Set in a dystopian society, someone is kidnapping the children. Krank and his band of clones are using the children to harvest their dreams. Then they kidnap Denree, the brother of One, a fairground strongman. One sets out to find his brother.

The.City.of.Lost.Children.1995.BDRIP.4K.576p.x264.AC3.KJNU.mkv

General
Container:  	Matroska
Runtime: 	1 h 52 min
Size: 	3.02 GiB
Video
Codec: 	x264
Resolution: 	1024x554 
Aspect ratio:  	1.85:1
Frame rate: 	23.976 fps
Bit rate: 	3 000 kb/s
BPP: 	0.221
Audio
#1:  	French 5.1ch AC-3 @ 448 kb/s (Main Audio)
#2:  	English 2.0ch AC-3 @ 192 kb/s (Commentary featuring Jean-Pierre Jenuet and Ron Pearlman)
#3:  	French 2.0ch AC-3 @ 192 kb/s (Commentary featuring Jean-Pierre Jenuet)

https://nitro.download/view/33C7C5239E3A855/The.City.of.Lost.Children.1995.BDRIP.4K.576p.x264.AC3.KJNU.mkv

https://fikper.com/YinOdt7KKC/The.City.of.Lost.Children.1995.BDRIP.4K.576p.x264.AC3.KJNU.mkv

Language(s):French,English
Subtitles:English

The post Jean-Pierre Jeunet & Marc Caro – La Cité des enfants perdus AKA The City Of Lost Children (1995) first appeared on Cinema of the World.

Quote:
A mysterious device designed to provide its owner with eternal life resurfaces after four hundred years, leaving a trail of destruction in its path.

2.74GB | 1h 32m | 1024×576 | mkv

https://nitroflare.com/view/723C8283D3DC030/Cronos.1993.576p.BDRip.x264.mkv
or
https://nitroflare.com/view/FB2E01D6BCDFAC0/Cronos.1993.576p.BDRip.x264.part1.rar
https://nitroflare.com/view/E3F81A42729B713/Cronos.1993.576p.BDRip.x264.part2.rar
https://nitroflare.com/view/5FFB55457158062/Cronos.1993.576p.BDRip.x264.part3.rar

Language:Spanish
Subtitles:English

The post Guillermo del Toro – Cronos [+ Commentaries] (1993) first appeared on Cinema of the World.

Quote:
“Fire was a symbol of power and a means of survival. The tribe who possessed fire, possessed life.” – Opening title card

That is the last piece of modern language iterated by the film. The filmmakers transport us 80,000 years into the past, to the Middle Palaeolithic era. The subsequent complex creation of communication was formulated by linguist and author Anthony Burgess (A CLOCKWORK ORANGE), zoologist Desmond Morris, and actors in advance formulating a gesture-based relay of thoughts. Without subtitles, QUEST FOR FIRE is a unique experience. When the cast come to interact in front of us, you’ll be swept along, understanding what is being suggested. Don’t for one minute think you’re in for a dry history lesson though. It is a thriller concerning the very essentials on Abraham Maslow’s pyramid of need. The extrapolations of what it must have been like struggling for survival without the ability to create fire are turned into a moving and visceral adventure. We are just before the dawn of civilisation, as Homo sapiens are soon to learn to harness flames.

Immediately fire’s importance is demonstrated: Cooking (in the loosest sense of course), warmth, sharpening weapons, scaring off predators. The tribe has assigned its own keeper of the flame. It is jealously guarded from the outside world. Once it is extinguished, they do not know how to start another, and have to wait for a natural phenomenon. The physicality of the talented performers show what’s at stake. Quickly, another tribe attacks them, further behind on the evolutionary ladder, though a formidable opponent: Neanderthal man. They covet their fire. It goes out, no one gets it. The casualties are numerous. The audience is given a lesson in the brutality of the age, woven into the narrative until fear pervades when the creative team desire it of us. The tone set, the survivors send off a small band, to seek out a new flame source, of three young warriors: Amoukar (Ron Perlman), Gaw (Nameer El-Kadi) and bright inquisitive group leader Naoh (Everett McGill).

Director Jean-Jacques Annaud and cinematographer Claude Agostini give the locations a vast uninhabited wonder. Jeopardy is never far – wolves, sabre tooth tigers; and then another tribe of Neanderthals, who begin to hunt them when they steal their flame and inadvertently allow their dinner to escape – Ika (Rae Dawn Chong). They are slowly feeding off her compatriot, which sends off chilling echoes of Cormac McCarthy’s THE ROAD. Ika, though from the most sophisticated tribe of the film, is drawn to Naoh. As team leader, he becomes torn between returning the fire to his people, or following Ika back to her tribe.

Like the best cinematic rides, QUEST FOR FIRE is emotional, allowing the characters to develop and for our affection to grow. Silent films have of course achieved this for decades, but the people in front of us here are only meant to know about 100 words. To have a compelling story, with that straightjacket, is all the more impressive. Over 30 years since its initial release, the charge has not dissipated, and perhaps even been enhanced in the light of Werner Herzog’s documentary CAVE OF FORGOTTEN DREAMS (see the weapons scene), and in contrast to the dire 10,000 BC.

2.37GB | 1h 40m | 1024×432 | mkv

https://nitro.download/view/3BEB028B0B46994/Jean-Jacques_Annaud_-_(1981)_Quest_for_Fire.mkv

Language(s):None
Subtitles:No

The post Jean-Jacques Annaud – La guerre du feu AKA Quest for Fire (1981) first appeared on Cinema of the World.