1931-1940

Synopsis:
The young Suzy is a nightclub hostess in a cabaret in which Frehel is the star. Because one night she gets propositions from a rich widower who would like to have her as his girlfriend, Suzy wishes to leave this place, where she has no future, for a better one. Abandoned by her protector, a young hoodlum named Robert, she gets the occasion to get away from it. She decides to go on vacation on the Riviera and stay at the Chateau des Cedres, the former residence of a noble family that has been transformed into a bourgeois guest house by the baroness Saint-Leu. Shy and elegant, in her modest suit, Suzy stays there under the name of Suzanne Michelet and soon makes new friends among the young people of very wealthy families.Read More »

Plot:
Bob Hope is being stalked by a predatory widow who is a widow of wealthy husbands many times over. Martha Raye is a Texan heiress who wants to marry her boyfriend Andy Devine, but her father is determined that she marry into royalty. To solve both their problems, Martha Raye and Bob Hope decide to marry, but will they ever find love together?Read More »

Plot:
Adapted from Norman Krasna’s Broadway hit A Small Miracle, Four Hours to Kill is a multi-plotted effort that can best be described as “Grand Hotel goes to the theater.” Richard Barthelmess stars as Tony, a condemned murderer, who is handcuffed to Detective Taft (Charles Wilson) while en route to the death house. Tony breaks loose and heads for the theater, where the man who squealed on him is attending a play. As the killer prepares to rub out the stoolie, the action cuts away to the romance between a hatcheck boy (Joe Morrison) and his girlfriend (Helen Mack), which is complicated by the clerk’s allegedly pregnant former love (Dorothy Tree). Another subplot involves unfaithful wife Gertrude Michael and her lover Ray Milland. All the various plotlines are knitted together in the climax, wherein Tony closes in on his intended victim.Read More »

It starts straight away with our young hero trying to shoot a bullet into his head. No explanation whatsoever is given as to his motives – moviegoers in the Germany of 1931 obviously did not need any. He is disturbed by a burglar and puts a contract on himself, so to speak. The burglar tells him that he will hit him in the near future and dutifully makes a cross on his back with a piece of chalk – not unlike the ‚M’ in Fritz Lang’s movie of the same year. With the cross on his back the young hero goes to a nightclub – and falls in love with a young girl. Of course he tries to rescind from the contract and desperately looks for the burglar, only to learn that he had passed on the job to a subcontractor! Not just any subcontractor, but the very same Jim, the man with the scar, as he solemnly declares.Read More »

In order to give up her life of crime and go straight, renowned jewel thief Sophie Lang fakes her own death and retires to London.Read More »

Synopsis:
Yelena (Mariya Strelkova), a well-off would-be singer who can’t carry a tune, mistakes shepherd Kostya Potekhin (Leonid Utyosov) for a famous Italian conductor of a jazz orchestra and invites him to an elegant party held in her house. He plays his pan flute, which attracts the herd of animals from his kolkhoz to the dining tables. Yelena’s servant Anyuta (Lyubov Orlova) falls for Kostya. But Kostya is attracted to Yelena, and when she turns him down following the discovery of his real identity, he is very upset. He leaves for the city to try himself as a professional musician and finds himself in many comical situations. Eventually he joins a jazz band consisting of young “jolly fellows”. Read More »

An experimental animated short from Douglass Crockwell which derives its subject matter from his home Glens Falls.

Just sit back and watch….

This is just one of many strange films from the DVD collection “Unseen Cinema: Early American Avant-Garde Film 1894-1941” and it’s from Disc 3. In “Glen Falls Sequence”, Douglass Crockwell used non-drying paints to finger paint or sandwiched the paint between glass panes to create some very unusual kinetic art. Despite being made well into the sound age, there was no accompanying music. The result is very interesting to watch but many will most likely not enjoy it because there is no narrative–just cool artsy images. It’s not bad at all for what it is and must have taken a lot of work to create. However, due to the type of film that it is, you really can’t give it any sort of numerical rating–but instead just sit back and enjoy it.Read More »

Quote:
A colonial scene in the U.S. An old lady sits astride a bell while a man in blackface, wig, and livery pulls the bell rope. From an upper door emerges an old man, dressed as a dandy, who tips his hat to the woman as he walks down stairs grinning. Others leave the same door and walk down the same stairs: a shabby man, a cop, and, several times, the same dandy. The man in blackface hangs himself; the dandy continues to smile. A bell tolls, a grave beckons. In the dark, the dandy plays the piano. Is he Death?Read More »

Synopsis:
Femme fatale Madeleine Robinson is married to Raymond Aimos, a coal miner with a face like a pickled walnut and a libido to match. She wants some action, and what she can’t get from her impotent husband, she looks for elsewhere, first with his best friend Pierre Brasseur, then with his boss Lucien Gallas, who is also dating Brasseur’s kid sister Odette Joyeux.Read More »