A prisoner (Lorraine De Salle) is forced to serve as a doctor’s assistant, giving her a front row seat for the horrible goings-on. There’s the experiment to revive Nazi soldiers who have frozen to death by having nude women rub their bodies all over the corpse (that one works), and the experiment tries to “cure” homosexual men by having nude women dance for them. This is only some of the horrors that are going on there.

Women's Camp 119 aka SS Extermination Camp (1977).mkv

General
Container:	Matroska
Runtime:	1h 40mn
Size:	1.51 GiB
Video
Codec:	h264
Resolution:	624x472
Aspect ratio:	4:3
Frame rate:	29.970 fps
Bit rate:	1 928 Kbps
Audio
2.0ch AC-3 @ 192 Kbps

https://nitro.download/view/DECE7C8D941B7A8/Women’s_Camp_119_aka_SS_Extermination_Camp_(1977).mkv

Language(s):English
Subtitles:Dutch

The post Bruno Mattei – KZ9 – Lager di Sterminio AKA S.S. Extermination Love Camp (1977) first appeared on Cinema of the World.

Quote:
Though set in England, Flashman is another fun Italian production from the late 60s that leans on -attempted- humor and is heavily inspired by Batman. He’s even got a very Battish theme song… The somewhat convoluted plot concerns two gang of thieves who rob the same bank. One is a band of babes headed by a ruthless woman; the other is a group of thugs lead by a guy who has a serum that can turn anyone invisible. The employee they rob is none other than Flashman in disguise.

Flashman (1967).mkv

General
Container:  	Matroska
Runtime: 	1h 29mn
Size: 	1.09 GiB
Video
Codec: 	x264
Resolution: 	718x304 
Aspect ratio:  	2.35:1
Frame rate: 	25.000 fps
Bit rate: 	1 361 Kbps
BPP: 	0.249
Audio
#1:  	English 2.0ch AC-3 @ 192 Kbps
#2:  	Italian 2.0ch AC-3 @ 192 Kbps

https://nitro.download/view/BBD7E7564EC3173/Flashman_(1967).mkv
https://nitro.download/view/6EA82DBF683BE7B/Flashman_(Mino_Loy,_1967).ENG.srt
or
https://nitro.download/view/036F3793369A422/Flashman_(1967).part1.rar
https://nitro.download/view/8B650178CA68B0E/Flashman_(1967).part2.rar

Language(s):Italian or English
Subtitles:English

The post Mino Loy – Flashman (1967) first appeared on Cinema of the World.

Philippe, a bisexual painter, is living through a crisis. He is torn between his love for his wife and his attraction for young men. In Ethiopia, he meets Frank, a young homosexual.

1.42GB | 1h 30m | 710×572 | mkv

https://nitro.download/view/5F154BA9A41D407/Afrika.1973.TVRIP.x264.AC3.KJNU.mkv

Language:Italian
Subtitles:English

The post Alberto Cavallone – Afrika [Uncut] (1973) first appeared on Cinema of the World.

from the Roberto Curti article at esotika’s site:
“Decolonized Africa as a modern-day Little Big Horn, white men as general Custer’s soldiers: that’s how Cavallone described the concept that spawned Afrika (1973). It’s an uncomfortable, uncommercial premise that shows how little Cavallone cared of commercial issues. The theme is once again that of cultural/political clash, in a country – Ethiopia – that’s experiencing a sort of “new birth” after the end of colonialism. Cavallone echoed the confusion and identity crisis of a whole country with those of a group of Europeans who chose to hide themselves in the Third World rather than solve their existential problems. The main character, Philip Stone (the underrated Ivano Staccioli) is a failed painter who is unable to fully accept his homosexuality, and carries on a miserable life of reciprocal betrayals and bitter recriminations with his estranged wife (“You can’t stand the idea that someone loves you. It’s too hard for you!”). His young secretary/lover Frank (Andrea Traglia) eventually decides to undergo a sex change operation and become a woman in order to make their relationship an “acceptable” one. But Frank’s rebirth as a woman named Eva becomes a tragic awakening, culminating in suicide. Shot on Super 16mm and then blown up to 35mm, Afrika is built around a fragmented, intriguing flashback structure: the bulk of the film takes place immediately after Frank’s death, as a local commissioner (Debebe Eshetu, who would be also in Cavallone’s subsequent film, Zelda) questions both Philip and Frank’s sister Jeanne (Jane Avril) and the main characters’ stories gradually come to the surface. Each event is presented under two or three different points of view, each one giving more information than the previous. In one scene, Frank is kidnapped by a quartet of schoolmates (two boys and two girls) and savagely raped in the countryside. We then get to know that the rape was organized by Jeanne’s husband (Martial Boschero6) in order to make Frank “recover” from homosexuality. This all sounds much more interesting on paper, though: didascalic dialogue and bad performances (especially Traglia’s) make Afrika a daring yet badly flawed film. It almost looks as if Cavallone gradually got tired of the basic premise – he stated that the story came from an unknown paperback published by Edizioni 533 (yet there is no mention of it in the credits) and let his inspiration work. Actually, the best parts are those when the director’s documentaristic eye meets his sharp, nihilistic humour. A long scene features a group of healthy tourists – including Philip and his wife, a blind ex-colonel and his African spouse, and a good-looking young actor – making a trip to the countryside, to a village where they buy handicraft objects and have the villagers kill an ox (onscreen) and set up a banquet in their honour. A woman makes fun of the natives (“Gee, I’m gonna buy you a dustcleaner for Christmas! So that’s why they call it ‘black Africa’, because of all this dirt!”), the colonel’s wife openly flirts with the actor in front of the unsuspecting husband, while Philip and his wife play the happy couple while they’re actually preparing to divorce. They don’t understand Africa, and make a mockery of its tradition and its people. But somehow they envy its innocence, something they lost forever, and desperately try to imitate it. That’s where Cavallone excels, capturing the characters’ desperation and incommunicability, and he takes his risks: some sequences – such as the opening, where Stone watches in awe as a couple of soldiers torture and kill in cold blood two women who are suspected to be rebels, or the aforementioned slaughtering of the ox – critically revise the legacy of Mondo movies (such as Jacopetti’s Africa addio, 1966) as Paolo Cavara did in the extraordinary L’occhio selvaggio (The Wild Eye, 1967). What’s more, the theme of male homosexuality – quite unpopular at the time, whereas genre cinema often depicted lesbian relationships – is hinted at with no false discretion, and Traglia’s rape (which somehow predates a similar scene in Paul Verhoeven’s Spetters) was probably the reason that the film was briefly seized. Box office response was moderate, about 250 millions.

Despite all its flaws, Afrika is a further step into no man’s land – that is, a cinema that flirted with both intellectualistic premises and genre material, mixing sex, violence, politics and social commentary with uneasy results. It’s also sort of a declaration of impotence, on behalf of a filmmaker who’s unwilling to embed his creative demands within a classic (and, more important, commercially viable) narrative format. “

699MB | 1h 05m | 608×432 | avi

https://nitro.download/view/0BA68F5821D298B/Afrika.avi
https://nitro.download/view/A5195643C7C86B6/Afrika.1973.VHSRip.XViD-Nameless.srt
or
https://tezfiles.com/file/1cc36a5aafb65/Afrika.avi
https://tezfiles.com/file/fbf68cabe5792/Afrika.1973.VHSRip.XViD-Nameless.srt

Language(s):Italian
Subtitles:English

The post Alberto Cavallone – Afrika (1973) first appeared on Cinema of the World.