imdb:
Abschied vom falschen Paradies, the second film of director Tevfik Baser’s Trilogy of Isolated Life, is about the life story of Elif, who is imprisoned in Germany. Elif, who settled in Germany after her marriage, is raped by her husband. Unable to withstand the pressure of her husband any longer, the young woman kills him during a fight and is sentenced to six years of heavy punishment. Clinging to life inside, Elif learns German, starts her workshop and changes the general outlook downwards. He establishes a free life for himself, for his environment. Outside the prison, those who want to avenge him are waiting for his relatives. Concentrating on where the real prison in the human body is, the film focuses on the social and family pressure that the character Elif experiences before she enters the prison. He makes an accommodation between the opportunities given to Elif by the conditions of use and the life that awaits her. With the new prison concept created, the perception of heaven in the mind is reversed. The film, which received positive criticism both with its controversial cinematic language, during its release period, was ruthlessly criticized by the Turkish press at that time due to the revelation in its content.

Abschied vom falschen Paradies - Farewell to False Paradise (1989) VHSrip KG.mkv

General
Container:  	Matroska
Runtime: 	1h 32mn
Size: 	1.14 GiB
Video
Codec: 	x264
Resolution: 	688x528 ~> 733x528
Aspect ratio:  	1.390
Frame rate: 	25.000 fps
Bit rate: 	1 500 Kbps
BPP: 	0.165
Audio
#1:  	Turkish 2.0ch AC-3 @ 256 Kbps

https://nitro.download/view/B8ADE8DE2F99058/Abschied_vom_falschen_Paradies_-_Farewell_to_False_Paradise_(1989)_VHSrip_KG.mkv

Language(s):German, Turkish
Subtitles:English, German (Hardcoded)

The post Tevfik Baser – Abschied vom falschen Paradies AKA Farewell to False Paradise (1989) first appeared on Cinema of the World.

Here’s the debut feature film by director Uwe Schrader, who’s still a well-kept secret of german cinema. I first read about him in the most recent issue of Cargo. His realistic “Milieu” films recall the works of Klaus Lemke, Roland Klick or the austro-canadian filmmaker John Cook. Kanakerbraut is only one hour long, and it is about the dull life of Paul (Peter Franke) and his encounters with similar characters in Berlin Kreuzberg.

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The film focuses on Paul. He is 40, takes on odd jobs and lives alone in a shabby dwelling. His hangout is a rough drinker’s bar with a juke box and dancing. One day, he meets Lisa there. Lisa lives alone. Her husband is doing field installation work in Sudan. Paul used to be married. His wife left him years ago. KANAKERBRAUT is a film about desires. It is set in the grey zone between petty bourgeoisie and dissolution. Paul and Lisa are both equally distanced from their partners, on whom they’ve attached their dreams. That doesn’t create any solidarity between them, but rather antagonism. Conceived of as a laconic little milieu film, the film is authentic in regard to the locations and the language of its heroes. Coarseness can be found in immediate proximity to tenderness, moments of great sincerity that boarder on blasphemy side by side with the loneliness that stems from a lack of communication and of egoism.

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Awards: 1984 Deutscher Filmpreis / Bundesfilmpreis – Filmband in Gold für Beste Regie (Uwe Schrader)

https://nitro.download/view/5CA93A8539BB85D/KANAKERBRAUT_Uwe_Schrader_1984.avi
http://www.nitroflare.com/view/8BFC5AC59B7B552/KANAKERBRAUT-Uwe-Schrader-1984.srt

language:german with english substitles

The post Uwe Schrader – Kanakerbraut (1984) first appeared on Cinema of the World.