1971-1980

A crook masquerading as an Army Colonel in charge of gold shipments, replaces gold ingots with fakes. Spirito Santo is recruited to solve the case and make sure the gold gets through.Read More »

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«La Région Centrale» was made during five days of shooting on a deserted mountain top in North Quebec. During the shooting, the vertical and horizontal alignment as well as the tracking speed were all determined by the camera’s settings. Anchored to a tripod, the camera turned a complete 360 degrees, craned itself skyward, and circled in all directions. Because of the unconventional camera movement, the result was more than merely a film that documented the film location’s landscape. Surpassing that, this became a film expressing as its themes the cosmic relationships of space and time. Cataloged here were the raw images of a mountain existence, plunged (at that time) in its distance from civilization, embedded in cosmic cycles of light and darkness, warmth and cold.Read More »

Nurse Charlotte Beale arrives at the isolated Stephens Sanitarium to work, only to learn that Dr. Stephens was murdered by one of the patients and his successor, Dr. Geraldine Masters, is not very eager to take on new staff. Charlotte finds her job maddeningly hard as the patients torment and harass her at every turn, and she soon learns why Dr. Masters is so eager to keep outsiders out.Read More »

There’s a distinct madness to Georgian auteur Eldar Shengalaia’s method when it comes to blending political satire and humour. He deploys madcap comedy with ease to both disguise and expose the nuanced complexities of individual and societal living during the Soviet era. The 1973 surrealistic satire Eccentrics is Shengalaia’s second feature-length comedy, in which he rekindles the thematic pneuma of his earlier diploma films such as Legend of the Frozen Heart and Fairy Tale in Snow (1958-60) by juxtaposing fantasy and reality in a fable-like love story, described variously by critics as “poetic”, “grand and eternal”, “a parable of grotesque realism” and “vaudeville-like.”Read More »

(auto-translated: ) An attempt to present, played by an actor, the mental universe of a schizophrenic, i.e. a patient whose inner life is supposed to be unable to distinguish between the dream world and reality. Description of the particularly rich oniric production of the subject (associative images, visual reminiscences, feelings of influence, strangeness) and its dramatic outcome.Read More »

A dutiful grand-daughter goes home to take care of her elderly grandmother. Once there, she finds herself trapped inside the house with a homicidal maniac.Read More »

During World War II, an intelligence officer is dispatched by the U.S. government to arrange an exchange in Argentina of industrial diamonds needed by the Germans for a secret gyroscope needed by the Allies.

One of four miniseries comprising NBC’s Best Sellers anthology, The Rhinemann Exchange was adapted from the Robert Ludlum novel of the same name. Stephen Collins stars as American intelligence officer David Spaulding, who under cover of his musician father’s concert tours embarks upon a number of fact-finding missions in Europe just before WW2.Read More »

Clare Kitson in “Yuri Norstein and Tale of Tales: An Animator’s Journey” wrote:
Norstein’s workbook’ [трудовая книжка] (something like a car’s service book, recording developments throughout one’s working life) shows his promotions (and hence pay-rises) progressing at a snail’s pace. Yet in 1972, while still officially a humble ‘animator category 1’, he was commissioned to make his first fully independant film as director. By this time, the unwilling animator had had something of a change of heart and was now passionately aspiring to direct animation – partly out of frustration with some of the bad projects he had beeRead More »

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Sometimes, when life is getting too much for you with lots of stupid dramas, there’s only one thing that will really cheer you up. And that’s a really classic trashy movie. If said movie happens to star Joan Collins, even better. The Stud is a movie tailor-made for these situations.

Oliver Tobias is the stud of the title, Tony Blake. He was a waiter, a poor working-class kid with big ambitions, a pretty face and a hot body. He attracted the attention of the fabulously wealthy Fontaine Khaled (Joan Collins), or rather his hot body attracted her attention. So she set him up as manager of a night-club, although his main duties are to satisfy her sexual appetites. He’s constantly on call in case she has a sexual emergency that requires immediate servicing. And this happens to Fontaine quite frequently.Read More »