IMDB wrote:
The impossible relationship between a man and a woman, but also the destruction of aesthetics. The girl wants to seduce her beloved with incoherent stories that he does not care at all. Through this relationship, the film projects the idea according to which it is impossible to tell a story. The project does not pursue the coherence of a well-told story, rather it demands to observe what is shown and to deepen the different facets of the characters. Its purpose is to lay the foundations of a certain pop aesthetic in a Spanish way, in which the images can not refer to the world but to the publicity that the world sells to us.

The Barcelona School Manifiesto

Self-financing and cooperative production system.

Teamwork with a constant exchange of functions.

Preponderantly formal preoccupation, referred to the field of the structure of the image of the narration.

Experimental treatment

Subjectivity, within the limits allowed by censorship.

Characters and situations foreign to those produced in Madrid.

Use, within union boundaries, of non-professional actors.

Production carried out with the back to the distribution, not wished but forced by the circumstances.

With few exceptions, non-academic or professional training of the filmmakers.

891MB | 1 h 15 min | 1280×720 | mkv

https://nitro.download/view/CC74F89F30AE8BA/Dante_no_es_unicamente_severo_1967_720p_WEBRip_AVC_AAC_2.0_-_AHB.mkv

Language(s):Spanish
Subtitles:English

The post Jacinto Esteva & Joaquim Jordà – Dante no es únicamente severo (1967) first appeared on Cinema of the World.

from imdb:
Along a rocky, barren coastline, Jesus begins teaching, primarily using parables. He attracts disciples; he’s stern, brusque, and demanding. He comes to bring a sword, not peace, he says. He’s in a hurry, moving from place to place near the Sea of Galilee, sometimes attracting a multitude, sometimes being driven away. His parables often take on the powers that be, so he and his teachings come to the attention of the Pharisees, the chief priests, and elders. They conspire to have him arrested, beaten, tried, and crucified, just as he prophesied to his followers. After he dies, he appears to his disciples and gives them final instructions.

At the 1964 Venice Film Festival, The Gospel According to St. Matthew was nominated for 3 awards, including the Golden Lion, and won 2, the OCIC Award and the Special Jury Prize. The Gospel According to St. Matthew was released in the United States in 1966 and was nominated for three Academy Awards: Art Direction (Luigi Scaccianoce), Costume Design, and Score.

Quote:
Pasolini’s is one of the most effective films on a religious theme I have ever seen, perhaps because it was made by a nonbeliever who did not preach, glorify, underline, sentimentalize or romanticize his famous story, but tried his best to simply record it.

Quote:
Pasolini … considered himself a poet before a filmmaker, and his films are built of images, impressions and words that sometimes function more as language than as dialogue. That is certainly the case with “The Gospel According to St. Matthew,” which tells the life of Christ as if a documentarian on a low budget had been following him from birth. The movie was made in the spirit of Italian neo-realism, which believed that ordinary people, not actors, could best embody characters — not every character, but the one they were born to play.
…
Whether these actors could handle the dialogue was beside the point. Pasolini decided to shoot without a screenplay, following Matthew page by page and compressing only as much as necessary to give the film an acceptable running time. Every word of dialogue is from Matthew, and much of it is heard during long shots so that we need not see the lips moving.

Jesus is however often seen speaking, and his presence and appearance are unusual in terms of traditional depictions. Like most of Jewish men of his time, he wears his hair short — none of the flowing locks of holy cards. He wears a dark, hooded robe so that his face is often in shadow. He is unshaven but not bearded.

	
Il vangelo secondo Matteo - Pier Paolo Pasolini (1964) Criterion 4K.mkv

General
Container:  	Matroska
Runtime: 	2 h 17 min
Size: 	4.80 GiB
Video
Codec: 	x264
Resolution: 	1024x554 
Aspect ratio:  	1.85:1
Frame rate: 	23.976 fps
Bit rate: 	4 562 kb/s
BPP: 	0.335
Audio
#1:  	Italian 1.0ch FLAC @ 193 kb/s (flac 16-bit)

https://nitro.download/view/1D8A8FADECEE50C/Il_vangelo_secondo_Matteo_-_Pier_Paolo_Pasolini_(1964)_Criterion_4K.mkv

https://tezfiles.com/file/8c131cd6b72a3/Il_vangelo_secondo_Matteo_-_Pier_Paolo_Pasolini_%281964%29_Criterion_4K.mkv

Language(s):Italian
Subtitles:English, French, German, Danish, Norwegian, Finnish, Swedish

The post Pier Paolo Pasolini – Il Vangelo secondo Matteo AKA The Gospel According to Matthew (1964) first appeared on Cinema of the World.