Gangster Big Tim Channing raises young newsboy Dan Mason as his own son.

City of Shadows.1955.576p.BDRip-AVC.ZONE.mkv

General
Container:  	Matroska
Runtime: 	1 h 10 min
Size: 	1.44 GiB
Video
Codec: 	x264
Resolution: 	790x576 
Aspect ratio:  	1.372
Frame rate: 	23.976 fps
Bit rate: 	2 500 kb/s
BPP: 	0.229
Audio
#1:  	English 2.0ch AC-3 @ 224 kb/s
#2:  	English 2.0ch AC-3 @ 192 kb/s (Commentary by Film Historian/Screenwriter Gary Gerani)

https://nitro.download/view/F504A8C6ACB2BD9/City_of_Shadows.1955.576p.BDRip-AVC.ZONE.mkv

Language(s):English
Subtitles:English

The post William Witney – City of Shadows (1955) first appeared on Cinema of the World.

Plot:
In World War II, the Nazis require a special mineral, Compound X, discovered in Canada. Although intended to cure paralysis, the Nazis have discovered that it can be used in magnetic mines to destroy the British fleet and blockade America to prevent it assisting the Allies. The Mounties discover this plot and work to defeat and capture the Nazi spies sent to obtain the ore. Sgt King’s father is killed in the line of duty, saving his son from death on a circular saw, and leaving him to carry on the fight against the enemy.

2.35GB | 3h 31m | 624×480 | mkv

https://nitro.download/view/65CB9848BCF0A08/1940_King_of_the_Royal_Mounted.mkv

Language:English
Subtitles:None

The post John English & William Witney – King of the Royal Mounted (1940) first appeared on Cinema of the World.

One of the best serials ever made, Spy Smasher has managed to find favor even among non-serial aficionados. Like his fellow masked avenger, Batman, Spy Smasher possessed no super-human powers but was a mere mortal of flesh and blood.

In brief, Spy Smasher, alias Alan Armstrong (Kane Richmond, and his twin brother Jack (also Richmond) pursue a nefarious German agent known only as The Mask (Hans Schumm). Witney and screenwriters Ronald Davidson, Norman S. Hall, Joseph Poland, William Lively and Joseph O’Donnell imbued their hero with a dark uniform very similar to the one he wore in the comics, but added a fancy belt decorated with a large “V” for “Victory” and the morse code symbol for the letter, three dots and a dash. The coup de grace, so to speak, was Mort Glickman’s signature score adapted from Beethoven’s Fifth Symphony.

Leading man Richmond managed to make his identical twins a little less identical than the usual routine split-screen characterizations. “Hero’s Death,” is perhaps the most unique chapter ending in the history of serialdom.

Kane Richmond, who had been around Hollywood’s action studios since 1930 and had even appeared as a Martian in Flash Gordon’s Trip to Mars (1938), became a major genre icon on account of his stellar performance as the Spy Smasher. Borrowed from Columbia Pictures, flaxen-haired Howard Hughes discovery Marguerite Chapman proved one of the best purveyor’s of serial pulchritude thus far as Jack Armstrong’s imperiled fiancee Eve Corby, and Tristram Coffin, later a serial hero himself, was capital as Drake, The Mask’s chief henchman who manage to insinuate himself as Jack’s friend. The subsequent feature release Spy Smasher Returns constituted not a sequel but an edited-down version of this serial. — Hans J. Wollstein – AMG

2.00GB | 512×384 | avi

https://nitro.download/view/6F8C302B03AF824/Spy_Smasher.rar
or
https://tezfiles.com/file/135e04a9467dd/Spy_Smasher.rar

Language(s):English
Subtitles:None

The post William Witney – Spy Smasher (1942) first appeared on Cinema of the World.

Quote:
Reviewing the serial it is still one of Republic’s best efforts, made at the peak of their creativity. Jim Harmon and Donald Glut have referred to “Dick Tracy vs. Crime Inc.” as “The Best of Dick Tracy” since a lot of the action and cliffhanger footage is made up from the three previous serials. In essence, Republic took what they considered the most exciting scenes from earlier serials, and strung them together with a strong storyline. Unlike most of the post war serials that were constructed out of earlier serials, this one is not hampered by all of the reused footage.

One of the reasons for this is that the story is put together in such a way that it doesn’t look like a few dialogue scenes slapped in between the older footage. Some reused stock, like the tank chase with the train, are redone from the original so that it isn’t a cliffhanger but an exciting piece of action in the middle of the chapter. A lot of the stock footage is used in this way to make every episode full of action and giving it a feeling of swiftness.

The storyline is also one of Republic’s best. It travels the well worn path of a mystery villain attacking a group of people and also being one of the group. This is the kind of story that the Republic writers were great at. All of the suspects act suspiciously at times and are made up of recognizable villains like Frazier and Fiske.

The casting also gives an added bit of contemplation to the mystery elements. Having Ralph Morgan play both a suspect and the voice of the villain is a canny move on the part of the film makers. Morgan is the obvious choice for the villain; he is made out to look like the most innocent of the group, always a dead giveaway in serials. Yet the villain never has the voice of one of the actual suspects, so it can’t be him. Unless that’s what they want you to think, in which case it must be him. Of course that may be what the film makers want you figure on, in which case Morgan isn’t the villain. Never has a mystery serial had so much thinking involved on the part of the audience.

The acting is all top notch, Ralph Byrd has settled comfortably into the personae of the tough, no nonsense Tracy. An actor of strong screen presence and affability, he easily handles the job of carrying the serial on his shoulders. Being the hero, he is on the screen the most, and is never boring. Jan Wiley as the heroine is given little to do, besides hang around the Council’s meeting room and Tracy’s lab occasionally. She is put in danger a few times but for the most part fades into the back ground. Owens as the sidekick is adequate in a role that doesn’t call for much else.

On the villain side Morgan is letter perfect in using just his voice to convey a sense of menace coupled with a slight loosening grip on sanity. He’s crazy, but not too. He also gets to be a little menacing in his scenes where he passes himself off as the fake psychiatrist. We can tell its Morgan, but as he also plays the bearded real shrink, it passes the little bit of credibility it needs to make the scene work. And it allows him glance around occasionally, looking sinister. John Davidson has one of his best serial roles in this film. Though not the main villain as he had been in the early thirties, he is given a character rich in eccentric quirks and subtle menace. His dialogue exchanges with Morgan are some of the best scenes in the serial. Popping up for the occasional times when muscle is needed is that top drawer of tough guy henchman, Anthony Warde, who is as nervy as ever.

The list of suspects are mainly used for being familiar to serial fans for their earlier efforts at playing villains, and they all act accordingly. Until proved innocent, they all give occasional sinister glances at the camera, when they aren’t glaring at each other suspiciously. They all do a good job of helping to keep the water’s muddy until the reveal at the end.

As a lot of the action is made up of earlier footage, there is little in the way of special effects to really judge that is original to the film, but the footage that is used contains excellent work by the Lydecker Brothers. No one else made explosions of models look like it was the real thing being destroyed in huge gouts of flame. Unless of course you consider the invisible man effects. While there are times when you can see the wires, most of the time when something is floating it looks good. The showing of turning invisible is done a little different from most such effects. Not having the expense to do what Universal did, Republic simply switched from one camera to another so that the actor looked to disappear from toes on up instead of fading out all at once. The other great effect was also accomplished with simple economy. In the final chapter a special light was needed to make the invisible man visible. Republic simply reversed the negative. An old film trick, but it looks great on screen and really adds to the climactic fight between the hero and villain.

Which brings us to the stunt work. Again a lot of the stunts are from earlier efforts, and still impressive, until you get to the fight scenes, something that was always original to a serial no matter how much cost cutting went into the use of stock footage. Republic serials were usually filled with tons of scenes where entire sets are reduced to splinters by combatants. Not so here. Not every chapter contains a fight. Sometimes you can go three or more before a fist is swung. But when they do fight, it is something to see. Spacing out the fights actually makes them stand out more than usual, and contain some of the most inventive work done by both the stunt men and the film makers. The fight in Chapter Two is a real stand out involving a running fight that goes up and down a staircase several times, using a couch to block an opponent’s escape, and finishing with a swing on a chandelier.

While I have said on the message boards of serial web sites that I generally prefer the more plot heavy first Dick Tracy serial, this is still one of the best serials made by Republic, and it’s popularity among serial fans is easy to see. If you have been putting off viewing this serial, don’t. It is simply a great thrill ride of a film.

https://nitro.download/view/F01289BDF555F71/Dick_Tracy_vs_Crime_Inc_-_chap._1_-_9.avi
https://nitro.download/view/11ED9489E4BA1BF/Dick_Tracy_vs_Crime_Inc_-_chap_10_-_15.avi
https://nitroflare.com/view/73B4998809BEB94/bonus_introduction.avi

Language(s):English
Subtitles:None

The post John English – Dick Tracy vs. Crime Inc. (1941) first appeared on Cinema of the World.

Gangster Big Tim Channing raises young newsboy Dan Mason as his own son.

701MB | 1h 09m | 576×416 | avi

https://nitro.download/view/41D16725E02F185/City_of_Shadows_(1955).avi
or
https://tezfiles.com/file/f51921dc36957/City_of_Shadows_%281955%29.avi

Language:English
Subtitles:None

The post William Witney – City of Shadows (1955) first appeared on Cinema of the World.

In 1916, A group of prisoners plot their escape from the notorious fortress located in French Guiana.

2.07GB | 1 h 27 min | 1024×554 | mkv

https://nitro.download/view/2ED4BDFB3F4AB0F/I.Escaped.from.Devils.Island.1973.576p.BluRay.AAC.x264-HANDJOB.mkv

Language:English
Subtitles:None

The post William Witney – I Escaped from Devil’s Island (1973) first appeared on Cinema of the World.