The life of Pedro Arcanjo, self-taught mestizo intellectual who in the first decades of the XXth century challenged racist ideas of the School of Medicine of Bahia and highlighted the importance of the blacks’ contribution to Brazilian culture.

1.98GB | 2h 15m | 716×431 | mkv

https://nitro.download/view/A4D99DE70CD4C21/Tenda.dos.Milagres.1977.DVDRip.x264-TANGERiNE.mkv

Language(s):Portuguese
Subtitles:English,Portuguese,Spanish

The post Nelson Pereira dos Santos – Tenda dos Milagres AKA Tent of Miracles (1977) first appeared on Cinema of the World.

Julio Bressane wrote:
“When I made O Anjo Nasceu I thought I had made my most difficult film, a completely irresponsible film, that space, that vacuum, that nothing. It was a devastating experience for me, a shock. Much, much more than Matou a Família e Foi ao Cinema, which was a well-received film. I think O Anjo Nasceu is still unknown territory, even for me”

Quote:
Santamaria and Urtigo are two bandits on the run, one is white, the other black. Santamaria believes in the imminent coming of a purifying angel. Urtiga, his inseparable companion, is a simple-minded and ingenious man who follows Santamaria around and participates in the crimes he commits.

1.19GB | 1h 02m | 706×529 | mkv

https://nitro.download/view/7238F4C6A9EE9C5/O_anjo_nasceu_-_Julio_Bressane_(1969).mkv
or
https://tezfiles.com/file/1011f7a53f4a0/O_anjo_nasceu_-_Julio_Bressane_%281969%29.mp4

Language(s):Portuguese
Subtitles:English

The post Júlio Bressane – O Anjo Nasceu (1969) first appeared on Cinema of the World.

Quote:
The film does not have a story. There are three characters and violent action. I was interested in making a technical experiment, concernig the problem of the resistance of the duration of the cinematographic take. There, we can see how the technique interferes in the cinematographic process. I decided to make a film in which each take would have the length of a chassis, and study the almost elimination of the editing when there is a verbal action and a psychological action in the same take. – Glauber Rocha

Quote:
Glauber Rocha recalls in his book Revolução do Cinema Novo: In 1968, some people would say “the path for the cinema is the colour film, the great spectacle”. Others would disagree: “the path for the cinema is the 16mm underground film”. But the path for the cinema, Rocha wrote, “are all the paths”. Cancer – a 16mm long-length motion picture in black and white – tries to prove that.
With no story in particular, the film is mainly just three actors (Odete Lara, Hugo Carvana and Antonio Pitanga) in a situation of psychological, sexual and racial violence, during a 90 minutes span of time. On the lead, absolute improvisation. (…)
Filmed in four days with part of Antonio das Mortes’ crew, Cancer took four years to be edited. It was seen at that early time, although in fragments, by the author’s cotérie, and it certainly fecundated the underground trend in which Rogério Sganzela and Júlio Bressane turned up to be the great masters. Isa Cambará e Sérgio Augusto

https://nitro.download/view/626360498ABAF83/Glauber_Rocha_-_Cancer_(1968-1972).avi
https://nitro.download/view/368779FBCD3B8DD/Glauber_Rocha_-_Câncer_(1968-1972)_v2.srt

https://tezfiles.com/file/36ed8473ed8d0/Glauber_Rocha_-_C%D1%86%E2%95%92ncer_%281968-1972%29.avi
https://tezfiles.com/file/582c64ec36cda/Glauber_Rocha_-_C%D1%86%E2%95%92ncer_%281968-1972%29_v2.srt

Language:Portuguese
Subtitles:English

The post Glauber Rocha – Câncer (1972) first appeared on Cinema of the World.