From Xploited Cinema:
Fabio Testi stars as Floyd, a criminal who on the very day of his parole participates in a jewelry store robbery in downtown Toronto. Of course, the robbery takes a turn for the worse as Testi’s accomplice, Joe (played by Eli Wallach) starts shooting up the place and kills a young man. After a lengthy car chase (a standard in Lucidi’s films), Testi and Wallach split up to meet again across the border.Wallach entrusts Testi with the diamonds and his really nice German car, which Testi wrecks somewhere in the Canadian countryside. Testi finds his way to the Last Chance Motel right out in the middle of nowhere, run by none else than Massimo Girotti and his intoxicating wife Ursula Andress.

During his uncomfortable stay there, Testi hires the local idiot (Howard Ross) to repair his car while he develops an affair with Ms. Andress. Somewhere along the line, someone steals the diamonds. Matters are complicated even more when Wallach shows up, furious about the loot (and probably his car too) and starts shooting people.

L.ultima.Chance.1973.DVDRip.x264-PTP.mkv

General
Container:	Matroska
Runtime:	1h 37mn
Size:	1.96 GiB
DXVA:	Compatible
Minimum settings:	Met
Video
Codec:	x264
Resolution:	720x576 ~> 1024x576
Aspect ratio:	16:9
Frame rate:	25.000 fps
Bit rate:	2 477 kb/s
Audio
#1:	Italian 2.0ch AC-3 @ 192 kb/s
#2:	English 2.0ch AC-3 @ 192 kb/s (English Dub)

https://nitro.download/view/9A2B07952257FF2/L.ultima.Chance.1973.DVDRip.x264-PTP.mkv

Language(s):Italian, English
Subtitles:none

The post Maurizio Lucidi – L’ultima Chance AKA Stateline Motel (1973) first appeared on Cinema of the World.

Quote:
When the mysterious woman in the room next door disappears, a debonair 70-year-old ex-spy living in a luxury hotel on the Côte d’Azur is confronted by the demons and darlings of a lurid past in which moviemaking, memories and madness collide.

Reflet.dans.un.diamant.mort.2025.FRENCH.1080p.WEB-DL.H264-Slay3R.mkv

General
Container:  	Matroska
Runtime: 	1 h 27 min
Size: 	6.33 GiB
Video
Codec: 	h264
Resolution: 	1920x804 
Aspect ratio:  	2.40:1
Frame rate: 	25.000 fps
Bit rate: 	10.0 Mb/s
BPP: 	0.259
Audio
#1:  	French 5.1ch AC-3 @ 384 kb/s (VFF)

https://nitro.download/view/D18A2B3663BECA3/Reflet.dans.un.diamant.mort.2025.FRENCH.1080p.WEB-DL.H264-Slay3R.mkv
https://nitro.download/view/2D92D56CBBF1AFB/Reflet.dans.un.diamant.mort.2025.FRENCH.1080p.WEB-DL.H264-Slay3R.v2.srt

Language(s):French, Italian, English, German, Spanish
Subtitles:English, French (French SRT for non-French parts)

The post Hélène Cattet & Bruno Forzani – Reflet dans un diamant mort AKA Reflection in a Dead Diamond (2025) first appeared on Cinema of the World.

Synopsis:
An Italian prison official’s wife is kidnapped, and the kidnappers demand that a notorious prisoner be released in order for the man to get his wife back. He gets the man released – but then kidnaps him himself, in order to ensure that the man’s colleagues don’t kill his wife. Enraged, the gang sets out to free their compatriot and kill the man who took him.

Revolver (also titled Blood in the Streets and In the Name of Love) is a poliziottesco film directed by Sergio Sollima and released in 1973. It stars Oliver Reed and Fabio Testi and the film’s theme “Un Amico” which was scored by Ennio Morricone was also featured in Quentin Tarantino movie Inglourious Basterds (2009)

english dub as default because english subs are not great.

2.21GB | 1h 49m | 854×464 | mkv

https://nitro.download/view/81A8E05374E90A9/Revolver.AKA.Blood.in.the.Streets.AKA.In.the.Name.of.Love.1973.480p.BluRay.x264-HANDJOB.mkv

Language(s):Italian,English
Subtitles:English

The post Sergio Sollima – Revolver AKA Blood in the Streets (1973) first appeared on Cinema of the World.

China 9, Liberty 37 falls halfway between the Hollywood backlot-western school and the Italian “spaghetti” western genre, borrowing the best elements from both. Fabio Testi plays a gunfighter who is saved at the last moment from a hangman’s noose. His liberators are a cartel of railroad men who want Testi to kill farmer (and former hired gun) Warren Oates, who has refused all entreaties to sell his land. As part of the scheme, Testi befriends Oates; on his own volition, he sleeps with Oates’ wife Jenny Agutter. When the railroad barons insist that Testi go through with his mission, he refuses, and helps the farmer fight off the train moguls’ hired thugs. Also known as Gunfire, China 9 Liberty 37 features a cameo by director Monte Hellman’s role model, Sam Peckinpah, who plays a bombastic Ned Buntline-style novelist. And the significance of the title? It’s the location of Warren Oates’ spread: Nine miles from the town of China, 37 miles from the town of Liberty.

1.46GB | 1h 32m | 640×304 | mkv

https://nitro.download/view/3572DC07EB2F3D7/Amore,_piombo_e_furore_-_1978_-_92_min_-_AC3_Italian_-_DVDRip_CRUSADERS.avi
or
https://tezfiles.com/file/8d62a7705202f/Amore%2C_piombo_e_furore_-_1978_-_92_min_-_AC3_Italian_-_DVDRip_CRUSADERS.avi

Language:Italian
Subtitles:None

The post Monte Hellman – Amore, piombo e furore AKA China 9, Liberty 37 (1978) first appeared on Cinema of the World.

Quote:
Andrzej Zulawski’s L’important c’est d’aimer is a film of dishevelled lyricism, bursting with noise and anger; an insane storm-tainted flamboyant opera; a visual symphony with apocalyptic emphasis featuring sleaze-bags, clowns, drop-outs, wimps, bastards, and “puppet shows depicting lives of complete scoundrels and ruined careers.” Where some people will see nothing but a graphic canvas of pain, horror and a bloody parade of violence, others who analyze the darkness will see a call for compassion. This is the story of a fragile woman, Nadine Chevalier, who supports her failure-obsessed companion to the bitter end, and who meets a photographer weighed down by remorse. This vibrant and captivating cinema of art, music and sound is down to the genius of Zulawski, and his sensual and sentimental power of evocation, which together create something which reflects the deep and perhaps unconfessed anxiety inside every one of us. It is, as Dostoyevsky said at the end of Crime and Punishment, “the story of a generation.”

3.25GB | 1h 53m | 956×576 | mkv

https://nitroflare.com/view/0A556995B7DBF7E/L.important.c.est.d.aimer.AKA.That.Most.Important.Thing.Love.1975.576p.BluRay.x264.AAC.1.0-dps.mkv

or
https://nitroflare.com/view/7F60D30F7B8B68D/L.important.c.est.d.aimer.AKA.That.Most.Important.Thing.Love.1975.576p.BluRay.x264.AAC.1.0-dps.part1.rar
https://nitroflare.com/view/75F6B77DC5B37CD/L.important.c.est.d.aimer.AKA.That.Most.Important.Thing.Love.1975.576p.BluRay.x264.AAC.1.0-dps.part2.rar
https://nitroflare.com/view/EE8CB530B1E6CFF/L.important.c.est.d.aimer.AKA.That.Most.Important.Thing.Love.1975.576p.BluRay.x264.AAC.1.0-dps.part3.rar
https://nitroflare.com/view/BF13DAA2CA0281A/L.important.c.est.d.aimer.AKA.That.Most.Important.Thing.Love.1975.576p.BluRay.x264.AAC.1.0-dps.part4.rar

Language(s):French, English+commentary
Subtitles:English, Spanish, Portuguese

The post Andrzej Zulawski – L’Important c’est d’aimer AKA That Most Important Thing: Love (1975) first appeared on Cinema of the World.

Rome, 1880. Gregorio has decided to close his bakery, the family business. Then he tells his sons Pippo, Mario and daughter Teta that they will have to fend for themselves. But newly married Irene, Pippo’s wife, a beautiful, calculating and ambitious young woman, wants to take over the inheritance. Acting on intelligence, weighing every step and its consequences, she manages to convince the brothers that they must prevent at all costs that his father falls in love again to avoid the risk of losing their inheritance.

1.73GB | 1h 51m | 1016×572 | mkv

https://nitroflare.com/view/1C67934FAF92315/L’_Eredità_Ferramonti_1976.mkv
or
https://nitroflare.com/view/ABE024E394B81EC/L’_Eredità_Ferramonti_1976.part1.rar
https://nitroflare.com/view/C412E4B123F95E8/L’_Eredità_Ferramonti_1976.part2.rar

Language(s):Italian
Subtitles:English

The post Mauro Bolognini – L’eredità Ferramonti AKA The Inheritance (1976) first appeared on Cinema of the World.

Synopsis:
While looking for a stolen diamond necklace,the private investigator Bob Martin uncovers a smart serial killer.

Review:
DEATH KNOCKS TWICE is an excellent vehicle for both leading man Dean Reed (in this film he reminds me of a cross between James Franciscus, Tab Hunter, and the pre-burnout Jan-Michael Vincent), who plays a detective out to solve a murder and robbery while stumbling across other corrupt activities, and for leading hunk Fabio Testi, who opens the film with a semi-nude outdoor love scene and seems to play half the film without his shirt on. If Joe Dallesandro had begun his European career at this point, he would have been great in this part, but Testi plays a sulking hunk well too, and here he is a spoiled painter who lives in a wonderful beach-front villa and sleeps with various women who meet untimely ends. The film may tend to introduce too many characters too soon, and the mystery does not seem so mysterious in the initial reels, but somehow the whole thing chugs along and becomes more exciting in its second half, which features an excellent high-speed car chase on a wet winding country road and some exciting stunts from Reed. There is a superb all-star Euro-trash cast, including Adolfo Celi, Anita Ekberg, Werner Peters, Leon Askin, Nadia Tiller, and Ricardo Garrone (the film was co-written by his brother, Sergio), and direction is handled by the reliable German director Harald Philipp, whose credits include some of my favorite films such as MANHATTAN NIGHT OF MURDER with George Nader as Jerry Cotton, and RAMPAGE AT APACHE WELLS, an adaptation of Karl May’s novel THE OIL PRINCE, starring Stewart Granger as Old Surehand and Pierre Brice as Winnetou. The feel of the film is halfway between some of the later German crime films of the Edgar Wallace cycle, and some of the earlier proto-giallo films of the mid and late 60s. One wonders if Dean Reed viewed this film as a critique of capitalistic decadence (which it certainly is, although that may be unintended) or just a good leading role to give the Italian period of his acting career a shot in the arm. Either way, he handles himself well, looks great, and has charisma to burn. DEATH KNOCKS TWICE (the title will make sense when you see it) is not a must-see film, but I’m glad I watched it again, and the combination of director and stars make it desirable to the fan of European genre-films. Also, Dean Reed was not that prolific of an actor and some of his films have never circulated in English-language versions (to my knowledge), so anything that can be found is worth watching. My copy was taped off a TV station in Aruba back in the 1980’s. A letter-boxed, restored version would certainly be welcome!
— django-1 (IMDb).

1.66GB | 1h 34mn | 742×574 | mkv

https://nitro.download/view/2E77EA8853E32B4/Death_Knocks_Twice_(The_Blonde_Connection)_(1969)_–_Harald_Philipp.mkv

Language:Italian, English (2 audio tracks)
Subtitles:English ( forced subs for the cut scenes)

The post Harald Philipp – Blonde Köder für den Mörder AKA The Blonde Connection AKA Death Knocks Twice (1969) first appeared on Cinema of the World.