How Adolf Hitler and the Nazi regime made use of ancient mysticism and occultism to win the war. The Nazi’s also used occult mind control techniques to brainwash Germans to perceive themselves as the master-race.

	
Nazis.The.Occult.Conspiracy.2005.DVDRip.mkv

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Container:  	Matroska
Runtime: 	1 h 44 min
Size: 	2.26 GiB
Video
Codec: 	x264
Resolution: 	720x570 ~> 760x570
Aspect ratio:  	4:3
Frame rate: 	50.000 fps
Bit rate: 	2 913 kb/s
BPP: 	0.142
Audio
#1:  	English 2.0ch AC-3 @ 192 kb/s (Stereo)

https://nitro.download/view/C9F579535E03615/Nazis.The.Occult.Conspiracy.2005.DVDRip.mkv

https://tezfiles.com/file/7416e6fbe6503/Nazis.The.Occult.Conspiracy.2005.DVDRip.mp4

Language(s):English
Subtitles:None

The post Tracy Atkinson & Joan Baran – Nazis: The Occult Conspiracy (2005) first appeared on Cinema of the World.

Follows Caligula as he kills his devious adoptive grandfather and takes control of the decadent Roman Empire, spiralling into depravity, devastation, and madness.

Caligula.The.Ultimate.Cut.2023.720p.AMZN.WEB-DL.DDP5.1.H.264-FLUX.mkv

General
Container:	Matroska
Runtime:	2h 58mn
Size:	7.85 GiB
Video
Codec:	h264
Resolution:	1280x640
Aspect ratio:	2.000
Frame rate:	23.976 fps
Bit rate:	5 664 kb/s
Audio
English 5.1ch E-AC-3 @ 640 kb/s

https://nitro.download/view/E839388A28A86F8/Caligula.The.Ultimate.Cut.2023.720p.AMZN.WEB-DL.DDP5.1.H.264-FLUX.mkv

Language(s):English
Subtitles:English

The post Tinto Brass – Caligula: The Ultimate Cut (2023) first appeared on Cinema of the World.

Quote:
Twenty-five years on from its release, A Clockwork Orange has lost none of its power to shock and outrage. In this near-future setting the outlets for teenage enthusiasm are few and far between. Disenchanted, youths form ritualistic gangs, fight battles and engage in vandalism. Alex DeLarge (Malcolm McDowell) is the leader of just such a group, marked out by their preferences for phallic masks and boiler suits. His select followers (known as droogs) are Dim (Warren Clark), Georgie (James Marcus) and Pete (Michael Tarn). On a typical evening they’ll stop by the Korova for some milk-plus, to sharpen them up, before venturing into the urban jungle. On this particular night they don’t have to travel far for a spot of “ultraviolence”; a rival gang are about to force a bit of the “old in-out” on a helpless young devotchka (girl). For the pure love of violence they decimate their rivals.

Such easy-pickings are unsatisfying though, as illustrated by their mechanical but vicious beating of an elderly tramp (Paul Farrell). Picking up a sleek looking Durango 95, Alex indulges in an extended game of road-hog along the country lanes and ends up by an isolated house. Unfortunately for writer Frank Alexander (Patrick Magee), this is to be the high-point of their night of terrorization. To the tune of “Singing in the Rain”, they brutally beat him and gang-rape his wife (Adrienne Corri), who later expires from her injuries. Finally satiated, it’s back to the Korova for a night-cap. A chance encounter happens to reveal Alex’s autocratic control of his comrades, though it seems that he is capable of assuaging any dissension.

The only drawback of this nocturnal pillaging is that it leaves Alex too exhausted to attend school. His parents are easily put off from asking too many awkward questions but Alex has less luck with his juvenile officer Mr. Deltoid (Aubrey Morris). He understands the malicious mind of Alex only too well, intuitively realising that he’s the sort of delinquent who considers himself untouchable. However, while this might hold true for the impotent forces of authority, the weak link in this logic are Alex’s droogs. They want more control, higher earnings and less picking on Dim, so Alex had better watch his step (else he’ll be sent down for a long time indeed).

This is an astounding piece of film-making which dazzles, disturbs and succeeds in achieving a very difficult result. By the end of A Clockwork Orange we are manipulated into cheering for Alex, despite his brutal and amoral nature. He is a victim at the mercy of an uncaring society, condemned to the physically unbearable “aversion therapy” and preyed upon by his former targets. By itself his treatment induces revulsion, but it’s as a reflection of the times (where the negation of personality is applauded) that this imagery strikes deepest. Anthony Burgess’ book cleverly indicts humanity and its herd instincts, but it’s only through Kubrick’s clarifying (and simplifying) adaptation that the true visceral horror bursts forth.

McDowell, as the mixed-up Alex, gives a gripping performance as both narrator and actor. The disparate sides of his character, the aesthete and the misanthrope, form an unwieldy balance. Every sign indicates that he should be crushed yet, inevitably, we care for him and snatch at the faintest glimmer of hope. When compared to such a strong central figure the remaining roles are destined to be somewhat in the shade, yet they are all convincingly drawn (though the victims are portrayed ambiguously). Mr. Alexander is eager to help (and use) young Alex, when he doesn’t know who he is, yet as soon as the realisation dawns, he’s happy to search for revenge at the same base level. Of course, the irony is that he wouldn’t be having these urges (wonderfully acted though they are) had chance not brought Alex and his droogs visiting in the first place.

The element which elevates A Clockwork Orange above similar films is its bizarre juxtaposition of music (often classical) with violence. Images and sound pull in different directions, stimulating conflicting emotions (as Kubrick no doubt intended). On top of this, the profusion of erotic symbols forms a not very subtle subtext, taking in everything from the objet d’art murder weapon to the feverish coupling of medical staff. Kubrick filters all of this through camera trickery (slow-motion, unusual angles, fish-eye lens etc), heightening rather than subduing emotion. It’s easy to see why A Clockwork Orange has divided critics – it’s extremely graphic and unsettling. However, this isn’t a movie which will change nations and for Kubrick to continue to ban the film in Britain is perverse, hypocritical and disappointing.

A.Clockwork.Orange.1971.576p.BDRip.x264-HANDJOB.mkv

General
Container:	Matroska
Runtime:	2h 16mn
Size:	3.27 GiB
DXVA:	Compatible
Minimum settings:	Met
Video
Codec:	x264
Resolution:	958x576
Aspect ratio:	1.663
Frame rate:	23.976 fps
Bit rate:	2 835 Kbps
Audio
#1:	English 5.1ch AC-3 @ 448 Kbps (English Audio)
#2:	English 2.0ch Vorbis @ 80.0 Kbps (Commentary with Actor Malcolm McDowell and Film Historian Nick Redman)

https://nitro.download/view/DD8F07BBD4B4E44/A.Clockwork.Orange.1971.576p.BDRip.x264-HANDJOB.mkv

Language(s):English
Subtitles:English, Spanish, French, Danish, Dutch, Finnish, German, Italian, Portuguese, Swedish

The post Stanley Kubrick – A Clockwork Orange (1971) first appeared on Cinema of the World.

In this allegorical story, a revolution led by pupil Mick Travis takes place at an old established private school in England.

If.1968.576p.BluRay.x264-HANDJOB.mkv

General
Container:  	Matroska
Runtime: 	1 h 51 min
Size: 	2.94 GiB
Video
Codec: 	x264
Resolution: 	960x576 
Aspect ratio:  	5:3
Frame rate: 	23.976 fps
Bit rate: 	3 440 kb/s
BPP: 	0.259
Audio
#1:  	English 1.0ch AC-3 @ 192 kb/s (English)
#2:  	English 1.0ch AAC LC @ 96.0 kb/s (Commentary with critic and historian David Robinson and actor Malcolm McDowell)

https://nitro.download/view/646A56E00279FB0/If.1968.576p.BluRay.x264-HANDJOB.mkv

Language(s):English
Subtitles:English, Portuguese

The post Lindsay Anderson – If…. (1968) first appeared on Cinema of the World.

One man’s dreams of success take him on a Byzantine journey through the various stations of the British class system in this politically charged black comedy from director Lindsay Anderson. Mick Travis (Malcolm McDowell) is an ambitious young man who is looking to get his foot on the first rung of the ladder of success by landing a job as a salesman. After the death of Imperial Coffee’s leading drummer in the North, Travis’ charm and enthusiasm so impresses manager Mr. Duff (Arthur Lowe) that he’s given the job, and after some coaching from Gloria Rowe (Rachel Roberts), Travis sets out to find his fortune in the coffee trade.

Travis’ desire for success quickly sets him on a curious odyssey in which he happens upon a secret sex club for businessmen, finds himself the subject of random seductions by lonely women, is captured and tortured by military intelligence agents, submits to medical experiments at a bizarre private clinic, hitches a ride with a traveling rock band led by former Animals keyboardist Alan Price, falls in love with a beautiful young bohemian named Patricia (Helen Mirren), goes to work for her father (Ralph Richardson), who happens to be a singularly corrupt political figure, and eventually lands in prison after he’s implicated in a deal to sell chemical weapons to the Third World.

As Mick’s strange tale progresses, we periodically visit Price and his band in the recording studio or rehearsal hall, as they work on songs which serve as both mirror and counterpoint for Travis’ progress. O Lucky Man! was the second film in which Malcolm McDowell would portray Mick Travis for director Lindsay Anderson, following If…, and preceding Britannia Hospital; the film’s surreal undercurrent was reinforced by the casting, in which nearly all of the principle actors play two or three roles.

	
O Lucky Man (Lindsay Anderson, 1973).576p.mkv

General
Container:  	Matroska
Runtime: 	2 h 58 min
Size: 	4.64 GiB
Video
Codec: 	x264
Resolution: 	1024x576 
Aspect ratio:  	16:9
Frame rate: 	23.976 fps
Bit rate: 	3 409 kb/s
BPP: 	0.241
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#1:  	English 2.0ch E-AC-3 @ 224 kb/s
#2:  	English 2.0ch AAC LC @ 96.0 kb/s (Commentary by Malcolm McDowell, Alan Price and screenwriter David Sherwin)

https://nitro.download/view/B3BA60CC961440B/O_Lucky_Man_(Lindsay_Anderson,_1973).576p.mkv

Language(s):English
Subtitles:English, English HOH

The post Lindsay Anderson – O Lucky Man! (1973) first appeared on Cinema of the World.

Mega-promoter Colin Beverly plans to sabotage the New Year’s 1983 concert of small-time operator Max Wolfe. Wolfe’s assistants Neil Allen and Willie Loman find romance while trying to save the drugs, violence, and rock and roll from Beverly’s schemes.

+Commentary by Director Allan Arkush, Filmmaker Eli Roth and Filmmaker/Historian Daniel Kremer

2.49GB | 1h 32m | 1024×552 | mkv

https://nitro.download/view/E2FBCB0C089B0A3/Get.Crazy.1983.576p.BluRay.AC3.x264.mkv

Language(s):English
Subtitles:English

The post Allan Arkush – Get Crazy (1983) first appeared on Cinema of the World.

Quote:
The film explores the story of Veronica Ghent (Alice Krige) who after a double mastectomy, goes to a healing retreat in rural Scotland with her young nurse Desi (Kota Eberhardt). She discovers that the process of such surgery opens up questions about her very existence, leading her to start to question and confront past traumas.

6.98GB | 1h 36m | 1920×804 | mkv

https://nitro.download/view/A6189604D3A849F/She.Will.2021.1080p.x264.AVC.AC3-KG.mkv

Language(s):English
Subtitles:English,Spanish

The post Charlotte Colbert – She Will (2021) first appeared on Cinema of the World.