Plot:
Baal explores the cult of the genius, an anti-heroic figure who chooses to be a social outcast and live on the fringe of bourgeois morality.

	
baal.1970.720p.bluray.x264-pussyfoot.mkv

General
Container:  	Matroska
Runtime: 	1h 27mn
Size: 	3.28 GiB
Video
Codec: 	x264
Resolution: 	976x720 
Aspect ratio:  	4:3
Frame rate: 	24.000 fps
Bit rate: 	4 607 Kbps
BPP: 	0.273
Audio
#1:  	German 2.0ch DTS @ 768 Kbps

https://nitro.download/view/870CB0A3E0F7861/Baal__1080p__(2_Mar_1982)__WebDL_x264_Subs_.mkv

Language(s):German
Subtitles:English

The post Alan Clarke – Baal (1982) first appeared on Cinema of the World.

Spending every evening in a new and mysterious stranger’s bed, capricious transient Nore agrees to move into a spare room eagerly offered to her by Jonna, a reserved medical student. Against the odds, this unlikely pair finds solace in each other and fall into an intoxicating pattern of partying hard at night with the local men vying for their attention. As their relationship intensifies, Nore’s troubled past comes to light and threatens to dismantle the blissfully ignorant, inexplicably jubilant lifestyle they’ve built together in this “candy-colored, flamboyant and deeply personal film.” (Variety)

Smalltown.Girl.2025.German.1080p.WEB.H264-SiXTYNiNE.mkv

General
Container:  	Matroska
Runtime: 	2 h 1 min
Size: 	8.13 GiB
Video
Codec: 	h264
Resolution: 	1920x960 
Aspect ratio:  	2.000
Frame rate: 	25.000 fps
Bit rate: 	8 940 kb/s
BPP: 	0.194
Audio
#1:  	German 5.1ch E-AC-3 @ 640 kb/s (Deutsch)

https://nitro.download/view/B65FC34AC247EAD/Smalltown.Girl.2025.German.1080p.WEB.H264-SiXTYNiNE.mkv

Language(s):German
Subtitles:English, German, German forced

The post Hille Norden – Smalltown Girl AKA Easy Girl (2025) first appeared on Cinema of the World.

A night watchman tells three extraordinary stories to a journalist and a producer, trapped with him in a lift. Embedded in a single story, three tales develop some interesting themes, notably that of a double persecutor. Some good actors for some harrowing moments.

Geisterstunde - Fahrstuhl ins Jenseits (1997).mkv

General
Container:	Matroska
Runtime:	1h 32mn
Size:	687 MiB
Video
Codec:	h264
Resolution:	720x576 ~> 768x576
Aspect ratio:	4:3
Frame rate:	25.000 fps
Bit rate:	915 kb/s
Audio
2.0ch MP3 @ 128 kb/s

https://nitro.download/view/A7B802089375ADB/Geisterstunde_-_Fahrstuhl_ins_Jenseits_(1997).mkv

Language(s):German
Subtitles:None

The post Rainer Matsutani and Sebastian Niemann – Geisterstunde – Fahrstuhl ins Jenseits (1997) first appeared on Cinema of the World.

Sandra Hüller (Anatomy of a Fall, The Zone of Interest, Toni Erdmann) won Theater Heute magazine’s actress of the year award in 2020 for her turn as Hamlet in this staging by Dutch director Johan Simons.

“As the melancholy Dane, Hüller … digs deep into the character’s grief and isolation in this spare yet faithful production, which originated at the Schauspielhaus Bochum.” —AJ Goldman, The New York Times

“The Bochum Hamlet was shown in a television version made by the German broadcaster 3sat, directed for television by Catharina Kleber. Theatre makers habitually look down on streams because there the camera gets to decide where one looks. The same people have no qualms about superimposing close-ups of their actors on an on-stage screen, which is something of a contradiction. In this version the camera picked up entrances, exits and the composer/musician Mieko Suzuki at the moments of soundscape change just as the eye would have.” —Matti Linnavuori, Critical Stages

Hamlet.2020.WEB-DL.mkv

General
Container:  	Matroska
Runtime: 	1 h 58 min
Size: 	1.81 GiB
Video
Codec: 	x264
Resolution: 	640x360 
Aspect ratio:  	16:9
Frame rate: 	25.000 fps
Bit rate: 	2 000 kb/s
BPP: 	0.347
Audio
#1:  	German 2.0ch AAC LC @ 192 kb/s

https://nitro.download/view/4084AD126F088A8/Hamlet.2020.WEB-DL.mkv

Language(s):German
Subtitles:English muxed

The post Johan Simons & Catharina Kleber – Hamlet (2020) first appeared on Cinema of the World.

Out of her love for the great thinker Leibniz, Queen Charlotte commissions a portrait of him. During the portrait sessions, the philosopher and the young painter engage in a passionate struggle for truth in image and likeness, and ultimately for love and death.

Leibniz.-.Chronik.eines.verschollenen.Bildes.2025.German.EAC3.1080p.WEB.H264-SiXTYNiNE.mkv

General
Container:  	Matroska
Runtime: 	1 h 42 min
Size: 	6.35 GiB
Video
Codec: 	h264
Resolution: 	1440x1080 
Aspect ratio:  	4:3
Frame rate: 	24.000 fps
Bit rate: 	8 215 kb/s
BPP: 	0.220
Audio
#1:  	German 5.1ch E-AC-3 @ 640 kb/s (Deutsch)

https://nitro.download/view/65653746F7DCF5D/Leibniz.-.Chronik.eines.verschollenen.Bildes.2025.German.EAC3.1080p.WEB.H264-SiXTYNiNE.mkv

Language(s):German
Subtitles:German, English

The post Edgar Reitz & Anatol Schuster – Leibniz: Chronik eines verschollenen Bildes AKA Leibniz – Chronicle of a Lost Painting (2025) first appeared on Cinema of the World.

Voice From The Guardian wrote:
Joachim Lang’s bleak film shows a preening Goebbels and a careworn Hitler as they battle to convince the German public, and themselves, they will win the war.

In an appropriate spirit of cynicism and bleakness, German director Joachim Lang has made a film about the private life of Nazi propagandist Joseph Goebbels, the Hexenmeister or chief sorcerer of lies, and his always strained relationship with Hitler. Robert Stadlober plays the preening and self-pitying Goebbels and Fritz Karl is a careworn Hitler. Franziska Weisz plays Goebbels’s wife Magda, who at first resented his infidelities with showbusiness starlets but for the sake of the Fatherland submitted to the public image of a good Nazi wife and mother of six adorable children – whom Joseph and Magda finally murdered in the bunker before killing themselves.

In its subversive, austerely satirical way, the film feels almost like a B-side to Oliver Hirschbiegel’s Downfall from 2004, and Lang has perhaps even inhaled, just a little, the numberless internet parody memes that Downfall inspired, with English subtitles reinterpreting Hitler’s impotent rage. Lang’s film shows us the fears and misgivings that quite senior Nazis had until late in the war, and is perhaps also in the spirit of The Zone of Interest; that is, the Martin Amis novel, whose knowing, ironised dialogue and drama was mostly excised by Jonathan Glazer for his film version.

Goebbels and the Führer is a project which has apparently arisen from two of Lang’s previous films. The first, on which he is credited as a writer, was a documentary-drama about the hideous antisemitic propaganda film Jud Süss. The second, which he directed, was about the German screen actor Heinrich George, who acted in the preposterous and delusional propaganda film Kolberg, released in 1945, about German forces’ heroic defence against Napoleonic soldiers (Goebbels, incredibly, assigned legions of soldiers as extras to the latter). Both films are mentioned here, and Lang’s script sharply reminds us that Jud Süss was embarrassingly praised by the young Michelangelo Antonioni at the time.

Lang’s new drama is a movie showing Goebbels’s work as a propagandist was never done. In addition, behind the theatrical display of ecstatic loyalty, the German public, and many of the high command, were in fact just as nervous about war before Munich as the British and French. The same people were very glad to hear of appeasement, very glad to hear of the Molotov-Ribbentrop pact and aghast to hear of the Soviet invasion and the unwinnable two-front war that Hitler had embraced.

It was Goebbels’s job to soothe their fears, to create a subhuman identity for Germany’s enemies with repeated lies and provide a comforting illusion of imminent victory in which he, Hitler and everyone came to believe. The film shrewdly mixes real archive footage with dramatic dialogue scenes, in which Lang has added genuine language from historical documents. Lang also cleverly shows us what looked like a slip of the tongue in a Goebbels speech, in which he stumbled over a single crucial word, promising Germany the “… exter – exclusion … ” of Jews. The film suggests that this was a deliberate feint on Goebbels’s part, preparing Germany to accept, subconsciously, the idea that extermination must follow the milder idea of exclusion.

Perhaps there can be nothing totally new to say on film about Hitler and nazism, but Lang is interesting on the hidden disbelief and fear that existed among the leaders. Yet the film cannot quite bring itself to show us that grotesque inversion of Goebbels’s Aryan-family sentimentality: the murder of his children.

Fuhrer.und.Verfuhrer.AKA.Goebbels.and.the.Fuhrer.2024.1080p.BluRay.x264.mkv

General
Container:  	Matroska
Runtime: 	2 h 3 min
Size: 	7.71 GiB
Video
Codec: 	x264
Resolution: 	1920x804 
Aspect ratio:  	2.39:1
Frame rate: 	25.000 fps
Bit rate: 	8 235 kb/s
BPP: 	0.213
Audio
#1:  	German 5.1ch AC-3 @ 640 kb/s

https://nitro.download/view/454C0C0FD96302B/Fuhrer.und.Verfuhrer.AKA.Goebbels.and.the.Fuhrer.2024.1080p.BluRay.x264.mkv

Language(s):German
Subtitles:English Norwegian Swedish Finnish Danish

The post Joachim Lang – Führer und Verführer AKA Goebbels and the Führer (2024) first appeared on Cinema of the World.

imdb:
Two Afro-German half-sisters that never met before, get closer through their father’s death, search their roots and find themselves.

Ivie.wie.Ivie.2021.WEB.720p.mkv

General
Container:	Matroska
Runtime:	1h 49mn
Size:	2.13 GiB
Video
Codec:	h264
Resolution:	1280x720
Aspect ratio:	16:9
Frame rate:	50.000 fps
Bit rate:	2 606 kb/s
Audio
German 2.0ch AAC LC @ 160 kb/s

https://nitro.download/view/AE669819C6B8E51/Ivie.wie.Ivie.2021.WEB.720p.mkv

Language(s):German
Subtitles:None

The post Sarah Blaßkiewitz – Ivie wie Ivie (2021) first appeared on Cinema of the World.