“This, the Thai candidate for the Foreign Academy Award, has more mood changes than the life story of Elizabeth Taylor. It is almost as if each chapter of the protagonist’s life is played out in a different genre – musical, comedy, crime, prison, romance and melodrama. It can take a bit of time to adjust to these swiftly changing moods, but the ultimate picture that emerges is one of how life so rarely follows the dreams of your youth and how sad and painful it can become. In a very loose and much less heroic manner, the film is a poor man’s tale of Ulysses. A young man leaves his pregnant wife for the army and then has a series of misadventures before finally finding his way back to her. All the way it seems as if the Gods are laughing at this fellow and playing games with him. Phaen is a simple country boy who has a talent for singing and he is in a small band that plays fairs and events.

One evening he sees the lovely Sadao in the crowd and the two begin a sweet courtship that leads eventually to marriage. This entire section is candy-flossed romance – it feels as if the world is just one big glazed apple. Then though he is drafted into the army and things begin going wrong (even with an amusing musical number thrown in). He enters a talent contest and unfortunately wins – without thinking too deeply he deserts the army to make it big in a singing career so that he can give Sadao everything she deserves. Instead though he finds himself cleaning floors in Bangkok for a few years – while Sadao pines for him back in the country. The film begins taking on a fatalistic sadness in which bad luck just seems to have its eyes set on Phaen and we witness this genial singer’s life slowly fall apart. All he wants to do is get back to Sadao, but instead he seems to get further and further away from her. It’s an odd film to watch – at times you feel impatient with Phaen – other times you really sympathize with him and eventually you feel broken up inside at how life has treated this sweet couple with such whimsy. But by the end, its simplicity also says something about the endurance of the human spirit and true love. Reacting to this film while watching it is difficult – but it is the type of the film that has stayed with me ever since and one that I think about often – Phaen and Sadao were lovers; Oh, how they could love; Swore to be true to each other; Just as true as the stars above; He was her man; But he done her wrong.”

Monrak_Transistor.2001-WebDL.1056p.h264.AAC-SeeingMole.mkv

General
Container:  	Matroska
Runtime: 	2h 0mn
Size: 	4.52 GiB
Video
Codec: 	h264
Resolution: 	1900x1056 
Aspect ratio:  	16:9
Frame rate: 	24.000 fps
Bit rate: 	5 238 Kbps
BPP: 	0.109
Audio
#1:  	Thai 2.0ch AAC @ 126 Kbps

https://nitro.download/view/E4ABA95B9417713/Monrak_Transistor.2001-WebDL.1056p.h264.AAC-SeeingMole.mkv
https://nitro.download/view/5C737814735AB63/Monrak_Transistor.2001-WebDL.1056p.h264.AAC-SeeingMole.srt

Language(s):Thai
Subtitles:English

The post Pen-Ek Ratanaruang – Monrak Transistor (2001) first appeared on Cinema of the World.

Quote:
As any fan of Asian film can tell you there are two major film producing countries on the rise right now. While Hong Kong is trying to fight their way out of a massive industry decline triggered by the reversion to Chinese rule and Japan seems content to hold steady the film cultures of Korea and Thailand have exploded to the forefront, both in terms of quantity and quality of the films being produced. And without a doubt one of Thailand’s brightest lights is writer / director Pen-Ek Ratanaruang.

Ratanaruang exploded onto the international scene with the absolutely stunning Last Life in the Universe, a film sensation that triggered a rush to track down his earlier works. Monrak Transistor – his 2001 effort – was still in print and easy enough to come by, but 1999’s 6ixtynin9 proved much more elusive with only a grainy Hong Kong produced VCD edition available on a fairly limited basis. But 6ixtynin9 proved to be one of those little films that just wouldn’t go away. Lauded in its own country – the film was Thailand’s Oscar submission that year – it tended to win converts whenever someone was lucky enough to track a copy down and it continued to grow in reputation until the good folks at Palm Pictures picked up rights for a North American release.

But enough of the background. What about the film? Lalita Panyopas stars as Tum, a low ranking employee in a Bangkok financial services firm – an industry sector that has been hit hard by an economic recession. Tum arrives at work one morning to find an impromptu staff meeting in session. The firm has been forced to lay off three employees and, unwilling to single anyone out for termination, the unlucky trio is decided by drawing lots. Tum, of course, is one of the unlucky three sent packing. This places her in a horrible situation. She has been financially supporting her parents and younger siblings and is now a single woman with no support network and little to no chance of finding legitimate work in the midst of the current hard times. Faced with the real prospect of having to turn to prostitution to make ends meet Tum begins shoplifting and fantasizing about suicide. Until one morning she discovers a box left outside her door, a box full of money, and sees a possible way out for herself. Here enters the continual case of mistaken identity brought on by a faulty apartment door number (the film’s title is a play on this), rival gangs, illegal passports, dope smoking youth, over exuberant police officers, nosy neighbors, an amputation and rather a lot of blood.

The summary makes 6ixtynin9 sound like a fairly busy, high energy film but like all of Ratanaruang’s other films it is actually a very quiet, meditative piece. Much like Japan’s Kiyoshi Kurosawa, Ratanaruang loves to dress his films up in genre convention when they are actually psychological mood pieces. The gangsters are window dressing, what really matters here is that Tum is a woman in an incredibly difficult situation with some harsh moral decisions to make. How will she bear up under the stress? What path will she choose? The obvious point of comparison is Danny Boyle’s Shallow Grave – a film that shares several significant plot points – but where Boyle’s film revolves around issues of greed Ratanaruang’s turns on desperation. How far are you willing to go to survive?

Key to making the film work is Panyopas’ performance as Tum and she does an admirable job charting Tum’s progression from a woman caught up by forces beyond her control into becoming one of those forces herself. She is giving very little dialogue to work with and has to rely on body language, frequently carrying her character entirely through her eyes. She has a quiet sense of grace and strength to her, more than enough to allow you to buy into the wildly excessive situation Ratanaruang drops her in to.

Where the film struggles a little bit is in the balancing of humor with the darker, more serious elements. Ratanaruang has a bit of a dreamer in him, as well as a healthy dose of absurdism, and he struggled to mesh those impulses with the ‘real-world’ feeling he also wants to maintain in his films until he finally struck a perfect balance with Last Life. There are some awkward moments here where you can tell he’s aiming for humor but the situation is paced and played just a little too realistically to laugh, and also some character moments that just don’t seem to fit with the tone of the rest of the film. Which is not to say that 6ixtynin9 isn’t a good film – it is, very – but fans of Last Life will need to approach this as an example of a master still learning and experimenting with his craft rather than coming in expecting the degree of balance, polish and subtlety of his most recent work.

— Todd, at Twitch

1.51GB | 1 h 50 min | 821×480 | mkv

https://nitro.download/view/BD66C6E4E29719D/Pen-Ek_Ratanaruang_-_(1999)_6ixtynin9.mkv

Language(s):Thai
Subtitles:Russian, English

The post Pen-Ek Ratanaruang – Ruang talok 69 AKA 6ixtynin9 (1999) first appeared on Cinema of the World.