Handsome young general Armand de Montriveau has searched across the seas for the woman he fell madly in love with five years ago. He finally finds Antoinette, the Duchess of Langeais, living chastely in a Majorcan convent… It was love at first sight for Montriveau upon meeting Antoinette, a married coquette who frequents the most extravagant balls of 1820s Restoration Paris, where hypocrisy and vanity reign. Flattered by his attentions, the alluring Antoinette orchestrates a calculating game of seduction, but she repeatedly refuses Montriveau. Despite his sincere romantic declarations, Montriveau’s passion remains unfulfilled. When the humiliated Montriveau eventually seeks his revenge, Antoinette’s love awakens. But it may well be too late for the star-crossed lovers.

”If mise en scène is a dance of love and death, few directors can fashion a choreography as romantic and tortuous as Rivette, in this dazzling two-hender costume melodrama.”
— Adrian Martin

RIVETTE Jacques-2007-Ne touchez pas la hache.mkv

General
Container:  	Matroska
Runtime: 	2 h 11 min
Size: 	2.03 GiB
Video
Codec: 	h264
Resolution: 	1280x720 
Aspect ratio:  	16:9
Frame rate: 	25.000 fps
Bit rate: 	2 070 kb/s
BPP: 	0.090
Audio
#1:  	2.0ch AAC LC @ 125 kb/s

https://nitro.download/view/CF15B2250D5526F/RIVETTE_Jacques-2007-Ne_touchez_pas_la_hache.mkv
https://nitro.download/view/DD4CD5DE52915B5/RIVETTE_Jacques-2007-Ne_touchez_pas_la_hache.eng.srt

Language(s):French, Italian
Subtitles:English, hardcoded French for non-French sections

The post Jacques Rivette – Ne touchez pas la hache AKA Don’t Touch The Axe (2007) first appeared on Cinema of the World.

Quote:
Spiritual disciplines span the spectrum from quiet personal self-reflection to physically militant offensives against the ego that tyrannizes us all. Writer/Director Bertrand Bonello’s latest film On War deals with the latter.

On War is a film about purging—the purging of self, of attachment to the world, and of attachment to assumptions about one’s self in the world. As the characters in the film suggest, it is only through this purging that a person may fully release into the immediacy of joy and pleasure. And it is joy and pleasure, things real and authentic, that our protagonist Bertrand (Mathieu Amalric) is searching for.

On War opens with Bertrand, a filmmaker researching his latest work who, while onsite at a local funeral parlor, convinces the storeowner to allow him to stay beyond closing hours in order to get a better feel for the location. Alone in the store, Bertrand lays in a coffin, which accidentally closes on him and locks. The next morning he is let out by the owner, and, clearly shaken from the experience, which he describes as something akin to resignation into clarity, quickly leaves the store and begins to reevaluate his life. The following night Bertrand meets a mysterious man who, having listened to Bertrand’s description of his experience, invites him to a mansion in the country where investigations into what is required to experience true unfiltered spiritual, mental, and physical pleasure are the main objective.

With the exception of a brief stint back in the world, Bertrand remains at the mansion. From here the film follows Bertrand as he dives deeper into his psyche. People come to take him “home.” People dance. People swim naked. People wear masks. People get shot. At the mansion people both live and die.

The matriarch/patriarch of the mansion is the androgynous Uma played by the forever decadently delicious Asia Argento. In addition to being a spiritual guide for the mansion’s inhabitants she also plays a mean analog synthesizer, the avant-garde music from which she pipes into the forest on the property via speakers hung from trees facilitating meditative states for those soaking up its frequencies. The people living at the mansion are there to change, and while Uma plays the role of mother and father, she too struggles with balancing her role as the leader of a spiritual army, her own femininity, and actually feeling anything when there is a death on the commune. But war, Uma’s chosen path, inevitably leads to death, and Bonello’s latest film deals with death in both its religious and physical dimensions, subject matter that does not always sit well with a passive audience. […]

Although On War does give the viewer quiet a bit to see (a few guns, some raw emotion, some nudity, some blood) so much of the film happens in the gaps, the “What could that be referring to?” moments of the film. You see, On War is not without its Charlie Kaufman qualities. For instance, what is Bertrand reading at the beginning of the film, and why does he keep referring to it? Why does Bertrand, a filmmaker, share the same first name as the filmmaker of On War? Who is the man who introduces Bertrand to the mansion? What’s with the voice over lifted from Apocalypse Now? What’s with all the masks? What’s with that giant dog? All of these questions allow the film’s greatest moments to play out not on the screen (though there are many during the entire 2 plus hours of film), but rather in your mind and in the conversations you will no doubt be having after seeing the piece.

Bertrand Bonello - (2008) De la querre.mkv

General
Container:  	Matroska
Runtime: 	2h 6mn
Size: 	1.94 GiB
Video
Codec: 	x264
Resolution: 	720x552 ~> 1021x552
Aspect ratio:  	1.85:1
Frame rate: 	25.000 fps
Bit rate: 	2 000 Kbps
BPP: 	0.201
Audio
#1:  	2.0ch AC-3 @ 192 Kbps

https://nitro.download/view/4589C8B3E39C267/Bertrand_Bonello_-_(2008)_De_la_querre.mkv

Language(s):French, English
Subtitles:English (optional)

The post Bertrand Bonello – De la guerre AKA On War (2008) first appeared on Cinema of the World.

Synopsis:
Pierre, a young man of privilege, whose anonymously-published novel is a hit and who’s about to marry his blond cousin, Lucie, abandons all when a dark-haired vagrant tells him her secret late one night in the woods: that she is Isabelle, his sister, abandoned by their father. Pierre breaks off with Lucie and his doting mother, heading for Paris with Isabelle, intent on knowing the dark side of human nature. He begins a novel, sending chapters under a pseudonym to his publisher; his relationship with Isabelle moves beyond the fraternal; and, in winter, the frail Lucie comes to live with them. Family jealousies mount, and Pierre may have discovered despair instead of the truth.

TV Version:
The alternate longer TV version of POLA X entitled “Pierre ou, Les Ambiguïtés”, edited in three episodes with an additional 40 minutes of footage. This version was shown for the first time on September 24, 2001 on Arte German-French TV channel.
“It is not an “extended version” or a “final version” of the film “Pola X”, but a different proposition for television.” – Leos Carax

Episode 1 – A la lumière:

Episode 2 – A l’ombre des lumières:


Episode 3 – Dans le sang:

https://nitro.download/view/5019A4F95E45842/1_-_A_la_lumiere.mkv
https://nitro.download/view/AB6C7F8630CBE48/2_-_A_l’ombre_des_lumieres.mkv https://nitro.download/view/A7BB30E7C38C64A/3_-_Dans_le_sang.mkv

Language(s):French
Subtitles:English

The post Leos Carax – Pierre ou, Les Ambiguïtés [Pola X TV Cut] (1999) first appeared on Cinema of the World.

The young mother Nina and her son Enzo find themselves sleeping on the streets of Paris. Their tentative lifestyle eventually leads them to Versailles. In the woods near the palace, they encounter Damien, a man named who lives cut off from the rest of the world. Nina and Enzo decide to take refuge with him overnight. The next morning, Nina appears to have disappeared…

2.18GB | 1h 49min | 1021×552 | mkv

https://nitro.download/view/8FF9C104622AC90/Versailles.2008.DVDRip.x264.AC3-DEEP.mkv

Language:French
Subtitles:English

The post Pierre Schoeller – Versailles (2008) first appeared on Cinema of the World.