Synopsis:
A biographical film of Otto von Bismarck, the Prime Minister of Prussia, and how he and his policies – including aggressive war – helped to unite Germany.

Review:
The film is reasonably true to the facts, but portrays Bismarck unconditionally as an unbreakable hero who serves his king and fights against democracy, the parliament, the press, foreign powers and so on. It is a 100% propaganda film of the worst kind featuring every anti-liberal cliché you can imagine. However it’s pretty remarkable how extensively this film discusses politics and political schemes, essentially it’s two hours of political talk, but nevertheless quite engrossing.

Bismarck (1940) -- Wolfgang Liebeneiner.mkv

General
Container:  	Matroska
Runtime: 	1h 49mn
Size: 	1.65 GiB
Video
Codec: 	x264
Resolution: 	720x576 ~> 789x576
Aspect ratio:  	1.370
Frame rate: 	25.000 fps
Bit rate: 	1 900 Kbps
BPP: 	0.183
Audio
#1:  	2.0ch AC-3 @ 256 Kbps

https://nitro.download/view/8573E6E0F572F3B/Bismarck_(1940)_–_Wolfgang_Liebeneiner.mkv https://nitro.download/view/BF7DED8B760A443/Bismarck_(1940)_–_Wolfgang_Liebeneiner.idx https://nitro.download/view/5CB8C65FB386717/Bismarck_(1940)_–_Wolfgang_Liebeneiner.srt https://nitro.download/view/22818449E9A0B5E/Bismarck_(1940)_–_Wolfgang_Liebeneiner.sub

Language(s):German
Subtitles:English (idx, sub, srt)

The post Wolfgang Liebeneiner – Bismarck (1940) first appeared on Cinema of the World.

Synopsis:
‘Hans Albers stars as Werner Holk, an engineer who is working with Professor Achenbach on a machine that will turn lead into gold. When an “accident” occurs that costs the Professor his life, Holk swears vengeance, and determines that the mastermind behind the sabotage was Scottish millionaire John Wills, who has his own rival group working on the same machine. Wills actually hires Holk on to help make his machine a success, and while at first Holk is determined to destroy Wills’ effort from within, when Holk meets Wills’ daughter Florence he begins to second guess his mission.’
– AlsExGal

1.46GB | 1h 53mn | 768×576 | mkv

https://nitro.download/view/A43E6841A6AA2A6/Gold.1934.DVDRip.x264.AC3.mkv
https://nitroflare.com/view/3E045785D7FE9BE/Gold.1934.DVDRip.x264.AC3.srt

Language(s):German
Subtitles:English

The post Karl Hartl – Gold (1934) first appeared on Cinema of the World.

David Bordwell wrote:

In 1913, the popular novelist Bernhard Kellermann published Der Tunnel. It’s not quite science-fiction, more a prophetic fiction or realist fantasy in the vein of Things to Come. The book became a best-seller and the basis of a 1915 film directed by William Wauer.

The plot would gladden the heart of Ayn Rand. A visionary engineer persuades investors to fund building an undersea railway connecting France to the United States (specifically, New Jersey). No meddling government gets in the way of this titanic effort of will. Max Allan buys land for the stations, hires diggers from around the world, and risks everything he has. The obstacles are many. An explosion scares off workers; there is a strike; impatient stockholders raid and burn the company headquarters.

Max Allan moves forward undeterred, though he hesitates when his wife and child are stoned to death by a mob. After twenty-six years, the railway is opened. Max, along with his new wife (the daughter of his chief backer), proves it’s safe by taking the first transatlantic train. The event is covered by television, projected on big screens around the world (above). In the original novel, a film company was commissioned to document every stage of work.

The book skimps on characterization, and the film is even less concerned with psychology. Once the character relations are sketched, Wauer goes for shock and awe. The Tunnel‘s thrilling crowd scenes of work, fire, devastation, riots, and panic look completely modern. Bird’s-eye views of stock-market frenzy anticipate Pudovkin’s End of St. Petersburg, and Wauer creates an Eisensteinian percussion of light and rushing movement as workers flee the tunnel collapse.

For the sequences showing the tunnel construction, Wauer supplies violent alternations of bright and dark as men, stripped and sweaty, attack the rock face. The variety of camera positions and illumination is really impressive.

Comparisons with The Big Film of 1915 are inevitable. The intimate scenes of The Tunnel are far less delicately realized than the romance and family life of The Birth of a Nation, and the battle scenes in Birth have a greater scope than what Wauer summons up. But Wauer’s handling of crowds is more vigorous than Griffith’s riots at the climax of Birth, and his pictorial sense is in some ways more refined, even “modern.”

Wauer can handle small-scale action very crisply. The opening scene in an opera house creates low-angled depth compositions more arresting than Griffith’s depiction of Ford’s Theatre. Mac’s wife, in one box, is watching his efforts to attract funding from the millionaire Lloyd. Wauer constantly varies his camera setups to highlight Mac’s wife in the background studying Lloyd’s daughter, sensing in her a rival for her husband. Whether the angle is high or low, the wife’s presence in her distant box is signaled at the top of the frame. Subsequent shots present similar but not identical setups, adjusted to reset the depth composition.

Being a cinephile is partly about making discoveries. True, one person’s discovery is another’s war horse. But nobody has seen everything, so you can always hope to find something fresh. There’s also the inviting prospect of introducing a little-known film to a wider community. Most exciting is to discover a major film that has gone unnoticed in standard film histories. It was at Munich’s Filmmuseum a decade ago that I first encountered the brooding power of Robert Reinert’s Opium (1919) and Nerven (1919). I was convinced that Nerven was as important, and in some ways more innovative, than the venerated Caligari. Now the conviction grows on me that in The Tunnel we have another galvanizing, outlandish masterwork of the 1910s. I hope it will somehow get circulated so that wider audiences can discover it. Yeah, that’s the word I want: discover.

3.15GB | 1h 24mn | 1920×1080 | mkv

https://nitro.download/view/E50F4AB87FAF76B/Der.Tunnel.1915.1080p.WEB-DL.AAC2.0.x264-KG.mkv
https://nitro.download/view/48F6342722307EB/Der.Tunnel.1915.1080p.WEB-DL.AAC2.0.x264-KG.srt

Language(s):German intertitles with music
Subtitles:English, Latin

The post William Wauer – Der Tunnel AKA The Tunnel (1915) first appeared on Cinema of the World.