Konstantin Khokhlov – Cinema of the World https://worldscinema.torrentbay.st Fri, 06 Sep 2019 14:51:05 +0000 en-US hourly 1 https://wordpress.org/?v=7.0.1 https://worldscinema.torrentbay.st/wp-content/uploads/2018/09/cropped-Vintage-Movie-Camera-Icon-32x32.png Konstantin Khokhlov – Cinema of the World https://worldscinema.torrentbay.st 32 32 Grigori Kozintsev & Leonid Trauberg – S.V.D. – Soyuz velikogo dela AKA Union of the Great Cause (1927) https://worldscinema.torrentbay.st/2019/09/grigori-kozintsev-leonid-trauberg-s-v-d-soyuz-velikogo-dela-aka-union-of-the-great-cause-1927/ https://worldscinema.torrentbay.st/2019/09/grigori-kozintsev-leonid-trauberg-s-v-d-soyuz-velikogo-dela-aka-union-of-the-great-cause-1927/#comments Fri, 06 Sep 2019 14:51:00 +0000 https://worldscinema.torrentbay.st/?p=110520 (imdb)A failed Russian Revolution succeeded magnificently on screen., 3 June 1999Author: Theodore J. van Houten from Haamstede, 4328 ZG 1 Netherlands S.V.D. was released in August 1927. A beautiful costume drama, it is on the other hand a somewhat expressionistic, poetical fantasy. Its photography and images are more important than its desired political contents. The …

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(imdb)
A failed Russian Revolution succeeded magnificently on screen., 3 June 1999
Author: Theodore J. van Houten from Haamstede, 4328 ZG 1 Netherlands

S.V.D. was released in August 1927. A beautiful costume drama, it is on the other hand a somewhat expressionistic, poetical fantasy. Its photography and images are more important than its desired political contents. The script, written by the inspiring historian Yuri Tinyanov (director Leonid Trauberg [1901-1990]could speak about Tinyanov for hours) supplied a failed love story, a political intrigue involving two czars, and a traveling circus background. The picture glorifies the 1825 ‘Decembrists’ uprisal: officers in the imperial Russian army are fed up with the new czar’s autocracy. The main character is a traitor, the Scotsman Maddocks (Medoks). He has won a ring gambling. It carries the initials S.V.D. – the secret union of the ‘Big Deed’ (overthrowing the czar). Maddocks expects the ring to protect him. He is desparate to enter the circles of political power in St. Petersburg hoping a former lover (Sofia Magaril) will introduce him there. A wounded revolutionary officer is on the run, finding refuge in a circus. This setting enabled cinematographer Andrei Moskvin to film a sequence on a galloping horse ‘holding only the camera’. One of the most imaginative scenes takes place on the skating rink. The picture suddenly turns into an ice crystal created by using mirrors. The skater now waltzes his rounds all over the picture. S.V.D. introduces several pessimistic symbols: night clouds, a turtle suggesting how slowly the wounded revolutionary can move, etc. It is an extremely beautiful film, its narrative less important than its image qualities. An un-Russian revolution that failed but turned out a success on screen. It is clear that Kozintsev & Trauberg were ready for their next costume drama THE NEW BABYLON, now considered their great masterpiece. S.V.D. was restored by the German TV-station ZDF ca. 1980. For this version German composer Hamel wrote a new electronic music score, not very fitting apart from the skating rink waltz.

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Language:Silent
Subtitles:English

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Lev Kuleshov – Velikiy uteshitel aka The Great Consoler (1933) https://worldscinema.torrentbay.st/2018/12/lev-kuleshov-velikiy-uteshitel-aka-the-great-consoler-1933-2/ https://worldscinema.torrentbay.st/2018/12/lev-kuleshov-velikiy-uteshitel-aka-the-great-consoler-1933-2/#comments Mon, 17 Dec 2018 12:05:39 +0000 https://worldscinema.torrentbay.st/?p=66559 The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary reality. It was the only film in the Soviet cinema of those years that raised the question of what role a creative person played in society. The film …

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The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary reality. It was the only film in the Soviet cinema of those years that raised the question of what role a creative person played in society.

The film takes place in America in 1899, and in its principal plot depicts Bill Porter, who is the great consoler of the title, in prison. His writing skills earn him privileges from the governor and he is spared the inhumane treatment meted out to other prisoners. Porter is very much aware of the brutality around him but, mindful of his better conditions, refuses to write about prison life. He prefers to console his less-well-treated friends, and indeed all his readers, with excessively romantic fantasies in which good invariably triumphs.

One of these stories, “The Metamorphosis of James Valentine,” creates an alter-ego for a wrongly imprisoned convict friend, who suffers the worst injustices of the prison and is dying of tuberculosis. The story flatters Valentine with an unrealistic degree of attractiveness, charm and intelligence. With his endless optimism, Porter tries to make this story come true by brokering a deal between the governor and Valentine, which will give the latter a pardon. The governor, however, deceives Valentine, who dies in prison. Furious, Valentine’s friend, Al, starts a riot and the film closes with Porter’s admission that his artistic philosophy has failed.

The film is nominally based on three text sources: a biography of the American author O Henry by his fellow prisoner, Al Jennings, Beating Back: Through the Shadows with O Henry, and two works by O Henry himself, “A Retrieved Reformation” and “An Unfinished Story.” O Henry was the nom de plume of William Porter and there is a character who appears under both names in the film.[13] Al Jennings also plays a role in the character of Al.

1.22GB | 1h 31mn | 640×480 | avi

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Language(s):Russian
Subtitles:English, Francais, Deutsch, Italiano

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