest in Japan. In this film, set in 1703, samurai culture is being transformed by the emergence of a new merchant class. Elements of the social contract are beginning to unravel, and some unscrupulous people took undue advantage of these changes before the social order was re-created. In this story, a rich merchant gives his clerk an I.O.U. instead of wages. When the impoverished clerk presents the paper to the merchant at the agreed upon time asking for payment, the man flies into a rage and pretends he never wrote it and claims the clerk is trying to defraud him. Then he sets his henchmen on the clerk to administer a beating. Though similar in story and period, this is a different film from the 1969 Double Suicide by director Masahiro Shinoda.”Read More »





