Yuriy Yakovlev – Cinema of the World https://worldscinema.torrentbay.st Mon, 16 Feb 2026 00:40:10 +0000 en-US hourly 1 https://wordpress.org/?v=7.0 https://worldscinema.torrentbay.st/wp-content/uploads/2018/09/cropped-Vintage-Movie-Camera-Icon-32x32.png Yuriy Yakovlev – Cinema of the World https://worldscinema.torrentbay.st 32 32 Georgiy Daneliya – Kin-dza-dza! (1986) (HD) https://worldscinema.torrentbay.st/2024/10/georgiy-daneliya-kin-dza-dza-1986-hd/ https://worldscinema.torrentbay.st/2024/10/georgiy-daneliya-kin-dza-dza-1986-hd/#respond Wed, 16 Oct 2024 07:15:00 +0000 https://worldscinema.torrentbay.st/?p=233101 Two Soviet humans previously unknown to each other are transported to the planet Pluke in the Kin-dza-da galaxy due to a chance encounter with an alien teleportation device. They must come to grips with a language barrier and Plukian social norms (not to mention the laws of space and time) if they ever hope to …

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Two Soviet humans previously unknown to each other are transported to the planet Pluke in the Kin-dza-da galaxy due to a chance encounter with an alien teleportation device. They must come to grips with a language barrier and Plukian social norms (not to mention the laws of space and time) if they ever hope to return to Earth.

Quote:
Imagine Andrei Tarkovsky circa SOLARIS directing Douglas Adams’ The Hitchhiker’s Guide to the Galaxy and you’ll come close to the existential weirdness of the wonderfully loopy Soviet-era sci-fi comedy KIN-DZA-DZA!Two average Muscovites – a plainspoken construction foreman (Stanislav Lyubshin) and a Georgian violin student (Levan Gabriadze) – encounter an odd homeless man on the street who asks, “Tell me the number of your planet in the Tentura?”In a flash, they’re teleported across the universe to the planet Pluke in the Kin-Dza-Dza galaxy – a Tatooine-like desert world whose inhabitants are hilariously noncommunicative (their main words are “ku” for good and “kyu” for very bad) and where common wooden matches are tremendously valuable. A deadpan, absurdist mixture of Kurt Vonnegut, Monty Python, Samuel Beckett and Jodorowsky’s never-made Dune where alien cultures are even more haphazard and WTF? than our own, the film is also a savage satire of bureaucratic idiocy and dysfunction no matter what political system you’re living under – or what planet you’re living on.



Kin-dza-dza!.1986.1080p.BluRay.Deaf.Crocodile.FLAC1.0.x264-KG.mkv

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Runtime: 2 h 12 min
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#2: English 2.0ch AC-3 @ 192 kb/s (Commentary track by film critic Walter Chaw (Film Freak Central))

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Language(s):Russian
Subtitles:English

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Georgiy Daneliya – Kin-dza-dza! (1986) https://worldscinema.torrentbay.st/2024/05/georgiy-daneliya-kin-dza-dza-1986/ https://worldscinema.torrentbay.st/2024/05/georgiy-daneliya-kin-dza-dza-1986/#respond Sun, 12 May 2024 23:50:00 +0000 https://worldscinema.torrentbay.st/?p=223265 Kin dza dza! (1986) Imagine Andrei Tarkovsky circa SOLARIS directing Douglas Adams’ The Hitchhiker’s Guide to the Galaxy and you’ll come close to the existential weirdness of the wonderfully loopy Soviet-era sci-fi comedy KIN-DZA-DZA!Two average Muscovites – a plainspoken construction foreman (Stanislav Lyubshin) and a Georgian violin student (Levan Gabriadze) – encounter an odd homeless …

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Kin dza dza! (1986)
Kin dza dza! (1986)

Imagine Andrei Tarkovsky circa SOLARIS directing Douglas Adams’ The Hitchhiker’s Guide to the Galaxy and you’ll come close to the existential weirdness of the wonderfully loopy Soviet-era sci-fi comedy KIN-DZA-DZA!Two average Muscovites – a plainspoken construction foreman (Stanislav Lyubshin) and a Georgian violin student (Levan Gabriadze) – encounter an odd homeless man on the street who asks, “Tell me the number of your planet in the Tentura?”In a flash, they’re teleported across the universe to the planet Pluke in the Kin-Dza-Dza galaxy – a Tatooine-like desert world whose inhabitants are hilariously noncommunicative (their main words are “ku” for good and “kyu” for very bad) and where common wooden matches are tremendously valuable. A deadpan, absurdist mixture of Kurt Vonnegut, Monty Python, Samuel Beckett and Jodorowsky’s never-made Dune where alien cultures are even more haphazard and WTF? than our own, the film is also a savage satire of bureaucratic idiocy and dysfunction no matter what political system you’re living under – or what planet you’re living on.

Kin dza dza! (1986)1
Kin dza dza! (1986)
Kin dza dza! (1986)
Kin-dza-dza!.1986.BDRIP.Deaf.Crocodile.Remaster.576p.x264.FLAC.KJNU.mkv

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Container: Matroska
Runtime: 2 h 12 min
Size: 3.25 GiB
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Frame rate: 24.000 fps
Bit rate: 3 000 kb/s
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#1: Russian 1.0ch FLAC @ 310 kb/s (Main Audio)
#2: English 2.0ch AC-3 @ 192 kb/s (Commentary track by film critic Walter Chaw (Film Freak Central))

https://nitro.download/view/8B635957B1A6F16/Kin-dza-dza!.1986.BDRIP.Deaf.Crocodile.Remaster.576p.x264.FLAC.KJNU.mkv

Language(s):Russian, English commentary
Subtitles:English

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Leonid Gaidai – Ivan Vasilevich menyaet professiyu AKA Ivan Vasilyevich Changes Occupation (1973) https://worldscinema.torrentbay.st/2019/03/leonid-gaidai-ivan-vasilevich-menyaet-professiyu-aka-ivan-vasilyevich-changes-occupation-1973/ https://worldscinema.torrentbay.st/2019/03/leonid-gaidai-ivan-vasilevich-menyaet-professiyu-aka-ivan-vasilyevich-changes-occupation-1973/#comments Wed, 20 Mar 2019 13:21:36 +0000 https://worldscinema.torrentbay.st/?p=48038 Ivan Vasilyevich Changes OccupationAn unconventional comedy based on M. Bulgakov’s play, “Ivan Vassilevich,” when inventor, Timofeev builds a time machine, things go awry. Tsar Ivan the Terrible comes into the year 1973, while Ivan Bunsha, an apartment complex manager, and George Miloslavsky, a petty burglar, are transferred to 16th century Moscow accidentally. Maestro of Russian …

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Ivan Vasilyevich Changes Occupation
An unconventional comedy based on M. Bulgakov’s play, “Ivan Vassilevich,” when inventor, Timofeev builds a time machine, things go awry. Tsar Ivan the Terrible comes into the year 1973, while Ivan Bunsha, an apartment complex manager, and George Miloslavsky, a petty burglar, are transferred to 16th century Moscow accidentally.



Maestro of Russian Comedy: Leonid Gaidai
Gaidai Leonid Iovich (January 30, 1923 – November 19, 1993), Russian film director and scriptwriter

The humor of great Gaidai is timeless. His comedies are free from edifying or obtrusiveness, he easily managed to avoid hackneyed cliches and smutty jokes. Phrases from his comedies have become winged and are widely used in Russia till date.

‘A cinema comedy should have as few words as possible, and those words must be laconic, sharp-cut and take an unerring aim’ – Gaidai said, and he was as good as his word.

Leonid Iovich Gaidai was born on January 30, 1923. From 1941 he was in the army in Mongolia. When the war began he was transferred to Kalinin front as a scout, as he had learnt German at school. After a severe wounding he got ‘unfit-for-duty’ and had to return home. In fact he never completely recovered after that wound which actually made him suffer till the end of his life; no one knew about it but for his family. He did not like to complain.

From early age Gaidai was dreaming of stage. In 1947 he graduated from a theatre studio in Irkutsk regional theatre and for several years played on the local stage. Though a shy and clumsy person having difficulties in pronouncing sounds ‘r’ and ‘l’, he was a good actor beloved by the public. In 1949 he entered the film direction faculty of VGIK (The All-Union Institute of Cinematography) where he met actress Nina Grebeshkova to become his wife and spend all life with him.

Though at the beginning of Gaidai’s creative life he was supported by well-known masters of Soviet cinema, such as Ivan Pyriev and Mikhail Romm, his way in cinema was far from simple.

‘Bootleggers’ (1961) (Yuri Nikulin, Evgeny Morgunov, Georgy Vitsin)The year 1961 saw Gaidai’s short-length film that proclaimed the birth of an outstanding comedy film director. It was a nine-minute long ‘Pyos Barbos i Neobychny Cross’ (Dog Barbos and Unusual Race), an unpretentious comedy that originated the unique phenomenon of three super popular mask-characters of the Soviet cinematography: Balbes (“Booby”, played by Nikulin), Trus (“Coward”, played by Vitsyn) and Byvaly (“Stager”, played by Morgunov). They also appeared in Gaidai’s next short-length comedy ‘Bootleggers’ (1962) filmed on the tide of Dog Barbos’ success.

Leonid GaidaiIn 1963 Gaidai creates the full-length comedy ‘Business People’ starring Yuri Nikulin, G. Vitsyn, A. Smirnov, R. Plyatt and the novelette ‘The Ransom of Red Chief’ after O. Henry’s story, which becomes a masterpiece of Soviet comedy. However it was the year 1965 that opened the so-called ‘Gaidai’s golden decade’ with the release of ‘Operation Y and Other Shurik’s Adventures’ starring Alexander Demyanenko. The comedy at once gained people’s love and popularity that somehow last till date. ‘Kidnapping Caucasian Style’ (1966) continuing the adventures of nice and amusingly touching Shurik won still greater love of the public. Spectators were happy to see the funny trio of Booby, Coward and Stager again in these two kind comedies sparkling with good humour. Lots of expressions from those comedies at once became winged.

‘The Diamond Arm’ (1968) (Yuri Nikulin and Andrey Mironov) The next comedy was ‘The Diamond Arm’ (1968), a gripping ironic detective story with unforgettable Yuri Nikulin, Andrei Mironov and Anatoly Papanov.

In 1971 Gaidai creates a screen version of Ilf and Petrov’s popular novel ‘Twelve Chairs’. The film director acknowledged not once that this comedy turned one of his most favorite movies.

Leonid GaidaiAnother undoubted masterpiece by Gaidai is ‘Ivan Vasilyevich Changes Occupation’ (1973) after Bulgakov’s play. The main roles in this fantastic comedy are played by Yuri Yakovlev and Leonid Kuravlev.

The 1980s saw Gaidai’s creative force gradually fading. However the satirical comedies ‘Borrowing Matchsticks’ and ‘Sportloto-82’ are really talented works marked by the brilliant acting of Mikhail Pugovkin, Evgeny Leonov and Vycheslav Nevinny.

In the shaky years of perestroika with its upheavals and uncertainty it was very difficult to create something worthy and Gaidai seems to have had difficulties in adapting to the changed situation. His last comedies are still funny but not as powerful as his earlier works.

In 1993 Leonid Gaidai fell ill with pneumonia and died in the hospital on November 19. His death appeared a sad outcome of his creative wearing out during the last years. Right after Gaidai’s going away reappraisal of his creations started and he was finally acknowledged an indisputable classic and a unique master of Soviet eccentric and satiric comedy.

Ivan.Vasilevich.Menyaet.Professiyu.1973.BDRip-AVC.mkv

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Container: Matroska
Runtime: 1h 31mn
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https://nitro.download/view/DDBE7FCA5452EE1/Ivan.Vasilevich.Menyaet.Professiyu.1973.BDRip-AVC.mkv

Language(s):Russian
Subtitles:English

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Ivan Pyryev – The Idiot (1958) https://worldscinema.torrentbay.st/2014/11/ivan-pyryev-the-idiot-1958/ https://worldscinema.torrentbay.st/2014/11/ivan-pyryev-the-idiot-1958/#comments Mon, 03 Nov 2014 09:09:18 +0000 https://worldscinema.torrentbay.st/?p=33928 SYNOPSIS: Upon Prince Myshkin’s return to St. Petersburg from an asylum in Switzerland, he becomes beguiled by the lovely young Aglaya, daughter of a wealthy father. But his deepest emotion is for the wanton, Nastasia. The choices all are forced to make lead to great tragedy. IMDB wrote: In the period 1955-60 some absolutely incredible …

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SYNOPSIS: Upon Prince Myshkin’s return to St. Petersburg from an asylum in Switzerland, he becomes beguiled by the lovely young Aglaya, daughter of a wealthy father. But his deepest emotion is for the wanton, Nastasia. The choices all are forced to make lead to great tragedy.

IMDB wrote:
In the period 1955-60 some absolutely incredible movies were made in the Soviet Union. This is no exception. Based on the classic novel, the script of course holds masterpiece quality. Visually, it’s also a masterpiece. The music is one of the most dramatic soundtracks I’ve heard. And not least, Yuliya Borisova in the role of Nastasia Philippovna gives the most charismatic acting performance I’ve ever seen. Throughout the movie I simply couldn’t wait for her to get into the frame again whenever absent. I’ve never ever been this hypnotised by an actor or an actress before (and I’ve actually given that careful thought). The other actors also give stellar performances. As the events unfolded, I felt this movie pushed the script to its ultimate limits. At the end, you will find yourself filled up with uncontrolled emotions that you don’t even know the name of. The movie is so dramatic that some people may find it unrealistic, but I assure you: these characters are out there in the real world, and this play may have relevance to anyone’s life. At some point, most people with brains will seek out this story. My tip is, don’t read the book. Don’t see any theatre play or movie based on it but this one. Though the movie may take a lifetime to find – *it’s worth it*!



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Language(s):Russian
Subtitles:Serbian,English

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