Pascale Salkin – Cinema of the World https://worldscinema.torrentbay.st Fri, 07 Feb 2025 07:27:00 +0000 en-US hourly 1 https://wordpress.org/?v=7.0 https://worldscinema.torrentbay.st/wp-content/uploads/2018/09/cropped-Vintage-Movie-Camera-Icon-32x32.png Pascale Salkin – Cinema of the World https://worldscinema.torrentbay.st 32 32 Chantal Akerman, Bernard Dubois, Philippe Garrel, Frederic Mitterand, Vincent Nordon, Philippe Venault – Paris vu par… vingt ans après (1984) https://worldscinema.torrentbay.st/2012/01/chantal-akerman-bernard-dubois-philippe-garrel-frederic-mitterand-vincent-nordon-philippe-venault-paris-vu-par-vingt-ans-apres-1984/ https://worldscinema.torrentbay.st/2012/01/chantal-akerman-bernard-dubois-philippe-garrel-frederic-mitterand-vincent-nordon-philippe-venault-paris-vu-par-vingt-ans-apres-1984/#comments Mon, 30 Jan 2012 16:45:00 +0000 https://worldscinema.torrentbay.st/?p=2803 Directors: Chantal Akerman, Bernard Dubois, Philippe Garrel, Frederic Mitterand, Vincent Nordon, Philippe Venault “Two young French filmmakers, Bernard Dubois and Philippe Venault, had the provocative idea of making a follow-up to the 1964 anthology film, Paris vu par, that became a manifesto for the emerging directors of the New Wave. Unfortunately, the unity of that …

The post Chantal Akerman, Bernard Dubois, Philippe Garrel, Frederic Mitterand, Vincent Nordon, Philippe Venault – Paris vu par… vingt ans après (1984) first appeared on Cinema of the World.

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Directors:
Chantal Akerman, Bernard Dubois, Philippe Garrel, Frederic Mitterand, Vincent Nordon, Philippe Venault

“Two young French filmmakers, Bernard Dubois and Philippe Venault, had the provocative idea of making a follow-up to the 1964 anthology film, Paris vu par, that became a manifesto for the emerging directors of the New Wave. Unfortunately, the unity of that movement is long gone, and this new project is wildly uneven, ranging from the brilliant (Chantal Akerman’s opening sketch, J’ai faim, j’ai froid, is an entire coming-of-age film compressed into 12 frenetic, hilarious, and ultimately touching minutes) to the intriguing (Philippe Garrel’s Rue Fontaine offers a rare Stateside opportunity to see the work of this acclaimed avant-gardist, whose work suggests a crossing of John Cassavetes with early German expressionism) to the mediocre (the segments by Dubois, Venault, and Frederic Mitterrand) to the unwatchable (Vincent Nordon’s Paris-Plage, certainly the longest 13 minutes in film history). A sad lesson emerges–that the French have no more new ideas than we do–but the Akerman itself is worth it all.” -Jonathan Rosenbaum



https://nitro.download/view/054CF42B82CA2FD/paris_vu_par_20_ans_apres.cd1.avi
https://nitro.download/view/99171EEEE36940F/paris_vu_par_20_ans_apres.cd2.avi

Language:French
Subtitles:English (hardcoded)

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