1941-1950

  • Michael Curtiz – The Unsuspected (1947)

    1941-1950250 Quintessential Film NoirsFilm NoirMichael CurtizMysteryUSA

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    Noir of the Week review
    Don Malcolm

    What has Laura got that The Unsuspected hasn’t? All the romantic, mid-range melodramatic elements that make for an essentially safe, polished, none-too-threatening entertainment experience—a dynamic, exceptionally attractive couple in Gene Tierney and Dana Andrews; a marvelously b*tchy homme fatale in Clifton Webb; a celebrated score and theme song from David Raksin.Read More »

  • Yves Allégret – Une si jolie petite plage aka Riptide (1949)

    1941-1950DramaFilm NoirFranceYves Allégret

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    Summary
    One rainy night, a stranger arrives in a nondescript seaside town and checks into a cheap hotel. All that is known about him is his name – Pierre – and everyone he meets is suspicious of him. He appears to know the area well; he looks to be in good health. But why is he here? Why is he so sad? The answers emerge when another man appears on the scene, an acquaintance of Pierre who knows the crime that he has committed and who intends to use the information to his own advantage…Read More »

  • Jules Dassin – The Naked City (1948)

    USA1941-1950250 Quintessential Film NoirsCrimeFilm NoirJules Dassin

    Quote:
    There are eight million stories in the Naked City,” as the narrator immortally states at the close of this classic film by Master noir craftsman Jules Dassin—and this is one of them. A model is found dead in the bathtub of her apartment, apparently after committing suicide. However, the coroner realizes that she was actually murdered with a simulation of suicide, and the experienced Homicide Lieutenant Detective Dan Muldoon initiates his investigations with Detective Jimmy Halloran and his team.Read More »

  • Elia Kazan – Gentleman’s Agreement (1947)

    Drama1941-1950ClassicsElia KazanUSA

    From Classic film:
    One of the earliest films about anti-Semitism in the U.S.A. (though Oscar Best Picture winner, The Life of Emile Zola (1937) dealt with the subject in France), this Best Picture winner ironically competed against another (better?) film based on the same, Crossfire (1947). The former is a story about a gentile writer who pretends to be Jewish and then experiences the prejudice firsthand, while the latter explores a murder whose anti-Semitic motive is at first unknown. Additionally (even stranger?), these two similar films competed with a Dickens classic & two traditionally Christmastime films The Bishop’s Wife (1947) and Miracle on 34th Street (1947). But Best Actor nominee Gregory Peck & Director Elia Kazan (winning an Oscar with his first nomination) proved a more powerful combination than the three Roberts (Young, Mitchum, Ryan – though Robert Ryan was nominated for Best Supporting Actor) & Director Edward Dmytryk, who received his only Academy Award nomination.Read More »

  • Peter Godfrey – The Two Mrs. Carrolls (1947)

    1941-1950DramaFilm NoirPeter GodfreyUSA

    Plot Synopsis by Paul Brenner:
    Humphrey Bogart plays a psychotic killer who disposes of his wives through slow ingestion of poison in The Two Mrs. Carrolls, made in 1945 but shelved for two years because of its similarity to Gaslight. Bogart is Geoffrey Carroll, an artist who paints a portrait of his wife as “The Angel of Death” and then meets Sally Morton (Barbara Stanwyck), with whom he quickly falls in love. In order to get rid of his wife and take up with Sally, Geoffrey slowly poisons his spouse by lacing her nightly glass of warm milk with liberal doses of toxic chemicals. He sends his daughter Beatrice (Ann Carter) away to school and, while the daughter is away, his wife dies. Read More »

  • Emilio Fernández – Salón México (1949)

    1941-1950DramaEmilio FernándezFilm NoirMexico

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    Plot Synopsys:
    A famous cabaret in Mexico City, Salón Mexico was staffed by ficheras, women who charged clients for dancing and, more often than not, for sex. Fernández’s celebrated melodrama tells the story of one such dancer, Mercedes (Marga López) who must fight off the attentions of an abusive pimp while working to finance the schooling of her younger sister. A danzón contest offers salvation, but will Mercedes see her chance of redemption cruelly snatched away? Deliciously dark with noir overtones, its fine performances are matched by Gabriel Figueroa’s superlative cinematography.Read More »

  • Nicholas Ray – Knock on Any Door (1949)

    1941-1950DramaFilm NoirNicholas RayUSA

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    Quote:
    Andrew Morton is an attorney who made it out of the slums. Nick Romano is his client, a young man with a long string of crimes behind him. After he lost his paycheck gambling, hoping to buy his wife some jewelry, she announced she was pregnant, Later he finds her dead from suicide. When he turns again to robbery he’s caught by a cop and Nick pumps all his bullets into him in frustration. Morton’s appeal to the court emphasizes the evils of the slums.Read More »

  • Georges Bataille – The Cruel Practice of Art (1949)

    1941-1950BooksFranceGeorges Bataille

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    Description:
    Bataille’s reflections on art and its relations with human inner experiences.
    (Essay in English.)Read More »

  • Lance Comfort – Penn of Pennsylvania (1942)

    1941-1950DramaLance ComfortUnited Kingdom


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    Plot Synopsis
    “Originally released in England as Penn of Pennsylvania, this is the story of legendary Quaker leader William Penn. As portrayed by Clifford Evans, Penn is courageous if pedantic crusader for religious liberties, bound and determined to create a new colony for himself and his fellow Quakers. This he does when he journeys to the New World to form the colony of Pennsylvania. Understandably concentrating on Penn and his disciples, the film gives short shrift to several other important historical characters, notably King Charles II (Dennis Arundell). Deborah Kerr is likewise given little to do as Penn’s faithful and supportive wife Gulielma.”–Hal Erickson, AllMovieRead More »

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