Former FBI profiler Will Graham (William Petersen, To Live and Die in L.A., CSI: Crime Scene Investigation) reluctantly returns to his old job to track a horrific serial killer known as “The Tooth Fairy”, But in order to get into the mind of this maniac, Graham must face another: Hannibal Lecktor (Brian Cox, X-Men 2, RED), the imprisoned psychiatrist whose own insanity almost cost Graham his life… and whose insights into “The Tooth Fairy”, could prove as dangerous as the killer himself.

Tom Noonan (Heat, RoboCop 2), Joan Allen (The Bourne Legacy), Dennis Farina (Get Shorty), Kim Greist (Brazil) and Stephen Lang (Avatar) co-star in this gripping thriller from director Michael Mann (Heat, Miami Vice) and adapted from the novel Red Dragon by Thomas Harris. Manhunter is one of the most unnerving serial killer movies ever made.

Manhunter.1986.Theatrical.Cut.BDRIP.576p.x264.AC3.KJNU.mkv

General
Container:  	Matroska
Runtime: 	2 h 0 min
Size: 	3.06 GiB
Video
Codec: 	x264
Resolution: 	1024x436 
Aspect ratio:  	2.35:1
Frame rate: 	23.976 fps
Bit rate: 	3 000 kb/s
BPP: 	0.280
Audio
#1:  	English 5.1ch AC-3 @ 640 kb/s

https://nitro.download/view/D09CCBBB51CFCBD/Manhunter.1986.Theatrical.Cut.BDRIP.576p.x264.AC3.KJNU.mkv

Language(s):English
Subtitles:English SDH

The post Michael Mann – Manhunter [Theatrical Cut] (1986) first appeared on Cinema of the World.

Quote:
An FBI specialist tracks a serial killer who appears to select his victims at random.

1.38GB | 2h 00mn | 848×368 | mkv

https://nitroflare.com/view/AF9A4E9DAA6BF57/Manhunter.1986.BDRip.480P.x264.AC3-CHD.mkv

Language(s):English
Subtitles:None

The post Michael Mann – Manhunter (1986) first appeared on Cinema of the World.

SYNOPSIS
Brazil constitutes Terry Gilliam’s enormously ambitious follow-up to his 1981 Time Bandits. It also represents the second installment in a trilogy of Gilliam films on imagination versus reality, that began with Bandits and ended in 1989 with The Adventures of Baron Munchausen. To create this wild, visually audacious satire, Gilliam combines dystopian elements from Orwell, Huxley and Kafka (plus a central character who mirrors Walter Mitty) with his own trademark, Monty Python-esque, jet black British humor and his gift for extraordinary visual invention. The results are thoroughly unprecedented in the cinema.

Jonathan Pryce stars as Sam Lowry, a civil servant who chooses to blind himself to the decaying, drone-like world around him. It’s a world marred by oppressive automatization and towering bureaucracy, and populated by tyrannical guards who strongarm lawbreakers. And Lowry is stuck in the middle of this nightmare. Whenever real life becomes too oppressive, Sam fantasizes (to the tune of Ary Baroso’s 1930s hit “Brazil”) about sailing through the clouds as a winged superhero, and rescuing beautiful Jill Layton (Kim Greist) from a giant, Samurai warrior. The omnipresent computer that controls everything in the “real” world malfunctions, causing an innocent citizen to be arrested and tortured to death. When Sam routinely investigates the error, he meets – and pursues Jill , literally the girl of his dreams. But in real life, she’s a tough-as-nails truck driver who initially wants nothing to do with him. It turns out that she is suspected of underground activities, in connection with a terrorist network wanted for bombing public places. The price Sam pays for his association with her is a close encounter with the man in charge of torturing troublesome citizens (Michael Palin). He is rescued – at the last minute – by maintenance man Harry Tuttle (Robert de Niro) who moonlights as a terrorist, but that only represents the beginning of his plight, for now the “system” is onto him.

Gilliam ran into enormous problems with Brazil. Universal – which produced the picture – originally slated it for release in 1984, but the studio – intimidated by the film’s whopping length of 142 minutes – demanded that Gilliam trim the film to bring it in under two hours and alter the pessimistic ending. Gilliam refused; Universal shelved the picture for a year. In response, the director took out a full page ad in Variety asking studio president Sid Sheinberg when the film would be released. Sensing tremendous pressure, Universal bowed to Gilliam’s insistence on fewer cuts but still demanded a happy ending. Gilliam trimmed only eleven minutes and altered the conclusion just slightly (instead of cutting to black, it fades into puffy white clouds on a blue sky, with a reprise of the title tune). It was thus released in early 1985 at 131 minutes, and of course became a seminal work; many critics regarded it at the time as the best film of the eighties.
Nathan Southern on All Movie Guide

Included:
* Main Feature (2:24:12)
* Audio Commentary by Director Terry Gilliam
* “The Screenwriters” featurette (9:21)
* “Costume Design” featurette (5:13)
* “The Score” featurette (9:38)
* “What Is Brazil?” documentary, directed by Rob Hedden (29:05)
* “The Battle Of Brazil: A Video History” documentary (55:06)
* Theatrical Trailer (2:37)

“What is Brazil?”

“The Battle of Brazil”

http://nitroflare.com/view/2D934EA5715EF1B/Brazil.1985.DVDRip.XviD.Dual.Audio.MP3-KG.avi
https://nitro.download/view/02445D062E02E9B/Brazil_Extras.rar
http://www.nitroflare.com/view/833C153F399ED48/Subs.rar

Language(s):English + English director’s commentary
Subtitles:English for hearing impaired (idx/sub)

The post Terry Gilliam – Brazil (1985) first appeared on Cinema of the World.