Storyline
In 1854, the patriarch Patrick O’Leary of the O’Leary family dies in an accident nearby Chicago while traveling amid-western prairie. His wife Molly O’Leary raises her three sons alone working as laundress. Her son Jack becomes an idealistic lawyer; Dion is a gambler; and Bob helps his mother in the laundry business and marries local Gretchen (June Storey) in the old area known as The Patch. Dion meets the singer Belle Fawcett in the cabaret owned by Gil Warren and they fall in love with each other and become lovers. They also open a business of their own to compete with Gil that becomes their enemy. However Gil invites Dion to join the politics with him but Dion plots a scheme with tragic consequences.

In.Old.Chicago.Roadshow.1937.DVDRip.x264-HANDJOB.mkv

General
Container:	Matroska
Runtime:	1h 50mn
Size:	3.02 GiB
DXVA:	Compatible
Minimum settings:	Met
Video
Codec:	x264
Resolution:	704x470 ~> 704x528
Aspect ratio:	4:3
Frame rate:	23.976 fps
Bit rate:	3 623 kb/s
Audio
English 2.0ch AC-3 @ 192 kb/s

https://nitro.download/view/135A0836BC10062/In.Old.Chicago.Roadshow.1937.DVDRip.x264-HANDJOB.mkv

Language(s):English
Subtitles:Spanish

The post Henry King – In Old Chicago (1937) first appeared on Cinema of the World.

Elderly schoolteacher Nora Trinell, waiting to meet presidential nominee Dewey Roberts, recalls him as her student back in 1916 and his relation to Dan Hopkins, the man she married and lost.

General
Container:  	Matroska
Runtime: 	1h 26mn
Size: 	1.36 GiB
Video
Codec: 	x264
Resolution: 	720x478 ~> 720x540
Aspect ratio:  	4:3
Frame rate: 	23.976 fps
Bit rate: 	2 024 Kbps
BPP: 	0.245
Audio
#1:  	2.0ch AC-3 @ 192 Kbps

https://nitro.download/view/182141047B82834/Remember_the_Day_(1941).mkv

Language(s):English
Subtitles:Spanish

The post Henry King – Remember the Day (1941) first appeared on Cinema of the World.

Half-Indian girl brought up in a wealthy household is loved by the son of the house against his family’s wishes and loves another Indian employed by the household.

Ramona.avi

General
Container:  	AVI
Runtime: 	1h 24mn
Size: 	1.06 GiB
Video
Codec: 	XviD
Resolution: 	624x464 
Aspect ratio:  	4:3
Frame rate: 	23.976 fps
Bit rate: 	1 601 Kbps
BPP: 	0.231
Audio
#1:  	2.0ch MP3 @ 192 Kbps

https://nitro.download/view/056C866C9BB5EEE/Ramona.avi

Language(s):English
Subtitles:None

The post Henry King – Ramona (1936) first appeared on Cinema of the World.

A woman reminisces about her teenage years in the 1920s, when she fell in love with her teacher.

Margie.1946.480p.DVD.mkv

General
Container:	Matroska
Runtime:	1h 33mn
Size:	1.43 GiB
DXVA:	Compatible
Minimum settings:	Met
Video
Codec:	x264
Resolution:	704x480 ~> 704x528
Aspect ratio:	4:3
Frame rate:	29.970 fps
Bit rate:	1 890 kb/s
Audio
2.0ch AC-3 @ 256 kb/s

https://nitro.download/view/BAEA981861F206F/Margie.1946.480p.DVD.mkv

Language(s):English, French
Subtitles:English

The post Henry King – Margie (1946) first appeared on Cinema of the World.

Synopsis:
The Frake family attend the Iowa State Fair. Father Abel enters his Hampshire boar, Blue Boy, in the hog contents. Mother Melissa enters the mincemeat competition. And their children, Margy and Wayne, find love with newspaper reporter Pat Gilbert and trapeze artist Emily Joyce. But will everyone return home safe and happy or will hearts be broken?

	
State Fair (1933).mkv

General
Container:  	Matroska
Runtime: 	1h 36mn
Size: 	1.04 GiB
Video
Codec: 	x264
Resolution: 	702x466 ~> 702x526
Aspect ratio:  	4:3
Frame rate: 	23.976 fps
Bit rate: 	1 245 Kbps
BPP: 	0.159
Audio
#1:  	English 2.0ch AC-3 @ 256 Kbps (Stereo)

https://nitro.download/view/63842CC5148DC5F/State_Fair_(1933).mkv

https://ddownload.com/gm6ygsrcqrq6/State_Fair_(1933).mkv

Language(s):English
Subtitles:(none)

The post Henry King – State Fair (1933) first appeared on Cinema of the World.

Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his family, namely his wife Julie Bigelow née Jordan and the child he never met, that problem with which he would now like to head back to Earth to assist in rectifying. Before he is allowed back to Earth, he has to get the OK from the gatekeeper, to who he tells his story… Immediately attracted to each other, he and Julie met when he worked as a carousel barker. Both stated to the other that they did not believe in love or marriage, but they did get married. Because the shrewish carousel owner, Mrs. Mullin, was attracted to Billy herself, and since she believed he was only of use as a barker if he was single to attract the young women to the carousel, she fired him. With no other job skills and unwilling to take just any job, Billy did not provide for Julie but rather lived off Julie’s Aunt Nettie. But Billy figured he could be the breadwinner through his association with a criminal lowlife named Jigger Craigin, which led to his death. In going back to Earth, Billy not only hopes to help his child, but “tell” Julie of his true feeling for her.

Carousel.1956.576p.BDRip-AVC.ZONE.mkv

General
Container:  	Matroska
Runtime: 	2 h 8 min
Size: 	3.10 GiB
Video
Codec: 	x264
Resolution: 	1024x434 
Aspect ratio:  	2.35:1
Frame rate: 	23.976 fps
Bit rate: 	3 000 kb/s
BPP: 	0.282
Audio
#1:  	English 2.0ch AC-3 @ 224 kb/s
#2:  	English 2.0ch AC-3 @ 192 kb/s (Commentary by Shirley Jones and Nick Redman)

https://nitro.download/view/AE440000F9A9B1C/Carousel.1956.576p.BDRip-AVC.ZONE.mkv

Language(s):English
Subtitles:English, French, Spanish, Italian, Portuguese, Greek, Danish, Hebrew, Chinese, Norwegian, Ukrainian, Finnish, Swedish, Russian

The post Henry King – Carousel (1956) first appeared on Cinema of the World.

Quote:
Most actors, especially established stars, yearn for roles that allow them to stretch their performance muscles and play against type. Most big stars who attained their status in the heyday of the studio system often found themselves stifled by typecasting, especially if they enjoyed overwhelming success in any given role. Studio executives weren’t about to risk placing an established property in something unexpected, and if the paying public had shown their approval by lining up at the box office for, say, Tyrone Power as a swashbuckling hero, then Tyrone Power as a swashbuckling hero is exactly what the public would be offered. Over and over. Many of the most pointed disputes in the Golden Era of Hollywood had the subtext of actors trying to break out of this predetermined mold. Power himself in fact attempted to play against type in the 1946 film version of W. Somerset Maugham’s The Razor’s Edge, delivering a surprisingly nuanced performance in a difficult role. (Intrestingly, Maugham’s Of Human Bondage in its first film adaptation provided a defining role for Bette Davis early in her career.) Another legendary writer with a first initial followed by a middle and surname, one F. Scott Fitzgerald, had his own battles with “type casting” in Hollywood. After having been arguably the most popular writer in the world (or at least America) in the 1920s, Fitzgerald descended into an alcoholic haze from which he never really fully recovered. Hollywood attempted to squeeze what it could out of the once profligate author, but Fitzgerald’s days in Los Angeles were neither very productive nor very successful. Fitzgerald’s Hollywood years became yet another object lesson in playing against type when Gregory Peck was cast to play the author in the 1959 film version of Sheilah Graham’s memoir Beloved Infidel. Peck is so indelibly imprinted on the general public consciousness as Atticus Finch in To Kill a Mockingbird that it’s sometimes hard to remember some of the darker, less heroic roles that Peck tackled at various times, notably Duel in the Sun. But there was such an innate decency emanating from Peck that even when the actor did play less morally upright characters something seemed slightly out of place, and that’s certainly the case with Beloved Infidel. Peck’s unease in his role is matched, perhaps relatively less noticeably, by Deborah Kerr as Sheilah Graham, one of the great provocateurs of her time (rather like Dorothy Parker), and Kerr, like Peck playing against type, doesn’t quite seem to know what to make of her character. That leaves two iconic performers flailing about in a pretty sudsy melodrama that is, to put it mildly, a rather depressing look at a doomed love affair between two mismatched souls.

As odd as the casting choices in Beloved Infidel inarguably are, the film itself is a rather peculiar enterprise even disregarding its stars. Though Beloved Infidel in book form had sold well, neither Graham nor Fitzgerald (as surprising as it may sound to us today) were exactly household names in 1959. Furthermore, the film is shorn of virtually any real reference to time or place, as if casual comments like “I have to interview Gable” or the sight of a vintage automobile will immediately anchor it in viewers’ minds as taking place in the 1930s. For a film ostensibly about the down and dirty world of Hollywood, it’s an innately clean, almost hygienically pristine, film with little bite or menace, another kind of odd thing, considering its two main characters.

The film tries to make both Graham and Fitzgerald rather conventional characters, a perhaps fatal mistake. The real life Graham was virtually nothing like the character portrayed by Kerr in the film. Graham (née Lily Sheil) was the child of poor Jewish immigrants and was raised in an environment of poverty and hardscrabble ways, and by the time she emigrated to America in the early thirties and had already married (while still in her teens), hardly the patrician “insider” affianced to a Marquess portrayed in the film. (Graham indeed did indeed become engaged to the Marquess of Donegall after she divorced her first husband.) Kerr made a career out of playing “veddy” proper, kind of inherently uptight, women, and she simply doesn’t have the brusque viciousness that marked Graham’s early Hollywood years.

Much like Kerr as Graham, Peck simply seems too nice to be portraying such a haunted man as F. Scott Fitzgerald. So much important emotional context is given short shrift in Sy Bartlett’s screenplay that it actually isn’t entirely the actor’s fault. When a plot point as important as Zelda Fitzgerald’s mental instability and institutionalization is basically dealt with anecdotally (by Eddie Albert, no less), it gives the film a strangely dissociative quality that divorces it from the very elements which would have seemed to provide the most compelling content. Instead we’re left with two very glamorous stars portraying two very glamorous (if troubled) people who seem to have little to no connection to their real life counterparts.

Beloved Infidel plays almost like yet another version of A Star is Born, with an up and coming female supplanting her once very famous husband (surrogate in this case) in the Hollywood pecking order. And actually quite a bit like the 1954 version of that iconic story, Beloved Infidel seems bloated and simply too “shiny” (for want of a better term) for its own roiling emotional content. The 1954 A Star is Born actually manages to deliver some visceral emotional impact despite its flaws, but Beloved Infidel just kind of sits there like a beautifully made up but vacuous movie star, waiting for its close-up.

Beloved Infidel.1959.576p.BDRip-AVC.ZONE.mkv

General
Container:  	Matroska
Runtime: 	2 h 3 min
Size: 	2.80 GiB
Video
Codec: 	x264
Resolution: 	1024x434 
Aspect ratio:  	2.35:1
Frame rate: 	23.976 fps
Bit rate: 	3 000 kb/s
BPP: 	0.282
Audio
#1:  	English 2.0ch AC-3 @ 224 kb/s (Stereo)

https://nitro.download/view/9EAFB5FA48756BC/Beloved_Infidel.1959.576p.BDRip-AVC.ZONE.mkv

Language(s):English
Subtitles:English

The post Henry King – Beloved Infidel (1959) first appeared on Cinema of the World.