Colinot is a young, happy man, until the day three highway robbers abduct his fiancee. The search for her leads him to meet so many young, pretty, sexy girls – that when he finally encounters his fiancee, he is no longer sure he loves her.

Colinot Trousse-Chemise.1973.576p.BDRip-AVC.ZONE.mkv

General
Container:  	Matroska
Runtime: 	1 h 46 min
Size: 	2.36 GiB
Video
Codec: 	x264
Resolution: 	958x576 
Aspect ratio:  	5:3
Frame rate: 	24.000 fps
Bit rate: 	3 000 kb/s
BPP: 	0.227
Audio
#1:  	French 2.0ch AAC LC @ 164 kb/s

https://nitro.download/view/BE0198C78324187/Colinot_Trousse-Chemise.1973.576p.BDRip-AVC.ZONE.mkv
https://nitro.download/view/EE273DABA7DF666/L.Histoire.Tres.Bonne.et.Tres.Joyeuse.de.Colinot.Trousse.Chemise.1973.1080p.BluRay.AAC.2.0.x264-PTP.srt

Language(s):French
Subtitles:English

The post Nina Companeez – L’histoire très bonne et très joyeuse de Colinot Trousse-Chemise AKA The Edifying and Joyous Story of Colinot (1973) first appeared on Cinema of the World.

Two delinquent young women, Yvette and Noémie, attempt to break into a jeweller’s shop, but are caught red-handed by the owners. To defend her in court, Yvette turns to a respectable middle-aged lawyer, André Gobillot, offering herself as a prostitute to pay his fees.

En.cas.de.Malheur.1957.1080p.FR.HDLight.x264.AC3-BzH29.mkv

General
Container:  	Matroska
Runtime: 	1 h 56 min
Size: 	3.28 GiB
Video
Codec: 	x264
Resolution: 	1476x1080 ~> 1476x1107
Aspect ratio:  	4:3
Frame rate: 	25.000 fps
Bit rate: 	3 840 kb/s
BPP: 	0.096
Audio
#1:  	French 2.0ch AC-3 @ 192 kb/s (Stereo)

https://nitro.download/view/15DE1539291ACCD/En.cas.de.Malheur.1957.1080p.FR.HDLight.x264.AC3-BzH29.mkv
https://nitro.download/view/EA44E6EA0A7566B/En.cas.de.Malheur.1957.1080p.FR.HDLight.x264.AC3-BzH29.srt

Language(s):French
Subtitles:English

The post Claude Autant-Lara – En cas de malheur aka Love Is My Profession (1958) first appeared on Cinema of the World.

Clara becomes a secretary who must cater to all the desires of the womanizing writer Jérôme, while he tries to write his memoirs.

Les Femmes.1969.576p.BDRip-AVC.ZONE.mkv

General
Container:  	Matroska
Runtime: 	1 h 27 min
Size: 	2.09 GiB
Video
Codec: 	x264
Resolution: 	958x576 
Aspect ratio:  	5:3
Frame rate: 	24.000 fps
Bit rate: 	3 000 kb/s
BPP: 	0.227
Audio
#1:  	French 2.0ch AC-3 @ 224 kb/s
#2:  	English 2.0ch AC-3 @ 192 kb/s (Commentary by film critic Manuela Lazic)

https://nitro.download/view/C2B0D7A840D1D78/Les_Femmes.1969.576p.BDRip-AVC.ZONE.mkv

Language(s):French
Subtitles:English

The post Jean Aurel – Les Femmes AKA The Vixen (1969) first appeared on Cinema of the World.

Quote:
“C’est un film simple sur des choses compliquées”, this is how J.L. Godard once described Le mépris : “It’s a simple film about complicated things.”

I. “Totalement, tendrement, tragiquement”
II Cinecittà, “All kinds of real human beings.”
III. Prokosch’s villa in Rome – “About the money and your wife”
IV. In the appartment – “I’m not going, I’m not going”
V. In the theater (where one sells lies)
VI. Capri – “I have to know why you despise me”
VII. “Adieu”
VIII. Ithaque – “Silenzio!”

Totally, Tenderly, Tragically by Phillip Lopate wrote:
Contempt, one of Jean-Luc Godard’s greatest masterpieces, has a stately air that breaks with the filmmaker’s earlier, throwaway, hit-and-run manner, as though he were this time allowing himself to aim for cinematic sublimity. It is both his richest study of human relations, and a film very much about a tortured kind of movie love. The film has inspired passionate praise—Sight & Sound critic Colin MacCabe may have gone slightly overboard in dubbing Contempt “the greatest work of art produced in post-war Europe,” but I would say it belongs in the running. It has certainly influenced a generation of filmmakers, including R.W. Fassbinder, Quentin Tarantino and Martin Scorsese (who paid his own homage by quoting from the Godard film’s stark, plangent musical score in Casino, and cosponsoring its re-release). Scorsese has called Contempt “brilliant, romantic and genuinely tragic,” adding that “It’s also one of the greatest films ever made about the actual process of filmmaking.”

In 1963, film buffs were drooling over the improbable news that Godard—renowned for his hit-and-run, art house bricolages such as Breathless and My Life to Live—was shooting a big CinemaScope color movie with Brigitte Bardot and Jack Palance, based on an Alberto Moravia novel, The Ghost at Noon. It sounded almost too good to be true. Then word leaked out that Godard was having problems with his producers, Carlo Ponti and Joseph E. Levine (the distributor of Hercules and other schlock), who were upset that the rough cut was so chaste. Not a single nude scene with B.B.—not even a sexy costume! Godard obliged by adding a prologue of husband and wife (Michel Piccoli and Bardot) in bed, which takes inventory of that sumptuous figure through color filters, while foreshadowing the couple’s fragility: when she asks for reassurance about each part of her body, he reassures her ominously, “I love you totally, tenderly, tragically.”

Beyond that “compromise,” Godard refused to budge, saying: “Hadn’t they ever bothered to see a Godard film?”

Le mepris - Jean-Luc Godard (1963) [4K restoration 2023].mkv

General
Container:  	Matroska
Runtime: 	1 h 43 min
Size: 	3.13 GiB
Video
Codec: 	x264
Resolution: 	1024x436 
Aspect ratio:  	2.35:1
Frame rate: 	24.000 fps
Bit rate: 	3 852 kb/s
BPP: 	0.359
Audio
#1:  	French 1.0ch FLAC @ 208 kb/s (Original audio mono)
#2:  	English 1.0ch AC-3 @ 192 kb/s (Commentary by Robert Stam)

https://nitro.download/view/20A9DAF0C5992F8/Le_mepris_-_Jean-Luc_Godard_(1963)__4K_restoration_2023_.mkv

Language(s):French (main), English, German, Italian
Subtitles:English, German, Spanish, Dutch, Norwegian, Finnish, Swedish, Japanese

The post Jean-Luc Godard – Le mépris aka Contempt (1963) first appeared on Cinema of the World.

Quote:
“C’est un film simple sur des choses compliquées”, this is how J.L. Godard once described Le mépris : “It’s a simple film about complicated things.”

Totally, Tenderly, Tragically by Phillip Lopate wrote:
Contempt, one of Jean-Luc Godard’s greatest masterpieces, has a stately air that breaks with the filmmaker’s earlier, throwaway, hit-and-run manner, as though he were this time allowing himself to aim for cinematic sublimity. It is both his richest study of human relations, and a film very much about a tortured kind of movie love. The film has inspired passionate praise—Sight & Sound critic Colin MacCabe may have gone slightly overboard in dubbing Contempt “the greatest work of art produced in post-war Europe,” but I would say it belongs in the running. It has certainly influenced a generation of filmmakers, including R.W. Fassbinder, Quentin Tarantino and Martin Scorsese (who paid his own homage by quoting from the Godard film’s stark, plangent musical score in Casino, and cosponsoring its re-release). Scorsese has called Contempt “brilliant, romantic and genuinely tragic,” adding that “It’s also one of the greatest films ever made about the actual process of filmmaking.”

In 1963, film buffs were drooling over the improbable news that Godard—renowned for his hit-and-run, art house bricolages such as Breathless and My Life to Live—was shooting a big CinemaScope color movie with Brigitte Bardot and Jack Palance, based on an Alberto Moravia novel, The Ghost at Noon. It sounded almost too good to be true. Then word leaked out that Godard was having problems with his producers, Carlo Ponti and Joseph E. Levine (the distributor of Hercules and other schlock), who were upset that the rough cut was so chaste. Not a single nude scene with B.B.—not even a sexy costume! Godard obliged by adding a prologue of husband and wife (Michel Piccoli and Bardot) in bed, which takes inventory of that sumptuous figure through color filters, while foreshadowing the couple’s fragility: when she asks for reassurance about each part of her body, he reassures her ominously, “I love you totally, tenderly, tragically.”

Beyond that “compromise,” Godard refused to budge, saying: “Hadn’t they ever bothered to see a Godard film?”

Le mepris - Jean-Luc Godard (1963) [4K restoration 2023] 1080p.mkv

General
Container:  	Matroska
Runtime: 	1 h 43 min
Size: 	11.8 GiB
Video
Codec: 	x264
Resolution: 	1920x816 
Aspect ratio:  	2.35:1
Frame rate: 	24.000 fps
Bit rate: 	15.8 Mb/s
BPP: 	0.419
Audio
#1:  	French 1.0ch FLAC @ 208 kb/s (Original audio mono)
#2:  	English 1.0ch AC-3 @ 192 kb/s (Commentary by Robert Stam)

https://nitro.download/view/83E4275075AFD8E/Le_mepris_-_Jean-Luc_Godard_(1963)__4K_restoration_2023__1080p.mkv

Language(s):French (main), English, German, Italian
Subtitles:English, German, Spanish, Dutch, Norwegian, Finnish, Swedish, Japanese

The post Jean-Luc Godard – Le mépris aka Contempt (1963) (HD) first appeared on Cinema of the World.

When two women – both named Maria – accidentally invent the striptease circa 1910 they become such a hit that enthusiastic audiences strip along with them! But when one of the Marias falls for a handsome revolutionary she finds that she has unwittingly embroiled the two of them in an armed peasant revolt!

Viva Maria.1965.576p.BDRip-AVC.ZONE.mkv

General
Container:  	Matroska
Runtime: 	1 h 56 min
Size: 	2.63 GiB
Video
Codec: 	x264
Resolution: 	1024x434 
Aspect ratio:  	2.35:1
Frame rate: 	24.000 fps
Bit rate: 	3 000 kb/s
BPP: 	0.281
Audio
#1:  	French 2.0ch AC-3 @ 224 kb/s (Original)

https://nitro.download/view/863F2CA0BEF33FC/Viva_Maria.1965.576p.BDRip-AVC.ZONE.mkv

Language(s):French
Subtitles:English, French, German, Spanish, Portuguese, Russian

The post Louis Malle – Viva Maria! (1965) first appeared on Cinema of the World.

Quote:
Clara becomes a secretary who must cater to all the desires of the womanizing writer Jérôme, while he tries to write his memoirs.

1.42GB | 1h 27mn | 672×480 | mkv

https://nitro.download/view/37205095798F268/Les.femmes.AKA.The.Vixen.1969.x264.AC3.DVDRip-JB666.mkv
or
https://fikper.com/xPuMtnvENg/Les.femmes.AKA.The.Vixen.1969.x264.AC3.DVDRip-JB666.mkv.html

Language:French
Subtitles:English, Spanish, German, Romanian

The post Jean Aurel – Les femmes AKA The Vixen (1969) first appeared on Cinema of the World.