Lucia Bosé and Maurice Ronet in the movie “The Golden Mass”
Rome: “I’m finishing to shoot a movie about women’s delirium and men’s tiredness in the world of today”, says Beni Montresor, the young scenographer at his second direction with the movie called “The Golden Mass” (The Deep Light of Senses). A movie which tells the story of a party during which all the participants want to get rid of their tabooes. The party takes place by night in a luxurious baroque castle in France. The lead actors: Lucia Bosé and Maurice Ronet.

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https://nitro.download/view/46F5D66B215C1E1/The.Golden.Mass.1975.avi

Language(s):French
Subtitles:English hardcoded

The post Beni Montresor – La messe dorée AKA La profonda luce dei sensi (1975) first appeared on Cinema of the World.

Synopsis:
‘Giancarlo Soldi’s docufilm […] focuses on the mysterious disappearance of the first designer to give a face to the famous Italian comic book hero.
Despite being the first designer to give Diabolik a face (the hero of the famous 1962 comic book created by Angela and Luciana Giussani) the man himself has no face of his own. The person behind the very first Diabolik comic book (entitled The King of Terror) is in fact shrouded in mystery, a bit like the mystery that surrounds the character he designed, clad in a pair of black tights. And so, with his captivating docufilm Diabolik sono io, Giancarlo Soldi flits between reality and fantasy, archival footage, interviews and imaginary reconstructions, as a means of deliberating on what might have come of Angelo Zarcone, who quite literally disappeared into thin air after delivering the initial boards for the first issue of what would go on to become a leading Italian noir comic.
They called him “the German” due to his fair complexion, his blond hair and his sandals (which he wore with socks), but few knew him personally. He did not have a home or a telephone and he would often go to the office to deliver his drawings and collect payment, until one day, when he dropped off the face of the earth. Two private investigators have been hired over the years to track him down, but to no avail. Soldi, who is a great fan of comics (he directed Nero years ago, a film written with Tiziano Sclavi, the author of Dylan Dog) and who wrote the screenplay with Mario Gomboli (the current manager of Diabolik, which still distributes three and a half million a year), conjures up a picture of an absent-minded Zarcone (played by an effective ‘diaboliko’ Luciano Scarpa), catapulted into the present day, wandering around the city of Milan in search of an identity, obsessed with the pair of eyes framed by a black mask that he finds sketched in his notebook, and a name that resounds in his head over and over again: Diabolik, Diabolik…
The fiction part of the film is accompanied by a hefty documentary section that traces the story of Diabolik’s character, building an identikit of sorts (a man perpetually in flight, a ruthless killer, not out of malice but out of necessity, a man deeply in love with a woman called Eva), through interviews with experts and enthusiasts, including the designer Milo Manara, the king of noir Carlo Lucarelli and the directors Antonio and Marco Manetti, who are currently preparing their next film on Diabolik. But the real jewel in the documentary’s crown comes with some old films by the Giussani sisters unearthed from RAI’s archives, in which we watch two elegant Milanese ladies sat with cups of tea, smiling gracefully while they chat about murders, thefts and pursuits. We hear them defend their creations when they are accused by Italian courts of corrupting the minds of innocent children and inciting crime, and we also observe them at work in their studio. They were ‘visionary entrepreneurs’ according to Soldi, who knew them personally and often went to visit them as a young filmmaker, creators of an unusual, surprising and intriguing universe, considering that it was created by two friendly ladies. Moreover, the entire Diabolik editorial team consisted of only women: one of the many curiosities unearthed by this documentary, a fountain of precious information for those who aren’t necessarily familiar with the Diabolik universe, but also fun for those who are well accustomed with it and want to fantasise, along with the director, about the fate of the very first, enigmatic designer of the King of Terror.’
– Vittoria Scarpa

1.37GB | 1h 10m | 720×576 | mkv

https://nitro.download/view/DA341D94E7705EB/Diabolik.sono.io.2019.DVDRip.x264.AC3.mkv
https://nitro.download/view/3E8D9F1E810B995/Diabolik.sono.io.2019.DVDRip.x264.AC3_v3.srt
https://nitro.download/view/52C4F748936730C/Diabolik.sono.io.2019.DVDRip.x264.AC3.idx
https://nitro.download/view/ADF607C543217FC/Diabolik.sono.io.2019.DVDRip.x264.AC3.sub

Language:Italian
Subtitles:English,Italian HoH (idx/sub)

The post Giancarlo Soldi – Diabolik sono io AKA Diabolik Is Me (2019) first appeared on Cinema of the World.

When a young college professor (Lino Capolicchio of HOUSE WITH LAUGHING WINDOWS) returns home to visit his Catholic priest brother (Craig Hill), prominent members of the community begin to be stalked and slaughtered by an unknown killer. Can the brothers uncover the identity of this deranged fiend, even while they are being tortured by their own nightmares of an unspeakable childhood trauma?

3.15GB | 1 h 48 min | 1024×554 | mkv

https://nitroflare.com/view/93FC9DD1BF08D73/The.Bloodstained.Shadow.1978.576p.BluRay.AAC.x264-HANDJOB.mkv

Language:Italian, English (2 audio tracks)
Subtitles:English (muxed)

The post Antonio Bido – Solamente Nero AKA The Bloodstained Shadow (1978) first appeared on Cinema of the World.

PLOT SUMMARY:
A young American dancer travels to Europe to join a famous ballet school. As she arrives, the camera turns to another young woman, who appears to be fleeing from the school. She returns to her apartment where she is gruesomely murdered by a hideous creature. Meanwhile, the young American is trying to settle in at the ballet school, but hears strange noises and is troubled by bizarre occurrences. She eventually discovers that the school is merely a front for a much more sinister organization.
source = IMDB

SUSPIRIA 25TH ANNIVERSARY:
Last year when Deep Red came out, I loved the featuette that was included on the disc, but was disappointed as were many others, as 15 minutes was way too short to give a detailed history on such a important work. Well, the folks have at Anchor Bay have listened and have given us a is a brand new documentary that runs a full 52 minutes and is shown in anamorphic widescreen (1.78.1)! It features interviews with Dario Argento, Daria Nicolodi, Cinematographer Luciano Tovoli, Goblin, Jessica Harper, Stefania Casini and Udo Kier. There is wealth of information here and its very well assembled. It’s quite an informative look back on making on a classic. You find out how Jessica Harper got the main role; the creative consumption of the story, and most fascinating, how was the film was shot and processed in the old Technicolor progress. I also really enjoyed hearing Harper’s comments on the film. I must say, the one thing that really stands out is that all the rumors that many have heard about Harper trying to distance herself from the role are untrue. She seems very proud of the film and it is wonderful to hear her say so.
source = DVD Maniacs

https://nitro.download/view/A6DBD83432DFF6E/Suspiria_(disc_1).cd1.avi
https://nitro.download/view/3E2CA12BD8B235C/Suspiria_(disc_1).cd2.avi
https://nitro.download/view/0881695C138067D/Suspiria_25th_Anniversary_(disc_2).avi

Language:English

The post Dario Argento – Suspiria + 25th Anniversary Documentary (1977) first appeared on Cinema of the World.