1931-1940

  • George B. Seitz – The Thirteenth Chair (1937)

    1931-1940DramaGeorge B. SeitzMysteryUSA

    The 1937 Thirteenth Chair was the third film version of the 1919 stage melodrama by Bayard Veiller. Dame Mae Whitty dominates the proceedings as Mme. La Grange, a phony mystic who is on hand when a man is killed during one of her seances. The killing takes place in the home of a provincial British Indian governor, and the victim was a blackmailer whom everyone present had good reason to despise. Complicating matters for Mme. La Grange is the fact that one of the suspects, Nell O’Neill (Madge Evans) is her own daughter. Dissatisfied with the manner in which brusque Scotland Yard inspector Marney (Lewis Stone) is investigating the case, La Grange takes matters in her own hands, stage-managing a second seance so that the guilty party will be frightened into a confession. More slickly produced than the 1929 version of Thirteenth Chair, the remake isn’t quite as enjoyable, lacking two vital ingredients: Margaret Wycherly and Bela Lugosi, the earlier version’s Mme. LaGrange and Inspector Marney.Read More »

  • Maurice Elvey – The Clairvoyant (1935)

    1931-1940DramaMaurice ElveyMysteryUnited Kingdom

    A fake music-hall clairvoyant meets a woman, and suddenly his predictions seem to come true …Read More »

  • Josef von Sternberg – The Fashion Side of Hollywood (1935)

    USA1931-1940DocumentaryJosef von SternbergShort Film

    Quote:
    Compilation of lighting and costume tests from various films, most notably Sternberg’s The Devil Is a Woman (1935).Read More »

  • Norman Z. McLeod – It’s a Gift (1934)

    1931-1940ComedyNorman Z. McLeodUSA

    A henpecked New Jersey grocer makes plans to move to California to grow oranges, despite the resistance of his overbearing wife.Read More »

  • Irving Reis – One Crowded Night aka La Noche Plena (1940)

    1931-1940CrimeDramaIrving ReisUSA

    Plot Synopsis:
    One Crowded Night, the 1940 Irving Reis crime mystery melodrama, brings a story (in true “Grand Hotel” fashion) about a group of unrelated people at a small struggling motor lodge in the Mojave Desert, and all of them have crucial events occur to them during one fateful night. Former gun moll Gladys (Billie Seward) hopes to find happiness with honest truckdriver Joe (William Haade), but her past catches up with her in the form of escaped convict Jim (Paul Guilfoyle). Lunch-counter waitress Annie (Gale Storm) allows gas station attendant Vince (Dick Hogan) to flirt with her. Young mother-to-be Ruth (Adele Pearce), on the verge of giving birth, is unexpectedly reunited with her AWOL sailor husband Mat (Gaylord Pendleton). Quack doctor Joseph (J. M. Kerrigan) tries to peddle his miracle elixir. A pair of gunmen show up to knock off Jim, a couple of MPs arrive to pick up Mat, and so it goes?.Read More »

  • Charles Chaplin – Modern Times (1936)

    1931-1940Charles ChaplinComedyRomanceUSA

    Quote:
    I don’t have much patience with colleagues who dismiss Charlie Chaplin by saying that Buster Keaton was better (whatever that means). To the best of my knowledge, with the arguable exception of Dickens, no one else in the history of art has shown us in greater detail what it means to be poor, and certainly no one else in the history of movies has played to a more diverse audience or evolved more ambitiously from one feature to the next. The opening sequence in Chaplin’s second Depression masterpiece (1936), of the Tramp on the assembly line, is possibly his greatest slapstick encounter with the 20th century, and as Belgian filmmakers Luc and Jean-Pierre Dardenne have brilliantly observed, the famous shot of his being run through machinery equates him with a strip of film. Still, there’s more hope here than in Chaplin’s preceding City Lights, perhaps because this time the Tramp has Paulette Goddard, another plucky urchin, to keep him company.Read More »

  • Humberto Mauro – Ganga Bruta (1933)

    1931-1940BrazilClassicsDramaHumberto Mauro

    From Wikipedia:
    Ganga Bruta (literally translated as “Brutal Gang”; also known as Rough Diamond) is a 1933 Brazilian drama film directed by Humberto Mauro. Starring Durval Bellini and Déa Selva, it follows a man who, after killing his wife on their wedding night, moves to a city where he becomes part of a love triangle. It was produced between 1931 and 1932 for Adhemar Gonzaga at his studio Cinédia.Read More »

  • Fritz Lang – Fury (1936)

    1931-1940CrimeDramaFritz LangUSA

    When a wrongly accused prisoner barely survives a lynch mob attack and is presumed dead, he vindictively decides to fake his death and frame the mob for his supposed murder.Read More »

  • Tim Whelan – Ten Days in Paris AKA Missing Ten Days (1940)

    1931-1940DramaTim WhelanUnited Kingdom

    Summary:
    Bob Stevens (Sir Rex Harrison) awakens in a hospital with a gunshot wound to his head, and is told that he has been in Paris for ten days. However, this cannot be true because he insists that he crashed his plane and has no recollection of being anywhere for ten days. Bob decides to follow a note found in his jacket, to the woman who wrote it, “Miss D”, and get to the bottom of the whole strange situation.Read More »

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