A wealthy Chilean landowner is used to having powers within his domain which would not surprise a feudal lord in Spain in the 14th century. In this story, set in 1917, Julio Garcia Castano is preparing to celebrate his son’s 15th birthday by inviting a selection of local whores to vie for the privilege of initiating him into sexual manhood. His plans go awry when the boy (who is also named Julio) and one of the prostitutes fall in love with each other. With a ruthlessness that would put a Borgia to shame, he ends the relationship. He also has a boundary dispute with a nearby Franciscan monastery, which he solves with similar dispatch. ~ Clarke Fountain, All Movie Guide

Julio Comienza en Julio.avi

General
Container:  	AVI
Runtime: 	1h 59mn
Size: 	699 MiB
Video
Codec: 	DivX
Resolution: 	640x480 
Aspect ratio:  	4:3
Frame rate: 	23.976 fps
Bit rate: 	677 Kbps
BPP: 	0.092
Audio
#1:  	2.0ch MP3 @ 128 Kbps

https://nitro.download/view/8ECEC03E57FFAB7/Julio_Comienza_en_Julio.avi

Language(s):Spanish
Subtitles:English

The post Silvio Caiozzi – Julio comienza en julio AKA Julio Begins in July (1976) first appeared on Cinema of the World.

M. is a common man, and we see his everyday life as he wonders through the city. But he’s also “a reactionary priest, a survivor of the right wing”, as David Oubiña properly described him –someone who is “rejected by everyone”. We can see him not as an individual or as psychologist, but as “a case that sheds light on contexts”, according to Cozarinsky himself. Although the film shares a spirit with other films of the so-called Argentine underground scene of the late 60’s and early 70’s that opened the way for the careers of Fischerman, Bejo, Ludueña and Filippelli, Dot Dot Dot features a figure that has fascinated and marked Cozarinsky’s posterior films: a character who is uncomfortable about living in his own time. The combination of a more dispersive than erratic fictional plot equals materials and speeches that are also heterogeneous. It’s a film time has granted with unexpected visibility and influence.

This film written, produced, and directed by Cozarinsky in 1971 was never commercially released. There were only a few prints, which today are lost or in poor conditions. The original negative was rescued by the Cinemateca Argentina Foundation after the labs where they were deposited closed down. Cozarinsky moved it to France and deposited it in the

Cinematheque Française. In 2011 the negative was temporarily imported to Buenos Aires to obtain a new 35mm print that was processed by Alberto Acevedo and Walter Ríos, under the supervision of Cozarinsky. This recovery was produced by Fernando Martín Peña, with the collaboration of Malba – Fundación Costantini and Cinecolor.

5.49GB | 1h 16m | 1920×1080 | mkv

https://nitro.download/view/8524292327A889D/Puntos_Suspensivos_-_Pelicula.mkv https://nitro.download/view/69561E4EC4533CE/Puntos_Suspensivos_-_Charla_Final.mkv https://nitro.download/view/E87F048C4FA3CCE/Puntos_Suspensivos_-_Intro.mkv
https://nitro.download/view/15AB506AA843EE4/Puntos_suspensivos.srt

Language(s):Spanish
Subtitles:English

The post Edgardo Cozarinsky – Puntos suspensivos o Esperando a los barbaros (1971) first appeared on Cinema of the World.