Unable to deal with her parents, Jeannie Tyne runs away from home. Larry and Lyne Tyne search for her, and in the process meet other people whose children ran away. With their children gone, the parents are now free to rediscover/enjoy life.

Taking.Off.1971.576p.BluRay.AAC.x264-HANDJOB.mkv

General
Container:  	Matroska
Runtime: 	1 h 32 min
Size: 	2.45 GiB
Video
Codec: 	x264
Resolution: 	1024x554 
Aspect ratio:  	1.85:1
Frame rate: 	23.976 fps
Bit rate: 	3 621 kb/s
BPP: 	0.266
Audio
#1:  	English 2.0ch AAC @ 160 kb/s

https://nitro.download/view/2EF9C7815AD0DAE/Taking.Off.1971.576p.BluRay.AAC.x264-HANDJOB.mkv

Language(s):English
Subtitles:English, Brazilian

The post Milos Forman – Taking Off (1971) first appeared on Cinema of the World.

imdb .com wrote:
Larry Flynt is the hedonistically obnoxious, but indomitable, publisher of Hustler magazine. The film recounts his struggle to make an honest living publishing his porn magazine and how it changes into a battle to protect the freedom of speech for all people. Written by Kenneth Chisholm

The.People.vs.Larry.Flynt.576p.BDRip.x264-HANDJOB.mkv

General
Container:	Matroska
Runtime:	2h 9mn
Size:	2.28 GiB
DXVA:	Compatible
Minimum settings:	Met
Video
Codec:	x264
Resolution:	1024x426
Aspect ratio:	2.40:1
Frame rate:	23.976 fps
Bit rate:	1 859 Kbps
Audio
#1:	English 5.1ch AC-3 @ 448 Kbps (English Audio)
#2:	English 2.0ch Vorbis @ 80.0 Kbps (Commentary With Writers Scott Alexander and Larry Karaszewski)
#3:	English 2.0ch Vorbis @ 80.0 Kbps (Commentary With Actress Courtney Love)

https://nitro.download/view/426C2A75211306E/The.People.vs.Larry.Flynt.576p.BDRip.x264-HANDJOB.mkv

Language(s):English
Subtitles:English

The post Milos Forman – The People vs. Larry Flynt (1996) first appeared on Cinema of the World.

Synopsis:
A well-to-do New Rochelle family is split when it takes in a homeless black woman (Debbie Allen) and her child; all initially looks well when her estranged boyfriend, Coalhouse Walker Jr. (Howard E. Rollins Jr.) reappears with a good job and an offer of marriage. The ‘younger brother’ of the family (Brad Dourif) falls in love with the notorious playgirl Evelyn Nesbit (Elizabeth McGovern) as she awaits the outcome of her husband Harry Thaw’s murder trial – Thaw killed famous architect Stanford White (Norman Mailer) out of jealousy.Coalhouse is returning to the city in his new Model T when he’s harassed and humiliated by a team of volunteer firemen led by Irish-American lout Willie Conklin (Kenneth McMillan), and a dreadful series of events stemming from Walker’s refusal to swallow his pride escalates into a violent debacle. Police Commissioner Rheinlander Waldo (James Cagney) has to step in to restore order when Coalhouse and his gang use force to take over a J.P.Morgan library.

Ragtime.1981.576p.BDRip-AVC.ZONE.mkv

General
Container:  	Matroska
Runtime: 	2 h 35 min
Size: 	4.19 GiB
Video
Codec: 	x264
Resolution: 	1024x428 
Aspect ratio:  	2.40:1
Frame rate: 	23.976 fps
Bit rate: 	3 000 kb/s
BPP: 	0.285
Audio
#1:  	English 5.1ch AC-3 @ 640 kb/s
#2:  	English 2.0ch AC-3 @ 224 kb/s (Audio Commentary with director Milos Forman and executive producer Michael Hausman)

https://nitro.download/view/413C824D61EC80C/Ragtime.1981.576p.BDRip-AVC.ZONE.mkv

Language(s):English
Subtitles:None

The post Milos Forman – Ragtime (1981) first appeared on Cinema of the World.

In the early sixties, Vera Chytilova and Milos Forman were follow students at the Prague film school. Both were part of the Czech New Wave. Then Forman went to live and work in Hollywood, his colleague remaining in Europe.

The two had not been seen each other for ten years when they meet again for this portrait. The confrontational aspect is stressed by the title, after all their two careers could not be more different. Forman became one of the Hollywood Greats, whereas his compatriot aimed for something more subtle, closer to the cinema of discovery and experimentation. It is this clash between two often diametrically opposed filmic conceptions which here takes centre stage.

Chytilova follows Forman everywhere with her camera and tape recorder, from the shooting and editing of Ragtime to his house in Connecticut and the Chelsea Hotel. She bombards him with direct questions about his conception of life and cinematic creation, attempts to trap him or reveal contradictions in his outlook, addresses politics and the political film. But her adversary procrastinates, explains, dodges the issue, displaying intelligence, cunning and humour. It is an enthralling and finally undecided contest

1.83GB | 1h 24m | 1280×720 | mkv

https://nitro.download/view/13C88FC4744EA15/Chytilova.Versus.Forman.1982.720p.WEB.AAC.x264-LYCANTROPE.mkv
https://nitro.download/view/6C2C04D8D57CEA9/Chytilova.Versus.Forman.1982.720p.WEB.AAC.x264-LYCANTROPE.srt

Language(s):English, French, Czech
Subtitles:English

The post Vera Chytilová – Chytilova Versus Forman (1982) first appeared on Cinema of the World.

Quote:
A milestone of the Czech New Wave, Milos Forman’s first color film The Firemen’s Ball (Horí, má panenko) is both a dazzling comedy and a provocative political satire. A hilarious saga of good intentions confounded, the story chronicles a firemen’s ball where nothing goes right—from a beauty pageant whose reluctant participants embarrass the organizers to a lottery from which nearly all the prizes are pilfered. Presumed to be a commentary on the floundering Czech leadership, the film was “banned forever” in Czechoslovakia following the Russian invasion and prompted Forman’s move to America.

1.46GB | 1h 13mn | 784×576 | mkv

https://nitroflare.com/view/1205A92EC9C5DF5/Milos_Forman_-_(1967)_Firemen’s_Ball.mkv

Language(s):Czech
Subtitles:English

The post Milos Forman – Horí, má panenko AKA The Firemen’s Ball (1967) first appeared on Cinema of the World.

Synopsis: For this film adaptation of Peter Shaffer’s Broadway hit, director Milos Forman returned to the city of Prague that he’d left behind during the Czech political crises of 1968, bringing along his usual cinematographer and fellow Czech expatriate, Miroslav Ondricek. Amadeus is an expansion of a Viennese “urban legend” concerning the death of 18th-century musical genius Wolfgang Amadeus Mozart. From the vantage point of an insane asylum, aging royal composer Salieri (F. Murray Abraham) recalls the events of three decades earlier, when the young Mozart (Tom Hulce) first gained favor in the court of Austrian emperor Joseph II (Jeffrey Jones). Salieri was incensed that God would bless so vulgar and obnoxious a young snipe as Mozart with divine genius. Why was Salieri–so disciplined, so devoted to his art, and so willing to toady to his superiors–not touched by God? Unable to match Mozart’s talent, Salieri uses his influence in court to sabotage the young upstart’s career. Disguising himself as a mysterious benefactor, Salieri commissions the backbreaking “Requiem,” which eventually costs Mozart his health, wealth, and life. Among the film’s many pearls of dialogue, the best line goes to the Emperor, who rejects a Mozart composition on the grounds that it has “too many notes.” Amadeus won eight Academy Awards, including Best Picture, Best Director, Best Adapted Screenplay, and Best Actor for F. Murray Abraham. In 2002, the film received a theatrical re-release as “Amadeus: The Director’s Cut,” a version that includes 22 minutes of additional footage. -Hal Erickson (AMG)

Review: Amadeus is a rarity: a dramatic film made by people who understood music as much as filmmaking. A celebration of music and genius, the film exults over Mozart’s seemingly divine creations even as it refuses to canonize the man behind them. Instead, the decision to tell the story from Salieri’s point of view provides a justly critical portrait of Mozart, and in so doing so it provides a commentary on genius that mines trenchant insight from resolute objectivity. That Mozart’s music is beyond reproach is never called into doubt; likewise, that the man himself could be utterly reproachful is also beyond question. Paradox is at the film’s core, both in the presentation of Mozart and his music, and in the character of Salieri, who managed to be both Mozart’s greatest fan and most punishing detractor. In making this sort of paradox its central theme, Amadeus is one of the most illuminating pictures of genius ever committed to celluloid. Part of its brilliance lies in its principal performances: in Tom Hulce’s Mozart, we see a man equally un-self-conscious about his genius and his vulgarity, and in F. Murray Abraham’s Oscar-winning Salieri, we see the tragedy that results from the inability of talent to live up to desire. These performances are lavishly complemented by the music in question, a forceful character in its own right. Part of Forman’s great acheivement as the film’s director was bringing this music to millions who had never set foot inside of an opera house or theatre, with a passion and immediacy that could appeal to a much wider audience than just classical music enthusiasts. -Rebecca Flint (AMG)

The Making of Amadeus :

2.68GB | 3h 0mn | 720×304 | avi

https://nitro.download/view/D82938BCB7F3825/Amadeus_(1984)_BDRip.avi
https://nitro.download/view/F5F307B1ADFD407/eng.srt
https://nitro.download/view/58BF6CA987835A8/The_Making_Of_Amadeus.avi
https://nitro.download/view/2B98A1DB68EA713/Amadeus_-_Theatrical_Trailer.avi

Language:English
Subtitles:English (srt.)

The post Milos Forman – Amadeus [Director’s Cut + Extras] (1984) first appeared on Cinema of the World.

Synopsis :
Upon arrival at a mental institution, a brash rebel rallies the patients together to take on the oppressive Nurse Ratched, a woman more a dictator than a nurse.

+Commentary with Director Milos Forman and Producers Saul Zaentz and Michael Douglas

3.04GB | 2h 13m | 854×480 | mkv

https://nitro.download/view/288B2A31E9D274C/One.Flew.Over.the.Cuckoos.Nest.1975.480p.BDRip.x264-HANDJOB.mkv

Language(s):English
Subtitles:English,Spanish,French,German,Italian,Portuguese

The post Milos Forman – One Flew Over the Cuckoo’s Nest (1975) first appeared on Cinema of the World.