An old woman’s poignant reminiscence of her youth in a convent school: the happy moments, the sad ones and the tragic love for a Garibaldian.

Un.garibaldino.al.convento.1942.1080p.WEB-DL.DD+2.0.H.264-SbR.mkv

General
Container:  	Matroska
Runtime: 	1 h 25 min
Size: 	7.16 GiB
Video
Codec: 	h264
Resolution: 	1920x1080 
Aspect ratio:  	16:9
Frame rate: 	24.000 fps
Bit rate: 	11.7 Mb/s
BPP: 	0.236
Audio
#1:  	Italian 2.0ch E-AC-3 @ 224 kb/s

https://nitro.download/view/F9411F133E24AB9/Un.garibaldino.al.convento.1942.1080p.WEB-DL.DD+2.0.H.264-SbR.mkv

Language(s):Italian
Subtitles:English

The post Vittorio De Sica – Un garibaldino al convento AKA A Garibaldian in the Convent (1942) (HD) first appeared on Cinema of the World.

Quote:
However trivial – or downright ridiculous – the plot may become, Freda shows a mastery of sheer cinematic style that puts most of the more highly-touted Italian directors to shame. Like Minnelli or Sirk, Mizoguchi or Ophuls, Visconti or Fellini, he is in love with the visual and sensuous possibilities of the camera itself. The breathtaking decor and costumes (by Vittorio Nino Novarese, who went on to dress the most elephantine of Hollywood epics) are as strong a dramatic presence as the actors themselves. That’s no slight against the cast: Gassman was as great an actor as Marcello Mastroianni; Sanson and Canale are as strong as they are sensual, as gutsy as they are glamorous – a world away from the insipid sex objects that decorate most action movies!

Quote:
Great adventure piece from an specialist in the genre like Freda, where you’ll find the traditional dynamism of this kind of action films. It could also be a sort of semi-fantastic tale with a strange and oppressive atmosphere. The italian director shows again his particular style: the transformation of space into tension and movement, with a very appropriate narrative sense. It’s Gassman’s debut as a lead actor; he plays Casanova, who is searching for a document that proves his brother’s innocence.

1.37GB | 1:31:03 | 720 x 544 | avi

https://nitro.download/view/3E93DCC14C3BDAF/Riccardo_Freda_-_Il_cavaliere_misterioso_(1948).avi
https://nitroflare.com/view/EA5CDB4A6DAA64A/Riccardo_Freda_-_Il_cavaliere_misterioso_%281948%29.ENG.srt
https://nitroflare.com/view/BF2C7DE02DF2A0F/Riccardo_Freda_-_Il_cavaliere_misterioso_%281948%29.idx
https://nitroflare.com/view/34BBF2BE81BBDF4/Riccardo_Freda_-_Il_cavaliere_misterioso_%281948%29.srt
https://nitroflare.com/view/EF270270A9F5271/Riccardo_Freda_-_Il_cavaliere_misterioso_%281948%29.sub

Language:Italian
Subtitles:Italian .srt, .idx and .sub,Eng srt

The post Riccardo Freda – Il cavaliere misterioso AKA The Mysterious Rider (1948) first appeared on Cinema of the World.

Leo (Vittorio De Sica) is young man trying to make a living without any success. Through fortuitous circumstances, he is assigned by the director of a big firm to accompany for one night the daughter of the firm’s accountant, Titi (María Mercader). Leo pretends then to be the son of a tycoon, and takes her in a luxurious restaurant.

“The first directorial work of Cottafavi was born under the sign of a partnership – perhaps not particularly congenial to him – which established itself in that same year, 1943. This was the partnership De Sica-Zavattini, here actor and writer, currently employed as director and writer on I bambini ci guardano. Adapted from the comedy of the same name by Ugo Betti, the script of I nostri sogni has much of the feeling both of the Zavattini poetic, linked to inter-class paradoxes, and of the gallery De Sica style of street people interpreted by Camerini, who are suddenly called to play a featured role in life. (…) The film is uneven, still far from the style which, apart from the genre and production budget, distinguishes the mature cinema of Cottafavi. But the style is already signaled by various elements, involving the care for atmosphere and the descriptive finesse of some existential situations. (…) We breathe an air of Gozzano, of Monsù Travet, more regretful than mocking, as it would be in the Italian-style comedy. In so far as the film is based, chronologically, in the last glimmerings of the regime, it resists setting out a defence of the working class, morally clean, the soul of fascism, counterpointing the snobbism of the fashionable rich and the somewhat clochard extravagance of the protagonist. But here is also – and it is striking in that it is only hinted – the description of the metropolis which gives work to all, where the publicity for products acquires a social, economic and creative importance.”

1.01GB | 1h 7m | 768×576 | mkv

https://nitro.download/view/CA214AF8318E084/Our_Dreams__I_nostri_sogni__(Vittorio_Cottafavi_1943).mkv

Language(s):Italian
Subtitles:English

The post Vittorio Cottafavi – I nostri sogni AKA Our Dreams (1943) first appeared on Cinema of the World.

Summary:
An old woman’s poignant reminiscence of her youth in a convent school, the happy moments and the sad, and her tragic love for a Garibaldian.

A.Garibaldian.in.the.Convent.1942.WEBRIP.576p.x264.AC3.KJNU.mkv

General
Container:  	Matroska
Runtime: 	1 h 25 min
Size: 	1.93 GiB
Video
Codec: 	x264
Resolution: 	768x576 
Aspect ratio:  	4:3
Frame rate: 	24.000 fps
Bit rate: 	3 000 kb/s
BPP: 	0.283
Audio
#1:  	Italian 2.0ch AC-3 @ 224 kb/s

https://nitro.download/view/87E0F564718F8F8/A.Garibaldian.in.the.Convent.1942.WEBRIP.576p.x264.AC3.KJNU.mkv

Language(s):Italian
Subtitles:English

The post Vittorio De Sica – Un Garibaldino al convento AKA A Garibaldian in the Convent (1942) first appeared on Cinema of the World.