A group of scientists transform a type of strange animal into a very beautiful woman programmed to behave in silence. The conditioning that the consumer society imposes on the individual, the slavery of bodies and spirits, and the ruthless lack of sensitivity of humans are condensed in this film shot in natural scenarios.

Metamorfosis.1970.Jacinto.Esteva.1080p.WEBRip.AAC.x264.mp4

General
Container:  	Matroska
Runtime: 	1h 18mn
Size: 	2.16 GiB
Video
Codec: 	MPEG-4
Resolution: 	1920x1080 
Aspect ratio:  	16:9
Frame rate: 	25.000 fps
Bit rate: 	3 519 Kbps
BPP: 	0.068
Audio
#1:  	2.0ch AAC LC @ 265 Kbps

https://nitro.download/view/95F580E6312E4C3/Metamorfosis.1970.Jacinto.Esteva.1080p.WEBRip.AAC.x264.mp4
https://nitro.download/view/467147B8FA9ED92/Metamorfosis.1970.Jacinto.Esteva.1080_ENG.srt
https://nitro.download/view/54926CB04784A9F/Metamorfosis.1970.Jacinto.Esteva.1080.srt

Language(s):Spanish
Subtitles:English, Spanish

Many thanks to @Aqueronte72 for this copy

The post Jacinto Esteva – Metamorfosis AKA Metamorphosis (1970) first appeared on Cinema of the World.

Although allusions to François Truffaut’s Jules and Jim and Jean-Luc Godard’s Breathless suggest José María Nunes’s affection for French New Wave, Sexperiencias finds greater kinship with Nagisa Oshima’s fractured, interconnected themes of sexual and social revolution. In a way, young hitchhiker, María (María Quadreny) is also a stand-in for accidental revolutionary, Motoki in The Man Who Left His Will on Film, a cipher who, in trying to capture the rhythms of everyday life (albeit through photography rather than filmmaking), is politicized by an atmosphere of unrest. Finding momentary connection with an outspoken activist, Antonio (Antonio Betancourt), María’s life is upended when her lover is imprisoned for dissent. Restless and adrift, she embarks on an affair with a nurturing, middle-aged engraver, Carlos (Carlos Otero), only to find her newfound life of comfort and stability at odds with the chaos of the world around her. But while Oshima’s melding of fact and fiction captures the spirit of an internal revolution, Nunes’s revolution is a distant one – a reminder of an empowered other reality that can be turned inward to incite change – galvanized by geopolitical headlines that dominated the local newspapers of 1968: Prague Spring and the Soviet invasion of Czechoslovakia, the assassinations of Martin Luther King Jr. and Robert Kennedy, May 68 protest, the coup in Panama, the turning of the tide in the Vietnam War with Lyndon Johnson’s decision not to seek re-election. Incorporating an incongruous soundtrack of nature sounds, assorted music, and ambient noise, Nunes creates a disorienting environment that is literally out of sync – the separation between image and sound implicitly reflecting the disconnection between the reality of Franco-era Spain and its projected image. Framed against the bookending reference to the U.N.’s adoption of the nonbinding Universal Declaration of Human Rights in 1968, the question of enforcement becomes an ironic coda to the problem of inaction, where the struggle is not in the ability to speak, but in an unwillingness to listen.

https://nitroflare.com/view/1B6E5718DB2994E/Sexperiencias.avi
https://nitroflare.com/view/4B0F72732831B66/Sexperiencias.srt

Language:Spanish
Subtitles:English

The post José María Nunes – Sexperiencias (1968) first appeared on Cinema of the World.