“This footage was shot and edited from 1966 to 1970 and then edited to completion over a two year period ending in July 1982. Hours for Jerome (as in a Book of Hours) is an arrangement of images, energies, and illuminations from daily life. These fragments of light revolve around the four seasons. Part one is spring through summer; Part two is fall and winter.” (N. D.)

Quote:
“Hours for Jerome is simply the most beautifully photographed film that I’ve ever seen … After exposure to such dense filmic possibilities pretty much the rest of casual moviegoing resounds as hopelessly poverty-stricken.”
Warren Sonbert

Hours for Jerome, likely Nathaniel Dorsky’s best-known yet too-rarely-seen work, screens as the centrepiece of this first of two nights of analogue film by Dorsky and his creative partner Jerome Hiler. The title refers to the ​“book of hours,” a common medieval devotional text. While Dorsky has stated that this isn’t where the true meaning of the film lies—that would be its polyvalent editing technique, which reaches full flower here—the overwhelming richness of Hours is rooted in a time of transformation in Dorsky and Hiler’s life together, a natural flow of suspended moments captured in luminous Kodachrome. Tender beauty and meticulous, deliberately patterned structure operate in concert at every stage of the film’s four-seasons sequence. As Dorsky puts it, ​“I wanted to have my cake and eat it too, and I think I did.”

Hours.for.Jerome.1982.720p.WEB.x264-SaL.mkv

General
Container:  	Matroska
Runtime: 	1 h 0 min
Size: 	1.35 GiB
Video
Codec: 	x264
Resolution: 	994x718 
Aspect ratio:  	1.384
Frame rate: 	18.000 fps
Bit rate: 	3 202 kb/s
BPP: 	0.249

https://nitro.download/view/9BF943547780D8C/Hours.for.Jerome.1982.720p.WEB.x264-SaL.mkv

Language(s):Silent
Subtitles:None

The post Nathaniel Dorsky – Hours for Jerome (1982) first appeared on Cinema of the World.

Quote:
In 2017 I invited Jerome Hiler to the Harvard Film Archive to present Cinema Before 1300, an illustrated lecture he had delivered on several occasions whose title and subject intrigued me. A talk on medieval stained glass, accompanied by Hiler’s own still images taken over the years, principally in those cathedrals in France and the UK that today remain among the last repositories of this now lost luminary art and craft. The event that unfolded was mesmerizing and moving, a meditation on stained glass as a popular and devotional art, and as a precursor to cinema. Inspired, I invited Jerome to consider transforming his talk into a work of digital cinema that could be presented online, and thus experienced by a wider audience. We returned to this idea during the pandemic and Jerome generously agreed to expand his talk, rewriting and recording his own lecture. Leaving more room for additional images and for the personal observations and insightful musings that make this film so rewarding, this expanded version of Cinema Before 1300 is available to be experienced through the Harvard Film Archive website starting on December 14 and lasting until March 15. After this date, the film will remain available for online viewing upon request to HFA Collections staff. Although made for the smaller screen, Cinema Before 1300 is magnificent when seen in a theater. The HFA has also created a DCP version that is available for theatrical screenings, upon request. – Haden Guest

More than eight hundred years ago, a confluence of technological, philosophical and financial upswellings converged to create the most advanced form of mass media the world had known: stained glass. Built en masse across France, Spain, England and Germany, great cathedrals were designed to display giant windows that told stories through light, color and form. Every day, thousands of viewers arrived to marvel at the glorious colors and hear stories recounted beneath their realization in light. Modern visitors to a cathedral would probably not suspect how many activities took place in these buildings during medieval times. They were truly community centers, and community members had the right to be there because they all took a great part in the construction of the buildings. This program looks at the first one hundred years (or so) of stained glass’s magnificent birth and culmination. It was during this fortuitous time frame that the most care, effort and expense were applied to the new art. By a sad irony, technological innovations making glass more uniform and the tasks of the craft easier destroyed visual interest and soon degenerated the art altogether. – Jerome Hiler

Cinema.Before.1300.2023.1080p.WEB.AAC.2.0.x264-SaL.mkv

General
Container:  	Matroska
Runtime: 	1 h 39 min
Size: 	1.32 GiB
Video
Codec: 	x264
Resolution: 	1920x1080 
Aspect ratio:  	16:9
Frame rate: 	24.000 fps
Bit rate: 	1 771 kb/s
BPP: 	0.036
Audio
#1:  	English 2.0ch AAC LC @ 125 kb/s

https://nitro.download/view/BE9FB2B3A23E3D7/Cinema.Before.1300.2023.1080p.WEB.AAC.2.0.x264-SaL.mkv

Language(s):English
Subtitles:English

The post Jerome Hiler – Cinema Before 1300 (2023) first appeared on Cinema of the World.