Part of the New American Cinema group in New York City during the 60s, Jack Smith’s flamboyant aesthetic can be characterized by a mix of baroque exoticism, gaudy costumes, and detritus salvaged from the city streets. Flaming Creatures is a non-narrative, Dionysian orgy, complete with wild dancing, gender bending, and a climactic earthquake. The carnivalesque madness of the film is reinforced by the chaotic density of its formal composition. Smith’s deliberate spatial disorientation creates a pansexual landscape of tangled body parts; just as the viewer is unable to situate the visual coordinates of the image, the creatures are unaware of which extremity belongs to whom.

984MB | 42m 34s | 770×576 | mkv

https://nitroflare.com/view/A13424EFED2B625/Flaming.Creatures.1963.576p.WEB.AAC.2.0.x264-SaL.mkv

Language:English
Subtitles:None

The post Jack Smith – Flaming Creatures (1963) first appeared on Cinema of the World.

Quote:
Images gathered by Bob Fleischner, sound-film composed by Ken Jacobs. “Jack says I made the film too heavy. It was his and Bob’s intention to create light monster-movie comedy. Two comedies, actually, two separate stories that were being shot simultaneously until they had a falling-out over who should pay for the raw stock destroyed in a fire started when Jack’s cat knocked over a candle; Jack claimed it was an act of God. In the winter of ’59 Bob showed me the footage. Having no idea of the original story plans I was able to view the material not as the fragments of a failure, of two failures, but as the makings of a new entirety. Bob gave over the footage to me and with it the freedom to develop it as I saw fit.I think it was in late 1960 that Jack and I ignored our personal animosities long enough to record his words and songs for the sound track. The phrases he repeated into the tape recorder were mostly ones I’d at some time heard him say; most were pet phrases he loved to recite, over and over, his lessons. A very few I made up in his style. The procedure for recording his monologues and songs: I played him selections from my 78 collection, music from the ’20’s and ’30’s, sometimes only the beginning of a record and if he liked it would restart the record and immediately record. I don’t think there was a second take of anything. Any lack of clarity is due to the very second-rate equipment, third-rate, fourth-rate, we were using. I play the harp for the Madame Nescience monologue. Jack supplied the Arabic music, there’s also some SAFARI IN HIFI; a Villa-Lobos string quartet speeded up; a haunting section of a children’s 45… “Baby Wants To Sleep”. A small amount of my own previous shooting was cut into the film, the short `drowning in nescience’ color sequence near the beginning. BLONDE COBRA is an erratic narrative -no, not really a narrative, it’s only stretched out in time for convenience of delivery. It’s a look in on an exploding life, on a man of imagination suffering pre-fashionable lower East Side deprivation and consumed with American 1950’s, 40’s, 30’s disgust. Silly, self-pitying, guilt-strictured and yet triumphing-on one level-over the situation with style, because he’s unapologetically gifted, has a genius for courage, knows that a state of indignity can serve to show his character in sharpest relief. He carries on, states his presence for what it is. Does all he can to draw out our condemnation, testing our love for its limits,….enticing us into an absurd moral posture the better to dismiss us with a regal ‘screw-off’.” -K.J.

906MB | 36m 27s | 864×576 | mkv

https://nitro.download/view/31466BCC35F20A0/Blonde.Cobra.1963.576p.BluRay.x264.mkv

Language(s):English
Subtitles:English

The post Ken Jacobs – Blonde Cobra (1963) first appeared on Cinema of the World.

Quote:
STAR SPANGLED TO DEATH is an epic film shot for hundreds of dollars! combining found-films with my own more-or-less staged filming, it pictures a stolen and dangerously sold-out America, allowing examples of popular culture to self-indict. Racial and religious insanity, monopolization of wealth and the purposeful dumbing down of citizens and addiction to war oppose a Beat playfulness.

A handful of artists costumed and performing unconvincingly appeal to audience imagination and understanding to complete the picture. Jack Smith’s pre-FLAMING CREATURES performance as The Spirit Not Of Life But Of Living (the movie has raggedly cosmic pretensions), celebrating Suffering (rattled impoverished artist Jerry Sims) at the crux of sentient existence, is a visitation of the divine.
K.J.

https://nitro.download/view/699ADB0AA48D761/STAR_SPANGLED_IAa.avi
https://nitro.download/view/55885CB53DA0054/STAR_SPANGLED_IB.avi
https://nitro.download/view/042C3A0A0BBF408/STAR_SPANGLED_IIA.avi
https://nitro.download/view/B8D23114B1AB88D/STAR_SPANGLED_TO_DEATH_IIB.avi
https://nitroflare.com/view/3C591A7294278B1/Star_Sapngled_Fixed_IB_IIB.rar
https://nitroflare.com/view/69C55F92B1A5C3E/STAR_SPANGLED_TO_DEATH.rar

Language(s):English
Subtitles:eng subs

The post Ken Jacobs – Star Spangled to Death (2004) first appeared on Cinema of the World.