Joe Alex – Cinema of the World https://worldscinema.torrentbay.st Tue, 04 Nov 2025 06:29:50 +0000 en-US hourly 1 https://wordpress.org/?v=7.0.2 https://worldscinema.torrentbay.st/wp-content/uploads/2018/09/cropped-Vintage-Movie-Camera-Icon-32x32.png Joe Alex – Cinema of the World https://worldscinema.torrentbay.st 32 32 Jean Grémillon – La Petite Lise (1930) https://worldscinema.torrentbay.st/2018/11/jean-gremillon-la-petite-lise-1930/ https://worldscinema.torrentbay.st/2018/11/jean-gremillon-la-petite-lise-1930/#comments Mon, 12 Nov 2018 08:48:11 +0000 https://worldscinema.torrentbay.st/?p=7893 Jean Grémillon’s first talkie, the 1930 LA PETITE LISE, is anything but talky. While opening and closing with soulful afro-Latin strains, something just above silence reigns throughout the film. Grémillon is already orchestrating the auditory menace of nuanced sound sculpting that would later pervade REMORQUES (1941), setting forth evolving rhythmic figures at an atmospheric whisper. …

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Jean Grémillon’s first talkie, the 1930 LA PETITE LISE, is anything but talky. While opening
and closing with soulful afro-Latin strains, something just above silence reigns throughout
the film. Grémillon is already orchestrating the auditory menace of nuanced sound sculpting
that would later pervade REMORQUES (1941), setting forth evolving rhythmic figures at an
atmospheric whisper. Grémillon grafts this aural frieze onto smoldering b&w photography.
Truly, the frame is often smoking for purposes of motif.
In truth, this film has the most impressive use of sound I know of, including Bresson’s
MOUCHETTE. It’s up for speculation as to how much technical issues played into his
creative use of sound and off-screen. What is of particular note is that instead of milking the
capability of sync sound dialogue, Grémillon uses it very sparingly, increasing the range of
expressiveness. An abstract score of atmospheric insinuation is always in accompaniment
with the imagery tonally, rhythmically and dynamically. Listening carefully, ambient sound isever at work in a subliminal music score.
The story of LA PETITE LISE belongs to the sandbox of melodrama, but Grémillon grinds it
into expressionistic minimalism. What is this story? Perhaps it will suffice to say that it is
the reunion of a father fresh out of prison with his daughter now grown up, all prepared
under a pressure cooker of lens and mic. Conflagrations arise periodically from the embers
of troubled quiet, with lighting flickering to and from peaks of intensity. Emblazoned
gestures extend from the sustain of affective brood, while conversations flare up before
subsiding back into the simmering cauldron.



La petite Lise (1930).mkv

General
Container: Matroska
Runtime: 1 h 13 min
Size: 1.26 GiB
Video
Codec: x264
Resolution: 700x572 ~> 762x572
Aspect ratio: 4:3
Frame rate: 25.000 fps
Bit rate: 2 200 kb/s
BPP: 0.220
Audio
#1: French 2.0ch AC-3 @ 256 kb/s

https://nitro.download/view/76DF4018CC43DE7/La_petite_Lise_(1930).mkv
https://nitro.download/view/0934B8727D3A198/La_petite_Lise_(1930)_-_English-02_ansi.srt

Language:French
Subtitles:English

The post Jean Grémillon – La Petite Lise (1930) first appeared on Cinema of the World.

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