Two teenagers on the margins of society and estranged from their families run away. Their parents are interviewed, while the children are filmed in their idleness in the countryside.

Les enfants désaccordés (Philippe Garrel, 1964).1080p.ARTE.mkv

General
Container:  	Matroska
Runtime: 	15 min 6 s
Size: 	320 MiB
Video
Codec: 	x264
Resolution: 	1920x1080 
Aspect ratio:  	16:9
Frame rate: 	25.000 fps
Bit rate: 	2 868 kb/s
BPP: 	0.055
Audio
#1:  	French 2.0ch AAC LC @ 128 kb/s

https://nitro.download/view/E97D84889268E9C/Les_enfants_desaccordes_(Philippe_Garrel,_1964).1080p.ARTE.mkv

Language(s):French
Subtitles:English, Spanish, Italian, German, Polish

The post Philippe Garrel – Les enfants désaccordés (1964) first appeared on Cinema of the World.

A small-time criminal wants to give up his life of crime. He performs a robbery with a friend, with similar feelings, and things go sour.

4.24GB | 1h 56m | 1920×1080 | mkv

https://nitro.download/view/7624BB61D07142B/Un.aller.simple.1971.1080p.NF.WEB-DL.DDP2.0.x264-playWEB.mkv
or
https://nitro.download/view/2C4EA8C3D951A64/Un.aller.simple.1971.1080p.NF.WEB-DL.DDP2.0.x264.part1.rar
https://nitro.download/view/8BA903CB259F5CA/Un.aller.simple.1971.1080p.NF.WEB-DL.DDP2.0.x264.part2.rar
https://nitro.download/view/D448BB209503B92/Un.aller.simple.1971.1080p.NF.WEB-DL.DDP2.0.x264.part3.rar
https://nitro.download/view/0D76942028163D5/Un.aller.simple.1971.1080p.NF.WEB-DL.DDP2.0.x264.part4.rar
https://nitro.download/view/8CB8A4DBFBA11BE/Un.aller.simple.1971.1080p.NF.WEB-DL.DDP2.0.x264.part5.rar

Language(s):French
Subtitles:English, Croatian, Czech, Danish, Dutch, Finnish, French, Greek, Hungarian, Norwegian, Romanian, Russian, Swedish

The post José Giovanni – Un aller simple AKA One Way Ticket (1971) first appeared on Cinema of the World.

Synopsis
Antoine, an unsuccessful writer, is taken aback when his girlfriend, Solange, leaves him for another man. Usually, it is he who ends a relationship, not his partner. In a fit of pique, he decides to take his revenge, not against Solange, but against all womankind. Jean, an ageing book dealer, suggests that Antoine should avenge his wounded male pride by seducing a woman selected at random and then, once she is in love with him, coldly dumping her. He should also keep a diary of everything that happens in this adventure, since, Jean assures him, such a chronicle would be well-received by one of his publishing friends. To lure his victim, Antoine places an ad for a secretary to type a manuscript. The woman who responds to the ad is a rather ordinary looking young woman, Catherine, who lives alone in a small apartment. Frustratingly, Catherine apparently has no interest in Antoine and resists his obvious attempts at seduction. Antoine is certain his scheme is going to fail…

1.48GB | 1 h 29 min | 915×572 | mkv

https://nitro.download/view/4AC29EBFD665AF9/La_Discrete__1990__-_AQ.mkv

Language(s):French
Subtitles:English

The post Christian Vincent – La discrète AKA The Discreet Girl (1990) first appeared on Cinema of the World.

a title with a comma in the middle for a film divided in two parts. A film in black and white with a dark side and a jovial side. The first part of the title evokes politics, as the story recalls the days of the Algerian War of Independence; the second part represents the mood that hovers over the eminently painful images. There isn’t even a hint of daylight in the freedom of the title. It only lives metaphorically in the darkness and languor of the night. — description by Violeta Kovacsics in the book “Philippe Garrel: Filmmaking Revealed”

‘Liberté, la nuit’ is not really a political film, or, at least, a film about politics. Its central figures are an aging revolutionary helping Algerians in the anti-colonial war against France, his separated wife, a dressmaker who gives them guns, and his mistress, a French Algerian emigree. Such a set-up might offer opportunities for allegory – white Algeria returning to the aging bosom of the fatherland, and all that. The film’s most dynamic sequence is pure political thriller, an assassination by the OAS, confusingly shot and edited on grainy stock that evokes both documentary immediacy and the whirring of a surveillance camera, complete with exciting car chase. The human relationships – especially the drawn-out separation of Jean and Mouche, are said to be caused by his political activity, while his contact with others has some basis in his ‘work’. Even, as I say, his final escape with an apolitical menial has political overtones; and their idyll is ultimately no escape from history.

‘Liberté’ is shot in monochrome, a consciously artificial act in the context of 1983, allowing for the artificiality of talk, movement and composition throughout the film. Unlike most contemporary films that use black and white, for its shadowy Expressionist/film noir effect, Garrel privileges gleaming white over murky black. This, together with its concern with dream, memory and the past, connects ‘Liberte’ to another elegiac film about an aging revolutionary living past his moment, Resnais’ ‘La Guerre est finie’ – the gleaming white contributes to the dreamlike effect Garrel gives his static, mostly empty exteriors; near the end, there is an astonishingly beautiful silhouette of a pier and buoys in shadow against a sea that looks like it was lit from underneath. ‘Liberte’ can’t help recall that other famous, and famously banned, French classic about the Algerian War, Godard’s ‘Le Petit Soldat’, another black and white, dialogue-driven film in which political violence mingles with personal dilemmas.

The film is called ‘Liberté, la nuit’, and frames two types of liberty, the struggle for political freedom, and the more personal freedom within relationships (and in the conflict with one’s aging, one’s reputation) against the central scene of Mouche’s assassination. This pattern sees Mouche gravitating unwillingly towards political action, and Jean in the opposite direction. It’s never quite clear what Jean’s precise political activities are – when we first see him he is talking to a friend, their children in the back seat, about a retired film director. When they meet a group of Algerians, Jean could as easily be a drug dealer as a revolutionary – he speaks in a language which is not translated, emphasising the presumed audience’s outsider status and Jean’s sense of belonging or negotiating between two groups. However, this sense of being two seems to make him less of a man – throughout are interspersed sketchy, incomplete pictures that provide a kind of commentary.

3 August 2001 | Extract from Alice Liddel (on IMDb)

1.55GB | 1h 21mn | 775×436 | mkv

https://nitro.download/view/13B6C6A4EAFBAE9/Liberte,_la_nuit_-_Philippe_Garrel_(1983).mkv
http://nitroflare.com/view/7EAD57E87858DC6/Liberte%2C_la_nuit_-_Philippe_Garrel_%281983%29.srt

Language:French
Subtitles:English

The post Philippe Garrel – Liberté, la nuit (1983) first appeared on Cinema of the World.

Nico is an ethereal poet haunting the gaps between scenes of Jean-Pierre Kalfon, Bulle Ogier, Laurent Terzieff, and Garrel’s father, Maurice, discussing the filmmaker’s staple topics: love, psychoanalysis, and the failures of May ’68.

Quote:
Un Ange Passe is a portrait of Philippe Garrel’s father, Maurice. “I made it so it didn’t cost too much. I made it very quickly. It turned out to be a film that looked exactly like it costs — it was industrially just right. But it was also useful to do to show love to my father.” —Philippe Garrel

Garrel resorted to Nico’s songs again, and she acted in the film with the beautiful Bulle Ogier.

Un.ange.passe.1975.BluRay.x264-oo.mkv

General
Container:  	Matroska
Runtime: 	1 h 21 min
Size: 	2.39 GiB
Video
Codec: 	x264
Resolution: 	960x576 
Aspect ratio:  	5:3
Frame rate: 	24.000 fps
Bit rate: 	4 000 kb/s
BPP: 	0.301
Audio
#1:  	French 2.0ch AAC LC @ 159 kb/s

https://nitro.download/view/BD69EC59B361E0D/Un.ange.passe.1975.BluRay.x264-oo.mkv

Language(s):French
Subtitles:English, Japanese

The post Philippe Garrel – Un Ange Passe (1975) first appeared on Cinema of the World.

A hangdog, middle-aged painter falls in love with a tender young college student after he leaves his philandering wife and his children in this romantic French drama. To console himself, the fundamentally bohemian Phillippe finds comfort in the arms of various prostitutes, especially Valeria. It is while searching for her that he meets lovely Justine, the student. Sparks fly and they move into together. Things go well until Phillippe begins pining for his children. This makes insecure Justine terribly jealous and tumult erupts until the aging artist is able to discover the true source of his anxieties.

1.25GB | 1h 25m | 915×572 | mkv

https://nitro.download/view/65A3B9B62B90098/Le_coeur_fantome_1996.mkv
https://nitro.download/view/3488A6E07B1956E/Le_coeur_fantome_1996.srt

Language:French
Subtitles:English

The post Philippe Garrel – Le Coeur fantome AKA The Phantom Heart (1996) first appeared on Cinema of the World.

‘Liberte, la nuit’ is not really a political film, or, at least, a film about politics. Its central figures are an aging revolutionary helping Algerians in the anti-colonial war against France, his separated wife, a dressmaker who gives them guns, and his mistress, a French Algerian emigree. Such a set-up might offer opportunities for allegory – white Algeria returning to the aging bosom of the fatherland, and all that. The film’s most dynamic sequence is pure political thriller, an assassination by the OAS, confusingly shot and edited on grainy stock that evokes both documentary immediacy and the whirring of a surveillance camera, complete with exciting car chase. The human relationships – especially the drawn-out separation of Jean and Mouche, are said to be caused by his political activity, while his contact with others has some basis in his ‘work’. Even, as I say, his final escape with an apolitical menial has political overtones; and their idyll is ultimately no escape from history.

‘Liberte’ is shot in monochrome, a consciously artificial act in the context of 1983, allowing for the artificiality of talk, movement and composition throughout the film. Unlike most contemporary films that use black and white, for its shadowy Expressionist/film noir effect, Garrel privileges gleaming white over murky black. This, together with its concern with dream, memory and the past, connects ‘Liberte’ to another elegiac film about an aging revolutionary living past his moment, Resnais’ ‘La Guerre est finie’ – the gleaming white contributes to the dreamlike effect Garrel gives his static, mostly empty exteriors; near the end, there is an astonishingly beautiful silhouette of a pier and buoys in shadow against a sea that looks like it was lit from underneath. ‘Liberte’ can’t help recall that other famous, and famously banned, French classic about the Algerian War, Godard’s ‘Le Petit Soldat’, another black and white, dialogue-driven film in which political violence mingles with personal dilemmas.

The film is called ‘Liberte, la nuit’, and frames two types of liberty, the struggle for political freedom, and the more personal freedom within relationships (and in the conflict with one’s aging, one’s reputation) against the central scene of Mouche’s assassination. This pattern sees Mouche gravitating unwillingly towards political action, and Jean in the opposite direction. It’s never quite clear what Jean’s precise political activities are – when we first see him he is talking to a friend, their children in the back seat, about a retired film director. When they meet a group of Algerians, Jean could as easily be a drug dealer as a revolutionary – he speaks in a language which is not translated, emphasising the presumed audience’s outsider status and Jean’s sense of belonging or negotiating between two groups. However, this sense of being two seems to make him less of a man – throughout are interspersed sketchy, incomplete pictures that provide a kind of commentary.

https://nitro.download/view/39D3D93889668AA/Liberte,.la.nuit.1984.1080p.CINET.WEB-DL.AAC2.0.x264-Cinefeel.mkv
http://nitroflare.com/view/9B08CCBB482B2DB/Liberte%2C_la_nuit_%281984%29.srt

Language(s):French
Subtitles:English

The post Philippe Garrel – Liberté, la nuit (1984) (HD) first appeared on Cinema of the World.