Quote:
Lütfi Akad completes with Diyet (Blood Money) his trilogy based on internal migration. Diyet depicts the struggles of a migrant Anatolian family to adapt to and survive in the very different conditions of urban Istanbul. Akad uses the experiences of a provincial family as his medium for drawing attention to a period of disintegrating feudal relationships and burgeoning proletarianism. And this strikes the kind of political chord that is rarely encountered now in Turkish cinema.

3.08GB | 1h 28m | 1920×1080 | mkv

https://nitro.download/view/C086CB85B7B7138/Diyet.1974.1080p.MUBI.WEB-DL.AAC.2.0.H.264-KUCHU.mkv
https://nitro.download/view/6ABEC006456503E/Diyet.1974.1080p.MUBI.WEB-DL.AAC.2.0.H.264-KUCHU.srt
or
https://nitro.download/view/6171C80A9867684/Diyet.1974.1080p.MUBI.WEB-DL.AAC.2.0.H.264-KUCHU.part1.rar
https://nitro.download/view/DEBC2847196479B/Diyet.1974.1080p.MUBI.WEB-DL.AAC.2.0.H.264-KUCHU.part2.rar
https://nitro.download/view/9041013A20999E9/Diyet.1974.1080p.MUBI.WEB-DL.AAC.2.0.H.264-KUCHU.part3.rar
https://nitro.download/view/12A656733232934/Diyet.1974.1080p.MUBI.WEB-DL.AAC.2.0.H.264-KUCHU.part4.rar
https://nitro.download/view/6ABEC006456503E/Diyet.1974.1080p.MUBI.WEB-DL.AAC.2.0.H.264-KUCHU.srt

Language(s):Turkish
Subtitles:English

The post Lütfi Akad – Diyet (1974) first appeared on Cinema of the World.

IMDB:
In the absence of his father, a little boy and his mother live by themselves on a poor suburb for years. Boy impatiently waits his father’s return, till the day a wounded outlaw takes refuge in their home.

472MB | 1h 30m | 640×480 | mkv

https://nitro.download/view/1D628420A368F52/Uc_Tekerlekli_Bisiklet_1962.WebDL.mkv
https://nitro.download/view/EC3C0E49699B27F/Uc_Tekerlekli_Bisiklet_1962.WebDL.srt

Language(s):Turkish
Subtitles:English

The post Lütfi Akad & Memduh Ün – Üç tekerlekli bisiklet AKA The Tricycle (1962) first appeared on Cinema of the World.

Ömer Lütfi Akad, aka Lütfi Ömer Akad, (b. 1916) is a Turkish film director, who directed movies from 1948-1974. In 1949, he debuted as a film director with Vurun Kahpeye (“Kill the Whore”) an adaptation of Halide Edip Adıvar’s book of the same title. He became one of the pioneers of the period in the “Director Generation”. The 1970s trilogy, The Bridge; The Wedding; and The Sacrifice, is considered his masterpiece. Afterwards, he withdrew from movie making instead directing adaptations for TV.

Lütfi Akad directs 4 films. Among them Kanun Namına (In The Name of The Law), adapted from a real story, becomes a milestone in the history of the Turkish screen. Really, Akad brought a new breath and caused to gain a new language to a cinema who tried to express itself for ages. Living characters, actual events and the usage of natural environment put Kanun Namına (In The Name of The Law) its place inside the historical process.

(…)
With the year’s most important film, Akad’s Kanun Namına (In the name of the law), the Turkish screen gains its first big star: Ayhan Işık. Işık came to the movies through a contest promoted by a film magazine (Yıldız/Star) and, as a winner, got his first part in Yavuz Sultan Selim and Yeniçeri Hasan (The Sultan Yavuz Selim and Hasan the Janissary, 1951). Another winner of the same contest, Belgin Doruk, soon became also a top female star.
This film was based upon real events that took place in İstanbul, in the following years of World war II. It is about a love triangle that led to homicide, typical for Turkish drama / action movies of the time. When the movie was shown, the common idea was that it has a lot of similarities with 1939-dated “Le jour se léve”, starring Jean Gabin and Marcel Carné. But these events actually occured in İstanbul, and there was no relation between this film and the French one. This can be categorized as a realist movie, carrying the camera into the streets. This film is also said to be the film that carried Ayhan İsik, a very famous Turkish actor of 50′s and 60′s, to stardom.

The quality is not very good. There was no restoration on the original movie. Unfortunately no subtitles.

699MB | 1h 33mn | 528×400 | avi

https://nitro.download/view/5A712516309198C/Kanun.Namina.1952.DVDRip.XviD-KG.avi

Language(s):Turkish
Subtitles:None

The post Lutfi Akad – Kanun namina aka In the Name of the Law (1952) first appeared on Cinema of the World.

Imdb User Review:

Watch it like that you can’t watch any movie after this time,it gives you unbelievable moments…
29 August 2006 | by hashus (Turkey)

Lütfi Akad is one of the most important directors of Turkey, he gave our cinema very useful things, a lot of things started with his camera…he was different, he moved cinema from sets to streets, he gave to watchers real world,real people, no star… his actors didn’t act in front of the camera, they lived in white-screen…

And I think Akad’s the best movie is Vesikali Yarim, because he always directs real stories which everybody can live them, but in this story we can’t find anything from us…but we forgot one important thing : director is Lütfi Akad…so again we find us in the white-screen between actors. He can do this. Although story is not from us, he can move us his movie…In this movie, he asked us “Who deserve the real love?” and “Does love deserve the reality?” I won’t say anything about answers but if you watch this movie, you will see them easily…

Awards: 1968 Antalya Best Second Film; Best Screenplay; Best Actress (Türkan Şoray)

https://nitro.download/view/7B13F74EE2F6A08/Vesikali_yarim_-_My_Prostitute_Love_(1968).mkv
http://nitroflare.com/view/C652A35F4200E31/Vesikali_Yarim_1968.mkv.ENG.04.srt

Language(s):Turkish
Subtitles:Turkish,English SRT

The post Lutfi Akad – Vesikali yarim aka My Prostitute Love (1968) first appeared on Cinema of the World.