Quote:
Jacques Cournot, a freelance skipper, is hired by Mr Hendrix in Santo Domingo, first of all to advise him regarding the acquisition of a sailing boat. After a thorough inspection of a prospective vessel, the “Dragoon”, Cournot reports his positive appraisal to Mr Hendrix and initiates the negotiations with Mrs Osborne, the owner of the craft. Barely a couple of days later, Cournot finds himself in a bind as the police questions him about the exact kind of cruise he was supposed to organize for his principal. For the “Dragoon” is gone; Mr Hendrix has disappeared; Mrs Osborne is not aware of any deal; and the corpses of mysterious individuals, victims of a violent death, are found on the beaches of Santo Domingo.

Guns.for.the.Dictator.1965.BDRIP.576P.X264.AC3.AFKI.mkv

General
Container:  	Matroska
Runtime: 	1 h 41 min
Size: 	2.36 GiB
Video
Codec: 	x264
Resolution: 	956x576 
Aspect ratio:  	5:3
Frame rate: 	24.000 fps
Bit rate: 	3 088 kb/s
BPP: 	0.234
Audio
#1:  	French 2.0ch AC-3 @ 224 kb/s

https://nitro.download/view/543CC5FDFDA4297/Guns.for.the.Dictator.1965.BDRIP.576P.X264.AC3.AFKI.mkv

Language(s):French
Subtitles:English

The post Claude Sautet – L’arme à gauche AKA The Dictator’s Guns (1965) first appeared on Cinema of the World.

A detective decides to go undercover and set up a group of robbers, but he may be getting too caught up in the task at hand.

Max et les ferrailleurs (Max and the Junkmen) - 1971 - Claude Sautet_1080p.mkv

General
Container:  	Matroska
Runtime: 	1 h 52 min
Size: 	9.53 GiB
Video
Codec: 	x264
Resolution: 	1792x1080 
Aspect ratio:  	5:3
Frame rate: 	23.976 fps
Bit rate: 	11.5 Mb/s
BPP: 	0.248
Audio
#1:  	French 2.0ch AC-3 @ 448 kb/s
#2:  	English 2.0ch AC-3 @ 192 kb/s (Audio commentary by film Historian Samm Deighan)

https://nitro.download/view/6AE937D6C11A9A9/Max_et_les_ferrailleurs_(Max_and_the_Junkmen)_-_1971_-_Claude_Sautet_1080p.mkv

Language(s):French
Subtitles:English

The post Claude Sautet – Max et les ferrailleurs AKA Max and the Junkmen (1971) (HD) first appeared on Cinema of the World.

Quote:
The conflict between the generations is a recurring theme in the cinema of Claude Sautet. Often as not, it is peripheral to the main drama, but in Un mauvais fils it is absolutely central, the lightning conductor in a raging emotional thunderstorm. The fraught relationship between a middle-aged father and his estranged son Bruno is mirrored by one of a gentler hue, that between a gay bookshop owner and his attractive employee Catherine, who is his adopted daughter in all but name. Bruno appears to have more in common with Catherine, a perfect stranger, than with his father, and so whilst one relationship withers, another flourishes.

Here, it is narcotics abuse that marks out the generational fault lines. Neither Bruno’s father nor Catherine’s attentive employer can understand the need for drugs and regard this as a sign of the lack of staying power in today’s younger generation – their moral position is slightly undermined by the fact that both men consume alcohol. Bruno’s own moral judgements are shown to be as flawed and trivial as his father’s and the rift that opens up between them through a mutual misunderstanding and lack of willingness to see things from the other’s viewpoint soon appears unbridgeable. Sautet is, if anything, an optimist, and the film ends not with a permanent estrangement but with the possibility of a lasting reconciliation between the generations. Blood is, after all, thicker than water.

Sautet had originally considered Gérard Depardieu for the part of Bruno but later changed his mind when he thought that the actor was too self-assured to convincingly play the fragile main protagonist. Patrick Dewaere was the ideal substitute, an actor renowned for playing tormented, multi-faceted and usually sympathetic no-hopers. As a man, Dewaere was an enigma, an affable, moody and impulsive force of nature – he had a massive falling out with the media around the time he made this film (the result of his punching a journalist) and he took his own life (for reasons that remain unknown) just a few years later. As an actor, he was virtually unrivalled at the time he was working, certainly one of the most talented and charismatic actors in French cinema, although his professional reputation was tarnished somewhat by his temperamental personality.

In Un mauvais fils, Dewaere gives one of his most nuanced and engaging performances, one that expresses far more about his character than his prosaic dialogue can ever hope to do and which forces the spectator to share his sense of dislocation from the world around him. Watching Dewaere in his films is always a fascinating and moving experience, simply because the actor projects so much of himself into his screen portrayals and never gives us cause to doubt that he is living the part with every fibre of his being whilst he is in front of the camera. It is hard to imagine a more committed and instinctive actor than Patrick Dewaere. He deserves to be ranked alongside such luminaries as Marlon Brando and Robert De Niro as one of the great talents of the silver screen, tragically brief though his career was.

The four other main roles are just as well-cast and beautifully complement Dewaere’s faultless performance. The part of Bruno’s mercurial father is superbly rendered by Yves Robert, a distinguished character actor who was also an accomplished film director (his best known work being the popular La Gloire de mon père / Le Château de ma mère (1990) diptych). Robert’s portrayal is so unnervingly in sympathy with Dewaere’s that we never question that their characters are father and son. Just as commendable is Brigitte Fossey’s sensitive portrayal of a vulnerable young woman struggling (and failing) to overcome her drugs dependency, and we must not overlook the exceptional contributions from Jacques Dufilho and Claire Maurier, who bring colour and depth to their complex supporting characters.

Dewaere, Dufilho and Maurier were all nominated for a César for their performances, but only Dufilho received the award (in the Best Supporting Actor category). The film was nominated (unsuccessfully) in three other categories (Best Director, Best Design and Best Sound). Claude Sautet may have made barely a dozen films, but few would dispute that he is one of the great auteurs of French cinema, highly regarded for his meaningful, lovingly crafted explorations of the human soul. Amidst Sautet’s other masterworks, Un mauvais fils is all too easily overlooked, but it is surely one of the director’s finest achievements – as much a testament to Sautet’s skill as a film director as it is to Patrick Dewaere’s incomparable talent as an actor. Many other filmmakers have examined the inter-generational divide, but rarely with the finesse and insight that Sautet shows in this magnificent film. — James Travers (www.lefilmguide.com)

Un.mauvais.fils.1980.1080p.NF.WEB-DL.DDP2.0.H.264-SPWEB.mkv
General
Container:  	Matroska
Runtime: 	1 h 49 min
Size: 	5.61 GiB
Video
Codec: 	x264
Resolution: 	1920x1080 
Aspect ratio:  	16:9
Frame rate: 	24.000 fps
Bit rate: 	7 500 kb/s
BPP: 	0.151
Audio
#1:  	French 2.0ch E-AC-3 @ 128 kb/s

https://nitro.download/view/2D8094183E01C19/Un.mauvais.fils.1980.1080p.NF.WEB-DL.DDP2.0.H.264-SPWEB.mkv

Language(s):French
Subtitles:English, French, Spanish, Portuguese, Dutch, Norwegian, Hungarian, Greek, Romanian

The post Claude Sautet – Un mauvais fils AKA A Bad Son (1980) first appeared on Cinema of the World.

Beautiful violin virtuoso Camille has two obsessions: the music of Ravel, and a friend of her husband’s who crafts violins. But his heart seems to be as cold as her playing is passionate.

2.21GB | 1h 44m | 934×576 | mkv

https://nitroflare.com/view/AD4CA8440097189/Un.Coeur.en.Hiver.1992.576p.BluRay.x264.mkv
or
https://nitroflare.com/view/58C4F3D99AB5077/Un.Coeur.en.Hiver.1992.576p.BluRay.x264.part1.rar
https://nitroflare.com/view/3CFA0C668BA129C/Un.Coeur.en.Hiver.1992.576p.BluRay.x264.part2.rar
https://nitroflare.com/view/1FF3FFBED975DF3/Un.Coeur.en.Hiver.1992.576p.BluRay.x264.part3.rar

Language(s):French
Subtitles:English

The post Claude Sautet – Un Coeur En Hiver AKA A Heart in Winter (1992) first appeared on Cinema of the World.

Quote:
Claude Sautet’s romantic drama Cesar et Rosalie (Cesar and Rosalie) stars Romy Schneider as Rosalie, a beautiful young woman involved with successful businessman Cesar (Yves Montand). One day, Rosalie’s former flame David (Sami Frey) appears and attempts to win her back. Cesar reacts with a jealous intensity never before seen by Rosalie, and because of that, she returns to David. She remains conflicted regarding her choice of partner, but eventually, one of the men does something which resolves the situation. Cesar et Rosalie contains one of the first screen appearances of French actress Isabelle Huppert.

2.07GB | 1h 50mn | 960×576 | mkv

https://nitro.download/view/D032F40C070E6C1/Claude_Sautet_-_(1972)_Cesar_and_Rosalie.mkv

Language:French
Subtitles:English

The post Claude Sautet – César et Rosalie AKA César and Rosalie (1972) first appeared on Cinema of the World.

The conflict between the generations is a recurring theme in the cinema of Claude Sautet. Often as not, it is peripheral to the main drama, but in Un mauvais fils it is absolutely central, the lightning conductor in a raging emotional thunderstorm. The fraught relationship between a middle-aged father and his estranged son Bruno is mirrored by one of a gentler hue, that between a gay bookshop owner and his attractive employee Catherine, who is his adopted daughter in all but name. Bruno appears to have more in common with Catherine, a perfect stranger, than with his father, and so whilst one relationship withers, another flourishes.

Here, it is narcotics abuse that marks out the generational fault lines. Neither Bruno’s father nor Catherine’s attentive employer can understand the need for drugs and regard this as a sign of the lack of staying power in today’s younger generation – their moral position is slightly undermined by the fact that both men consume alcohol. Bruno’s own moral judgements are shown to be as flawed and trivial as his father’s and the rift that opens up between them through a mutual misunderstanding and lack of willingness to see things from the other’s viewpoint soon appears unbridgeable. Sautet is, if anything, an optimist, and the film ends not with a permanent estrangement but with the possibility of a lasting reconciliation between the generations. Blood is, after all, thicker than water.

Sautet had originally considered Gérard Depardieu for the part of Bruno but later changed his mind when he thought that the actor was too self-assured to convincingly play the fragile main protagonist. Patrick Dewaere was the ideal substitute, an actor renowned for playing tormented, multi-faceted and usually sympathetic no-hopers. As a man, Dewaere was an enigma, an affable, moody and impulsive force of nature – he had a massive falling out with the media around the time he made this film (the result of his punching a journalist) and he took his own life (for reasons that remain unknown) just a few years later. As an actor, he was virtually unrivalled at the time he was working, certainly one of the most talented and charismatic actors in French cinema, although his professional reputation was tarnished somewhat by his temperamental personality.

In Un mauvais fils, Dewaere gives one of his most nuanced and engaging performances, one that expresses far more about his character than his prosaic dialogue can ever hope to do and which forces the spectator to share his sense of dislocation from the world around him. Watching Dewaere in his films is always a fascinating and moving experience, simply because the actor projects so much of himself into his screen portrayals and never gives us cause to doubt that he is living the part with every fibre of his being whilst he is in front of the camera. It is hard to imagine a more committed and instinctive actor than Patrick Dewaere. He deserves to be ranked alongside such luminaries as Marlon Brando and Robert De Niro as one of the great talents of the silver screen, tragically brief though his career was.

The four other main roles are just as well-cast and beautifully complement Dewaere’s faultless performance. The part of Bruno’s mercurial father is superbly rendered by Yves Robert, a distinguished character actor who was also an accomplished film director (his best known work being the popular La Gloire de mon père / Le Château de ma mère (1990) diptych). Robert’s portrayal is so unnervingly in sympathy with Dewaere’s that we never question that their characters are father and son. Just as commendable is Brigitte Fossey’s sensitive portrayal of a vulnerable young woman struggling (and failing) to overcome her drugs dependency, and we must not overlook the exceptional contributions from Jacques Dufilho and Claire Maurier, who bring colour and depth to their complex supporting characters.

Dewaere, Dufilho and Maurier were all nominated for a César for their performances, but only Dufilho received the award (in the Best Supporting Actor category). The film was nominated (unsuccessfully) in three other categories (Best Director, Best Design and Best Sound). Claude Sautet may have made barely a dozen films, but few would dispute that he is one of the great auteurs of French cinema, highly regarded for his meaningful, lovingly crafted explorations of the human soul. Amidst Sautet’s other masterworks, Un mauvais fils is all too easily overlooked, but it is surely one of the director’s finest achievements – as much a testament to Sautet’s skill as a film director as it is to Patrick Dewaere’s incomparable talent as an actor. Many other filmmakers have examined the inter-generational divide, but rarely with the finesse and insight that Sautet shows in this magnificent film. — James Travers (www.lefilmguide.com)

2.34GB | 1h 49mn | 960×576 | mkv

https://nitro.download/view/26A1FFA515AE5EB/Claude_Sautet_-_(1980)_A_Bad_Son.mkv
or
https://tezfiles.com/file/eed34f773ab88/Claude_Sautet_-_%281980%29_A_Bad_Son.mkv

Language(s):French
Subtitles:English

The post Claude Sautet – Un mauvais fils AKA A Bad Son (1980) first appeared on Cinema of the World.

Synopsis:
A middle-aged waiter has long harbored dreams of becoming a singer, and is also anxious to prove he’s as virile as he was when he started pushing plates. He gets a chance to rev up his sexual energy and his musical skills when an old flame reenters his life after 17 years.

2.75GB | 1h 32mn | 956×576 | mkv

https://nitroflare.com/view/195D465616CE68A/Garcon.AKA.Waiter.1983.576p.BluRay.x264.FLAC.2.0-dps.mkv

Language:French
Subtitles:English, German (muxed)

The post Claude Sautet – Garçon ! AKA Waiter ! (1983) first appeared on Cinema of the World.