Irasema Dilián stars as the orphan Manuela whose passionate crush on her teacher Lucila (Marga Lopez) scandalizes their all-girl Catholic school. An exceptional Mexican remake of the 1931 German original, Maedchen in Uniform.

Girls.in.Uniform.(1951).1080p.H264.AAC.mkv

General
Container:	Matroska
Runtime:	1h 41mn
Size:	1 000 MiB
Video
Codec:	h264
Resolution:	1920x1080
Aspect ratio:	16:9
Frame rate:	23.976 fps
Bit rate:	
Audio
English 2.0ch AAC

https://nitro.download/view/62D13D0590090A2/Girls.in.Uniform.(1951).1080p.H264.AAC.mkv

Language(s):Spanish
Subtitles:None

The post Alfredo B. Crevenna – Muchachas de Uniforme AKA Girls in Uniform (1951) first appeared on Cinema of the World.

Quote:
Juan Sayago was released after eighteen years in prison for murdering Raul Trueba, a man who challenged him only to get in the duel in which he fairly lost his life. Juan returns to his town to live quietly, trying to rebuild his life.

Tiempo.De.Morir.AKA.Time.To.Die.1966.576p.BDRip.x264.AAC.2.0-OLDFLiX.mkv

General
Container:  	Matroska
Runtime: 	1 h 28 min
Size: 	2.37 GiB
Video
Codec: 	x264
Resolution: 	768x576 
Aspect ratio:  	4:3
Frame rate: 	23.976 fps
Bit rate: 	3 538 kb/s
BPP: 	0.334
Audio
#1:  	Spanish 2.0ch AAC LC @ 121 kb/s
#2:  	Spanish 2.0ch AAC LC @ 144 kb/s (Commentary by Director Arturo Ripstein and Actor Enrique Rocha)

https://nitro.download/view/01F3FBEF6B97EB6/Tiempo.De.Morir.AKA.Time.To.Die.1966.576p.BDRip.x264.AAC.2.0-OLDFLiX.mkv

Language(s):Spanish
Subtitles:English, English (Commentary)

The post Arturo Ripstein – Tiempo de morir AKA Time to Die [+Commentary] (1966) first appeared on Cinema of the World.

Quote:
Soledad, a maid born in Argentina, works at a Mexican farm. The son of her employer will deceive her, pretending to marry her and leaving her pregnant. When she finds out that she has been tricked, she runs away from the farm. During her flight she meets a group of artists that’ll change her life. [Synopsis translated from spanish.]

A melodrama starring Libertad Lamarque, nicknamed “la novia de América” [the sweetheart of America], an actress / singer extremely popular throughout Latin America — especially in Argentina (where she was born) and Mexico. This is her second Mexican movie — the first, Gran Casino, was a failure, but this one gave rise to her successful career in Mexico’s “golden age” of movies.

840MB | 1h 37m | 640×480 | avi

https://nitro.download/view/9DA28E9C0FA4519/Soledad.(Miguel.Zacarias.-.1947).avi

Language(s):Spanish
Subtitles:None

The post Miguel Zacarías – Soledad (1947) first appeared on Cinema of the World.

Julia is hired to be the governess of a young girl, Sylvia, who has an emotionally distant father, Eugenio, and a new stepmother, Mariana. Sylvia insists that she plays with a little boy named Hugo – whom the adults all see is a stone statue in the courtyard. When strange things begin to happen (such as Mariana, whom Sylvia dislikes, experiencing strange pains) the adults begin to wonder if Hugo may be more than just an imaginary playmate.

1.53GB | 1h 39min | 706×529 | mkv

https://nitro.download/view/6903431192657FF/The.Book.of.Stone.1969.DVDRIP.x264.AC3.KJNU.mkv

Language(s):Spanish
Subtitles:English

The post Carlos Enrique Taboada – El libro de piedra AKA The Book of Stone (1969) first appeared on Cinema of the World.

After serving 18 years for killing a man in a duel,a former gunman returns to his hometown determined to live a normal life, but the sons of the man he killed are bent on revenge.

Gabriel Garcia Marquez and Carlos Fuentes penned Arturo Ripstein’s 1966 debut.

An elemental Western about inherited sins and the difference between honor and pride, Arturo Ripstein’s Time to Die follows a man who, having served 18 years in jail to pay for killing a man, finds the victim’s sons now believe he owes his life as well. Said to be the first produced screenplay by Gabriel Garcia Marquez, who wrote it with Carlos Fuentes, it was also the directing debut of Ripstein, who had just helped his father Alfredo Ripstein produce Luis Buñuel’s The Exterminating Angel. Finally seeing American release and beautifully restored, the involving picture is no museum piece; it should fare well as it tours through art houses, and not only thanks to its screenwriters’ fame.

Jorge Martinez de Hoyos plays Juan Sayago, who hikes back to his village after his release from prison hoping to pick up where he left off. He goes to the estate where he used to work horses, and is told he should turn right back around. Though the owners respect him and wish him well, some other townfolk “plan to make you pay.”

Those would be the two sons of the man Juan killed, the steely Julian (Alfredo Leal) and more amiable Pedro (Enrique Rocha). They were both boys when they lost their father, and we come to realize they know almost as little about the duel as we do; over the years, they’ve turned shreds of gossip into an unshakable belief that Juan somehow took advantage of Raul Trueba.

Julian has practically lived for revenge, saying that he remained single and childless so he could engage in a duel without fearing the consequences. When he finds Juan out on the street and angrily tosses a gun at him, though, the older man wants nothing to do with him. He avoids the confrontation, leaving Julian to try to goad him over the coming days.

This stormcloud of promised violence (a precursor to Garcia Marquez’s novella 1981 Chronicle of a Death Foretold, in which two brothers plan to kill a man who has dishonored their family) hangs over the film, coloring every interaction Juan has with the loved ones he left behind. The pic doesn’t turn it into a ticking-clock drama, a la High Noon or 3:10 to Yuma. Instead, it is more of an open-ended contest of will: Can Juan resist the calls from those who care about him to leave town? Can his insistence that justice has been served win out against the wounded pride of two young men?

Approaching middle age when he wrote the script, Garcia Marquez sympathizes with a hero whose masculinity has been tempered by time and imprisonment. Though clearly capable in many arenas (at one point, Pedro is forced to marvel that he is a real man, “puro macho”), Juan lacks the calm defiance a similar character might show in a Hollywood picture: When threatened, de Hoyos actually cowers. Juan admits he is afraid, and the film adds to the poignancy by observing how he is seen by Mariana (Marga Lopez), his old fiancee. During his imprisonment she married, had a child, and was widowed; Juan hopes to reunite with her, but when he visits, she is formal with him. Later, she admits to a friend that she was so upset at the sight of him she could barely maintain her composure.

Hoping to avert disaster, Mariana goes to Pedro’s girlfriend Sonia (Blanca Sanchez), hoping she can convince him to call off the threats. But the women are told it’s pointless to interfere with “men’s business,” which is governed by forces beyond reason.

On a couple of occasions, the picture uses manipulated sound to show a character’s internal agitation. Alone in his father’s study and girding himself for a fight he has been urged to avoid, Julian hears his spurs and the clank of his gun as if he were alone in the bottom of a well. Elsewhere, a handheld camera emphasizes the uneasiness of lovers who haven’t seen each other in nearly two decades.

But on the whole, sharp dramatization and direct performances suffice to put the story’s themes across more urgently than expected. Juan doesn’t want to die, but he can’t stand leaving the life that was put on hold for so long. We’re just as eager to see him live, even if all the ways he might do so look pretty bad.

by John DeFore

3.27GB | 1 h 28 min | 960×720 | mkv

https://nitro.download/view/B4760145C04967F/Time.to.Die.1966.720p.BluRay.x264-SADPANDA.mkv

Language(s):Spanish
Subtitles:English

The post Arturo Ripstein – Tiempo de morir (1966) first appeared on Cinema of the World.

A priest in a poor community lives a charitable life in accordance with his religious principles, but many others do not return the favor.

5.23GB | 1h 34m | 986×720 | mkv

https://nitro.download/view/B3BA6DDA4C89DCC/Nazarin.1959.720p.BluRay.mkv

Language:Spanish
Subtitles:English,French

The post Luis Buñuel – Nazarín AKA Nazarin (1959) first appeared on Cinema of the World.

Plot Synopsys:
A famous cabaret in Mexico City, Salón Mexico was staffed by ficheras, women who charged clients for dancing and, more often than not, for sex. Fernández’s celebrated melodrama tells the story of one such dancer, Mercedes (Marga López) who must fight off the attentions of an abusive pimp while working to finance the schooling of her younger sister. A danzón contest offers salvation, but will Mercedes see her chance of redemption cruelly snatched away? Deliciously dark with noir overtones, its fine performances are matched by Gabriel Figueroa’s superlative cinematography.

https://nitro.download/view/E5950246F62BEA8/Salon_Mexico.avi
http://www.nitroflare.com/view/EAF87A321F811B3/Salon_Mexico.srt

Language:Spanish
Subtitles:ENG .srt

The post Emilio Fernández – Salón México (1949) first appeared on Cinema of the World.