Synopsis: Playboy Charly is picking up a young woman on the freeway – she is only wearing an orange overall and wants to go to Washington. Charly takes her with him to Munich, introducing her to his friend author Evers. Since Evers is negotiating with a US film producer about the rights to his novel, the mysterious woman stays with Evers. Soon, they get closer…

1.40GB | 1h 37mn | 768×576 | mkv

https://nitro.download/view/7FF329AB974C565/Supergirl+Titel+4+(1).mkv
http://nitroflare.com/view/2B5ADD11839ED8B/Supergirl%2BTitel%2B4%2B%281%29.srt

Language:German
Subtitles:English

The post Rudolf Thome – Supergirl – Das Mädchen von den Sternen (1971) first appeared on Cinema of the World.

“What were the beginnings of the new women’s movement like?”, “What was life like in a commune?”, “What were discussions like?” The Film reconstructs in 1980 events that took place between 1967 and 1970.
I was also always interested in what would have happened if certain people had acted differently, or not at all, at given points in time; that is to say, what influence do individuals, “the subjective factor”, actually have on historical events? Do people’s individualities encourage or inhibit each other? How do their activities affect the general public? In 1980 this was a very unpopular question.
The film features a character called Anni, a woman living with her child in a commune, and through her transmits a sense of how a movement emerges, how it supplies answers to the many new questions Anni faces, and given her the impression of a new departure before eventually disintegrating into dogma.

1.46GB | 2:18:19 | 640×480 | avi

https://nitro.download/view/96213ED72FE4430/Helke.Sander-Der.subjektive.Faktor-1980.avi
https://nitro.download/view/434E18DD33C8E2F/Helke.Sander-Der.subjektive.Faktor-1980-english.srt

Language:German
Subtitles:English (srt)

The post Helke Sander – Der Subjektive Faktor (1981) first appeared on Cinema of the World.

Here’s the debut feature film by director Uwe Schrader, who’s still a well-kept secret of german cinema. I first read about him in the most recent issue of Cargo. His realistic “Milieu” films recall the works of Klaus Lemke, Roland Klick or the austro-canadian filmmaker John Cook. Kanakerbraut is only one hour long, and it is about the dull life of Paul (Peter Franke) and his encounters with similar characters in Berlin Kreuzberg.

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The film focuses on Paul. He is 40, takes on odd jobs and lives alone in a shabby dwelling. His hangout is a rough drinker’s bar with a juke box and dancing. One day, he meets Lisa there. Lisa lives alone. Her husband is doing field installation work in Sudan. Paul used to be married. His wife left him years ago. KANAKERBRAUT is a film about desires. It is set in the grey zone between petty bourgeoisie and dissolution. Paul and Lisa are both equally distanced from their partners, on whom they’ve attached their dreams. That doesn’t create any solidarity between them, but rather antagonism. Conceived of as a laconic little milieu film, the film is authentic in regard to the locations and the language of its heroes. Coarseness can be found in immediate proximity to tenderness, moments of great sincerity that boarder on blasphemy side by side with the loneliness that stems from a lack of communication and of egoism.

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Awards: 1984 Deutscher Filmpreis / Bundesfilmpreis – Filmband in Gold für Beste Regie (Uwe Schrader)

https://nitro.download/view/5CA93A8539BB85D/KANAKERBRAUT_Uwe_Schrader_1984.avi
http://www.nitroflare.com/view/8BFC5AC59B7B552/KANAKERBRAUT-Uwe-Schrader-1984.srt

language:german with english substitles

The post Uwe Schrader – Kanakerbraut (1984) first appeared on Cinema of the World.