The film follows the American Greek soprano Maria Callas as she retreats to Paris after a glamorous and tumultuous life in the public eye, reimagining the legendary diva in her final days in 1970s Paris, as she confronts her identity and life.

Maria (2024).576p.BDRip.Italy_Jayita.mkv

General
Container:  	Matroska
Runtime: 	2 h 3 min
Size: 	3.04 GiB
Video
Codec: 	x264
Resolution: 	1024x552 
Aspect ratio:  	1.85:1
Frame rate: 	24.000 fps
Bit rate: 	3 072 kb/s
BPP: 	0.226
Audio
#1:  	English 5.1ch AC-3 @ 448 kb/s (ORIGINAL AUDIO)

https://nitro.download/view/E6281259F57E603/Maria_(2024).576p.BDRip.Italy_Jayita.mkv

Language(s):English, Greek, French, Italian
Subtitles:English (SRT, ASSA Subtitle Muxed as Optional), Italian (SUP Subtitle Muxed as Optional)

The post Pablo Larraín – Maria (2024) first appeared on Cinema of the World.

The Ties (Italian: Lacci) is a 2020 Italian romantic drama film directed by Daniele Luchetti, based on the 2014 novel of the same name by Domenico Starnone.
In early 1980s Naples, the marriage of a loving couple is threatened by a potential affair between the husband and a younger woman.

The picture will have its world premiere on 2 September 2020 at the 77th Venice International Film Festival, out of competition.

Lacci.mkv

General
Container:  	Matroska
Runtime: 	1 h 39 min
Size: 	7.02 GiB
Video
Codec: 	x264
Resolution: 	1920x800 
Aspect ratio:  	2.40:1
Frame rate: 	24.000 fps
Bit rate: 	9 421 kb/s
BPP: 	0.256
Audio
#1:  	Italian 5.1ch AC-3 @ 640 kb/s

https://nitro.download/view/E091E775B7D2CB5/Lacci.mkv
https://nitro.download/view/3C6DC961091C287/Lacci.2020.fixed.srt

Language(s):italian
Subtitles:english, italian

The post Daniele Luchetti – Lacci AKA The Ties (2020) (HD) first appeared on Cinema of the World.

Quote:
Mathieu lives in Paris, Alice in a small seaside resort in Western France. He is a famous actor, about to turn fifty. She is a piano teacher in her forties. They were in love fifteen years ago, then separated. Time has passed. They each went their ways and slowly healed. When Mathieu goes try to overcome his melancholia in a thermal spa, he stumbles upon Alice.

Quote:
Beyond its two pristine lead performances, Brizé and Marie Drucker’s screenplay (who appeared in his 2021 title, Another World) adds some beautiful, and even strange peripheral moments. Two of these highlights include an elderly woman whom Alice has befriended, a widow who is finally allowed to explore her sexuality in her golden years. We meet her in a recorded interview from Alice, which is touching in its gentle, compasstionate exploration of the woman’s experiences. At this woman’s wedding to the love of her life, attended by Alice and Mathieu, a pair of performers imitating various species of birds chattering away at the guests, who are as curiously rapt about what they’re doing as we are.

Much like this year’s earlier release of Celine Song’s Past Lives, Brizé explores the infinite complexities of human behavior and their corresponding relationships via a simple format which yields formidably poignant results.

– Nicholas Bell | Ioncinema

Out.of.Season.2023.1080p.BluRay.x264.DTS-ADE.mkv

General
Container:  	Matroska
Runtime: 	1 h 55 min
Size: 	11.9 GiB
Video
Codec: 	x264
Resolution: 	1800x1080 
Aspect ratio:  	5:3
Frame rate: 	24.000 fps
Bit rate: 	13.3 Mb/s
BPP: 	0.284
Audio
#1:  	French 5.1ch DTS @ 1 509 kb/s

https://nitro.download/view/CFFEF46FB0DE386/Out.of.Season.2023.1080p.BluRay.x264.DTS-ADE.mkv

Language(s):French
Subtitles:English, French, Chinese

The post Stéphane Brizé – Hors-saison AKA Out of Season (2023) (HD) first appeared on Cinema of the World.

Inspired by a letter Italian novelist Elsa Morante sent to her friend, LE PUPILLE is a magical fable about a group of mischievous young Catholic schoolgirls during an imaginary wartime. Unfolding over the Christmas holiday, the orphaned girls find themselves blessed with a scrumptious red cake from a generous countess and must evade Mother Superior’s (Alba Rohrwacher) watchful eye for a taste of decadence. Alice Rohrwacher (HAPPY AS LAZZARO, AFI FEST 2018), with her signature whimsical touch, crafts a joyously playful tale about childhood desire, greed and freedom. –Anna Li

Le.Pupille.2022.1080p.WEB.h264-KOGi.mkv

General
Container:  	Matroska
Runtime: 	38 min 42 s
Size: 	2.06 GiB
Video
Codec: 	h264
Resolution: 	1920x1080 
Aspect ratio:  	16:9
Frame rate: 	24.000 fps
Bit rate: 	6 833 kb/s
BPP: 	0.137
Audio
#1:  	Italian 5.1ch E-AC-3 JOC @ 768 kb/s

https://nitro.download/view/61D775998B029D6/Le.Pupille.2022.1080p.WEB.h264-KOGi.mkv

Language(s):French
Subtitles:English, Italian, Czech, Danish, German, Greek, Spanish, Portuguese, Finnish, Hungarian, Japanese, Korean, Dutch, Norwegian, Polish, Romanian, Swedish, Slovak, Turkish, Chinese

The post Alice Rohrwacher – Le pupille AKA The Pupils (2022) first appeared on Cinema of the World.

Quote:
Like a slow-building avalanche of interior conflict, Silvio Soldini’s meticulously paced Come Undone collapses the façade of emotional connection by highlighting the small erosive moments of deception rather than grandiose melodramatic tirades. A casual glance, an innocent smile, a fleeting flirtation carry all the weight of a wrecking ball, pummeling expectations of happiness until there’s nothing left but romantic uncertainty. These subtle cues of torment organically mix into daily routines and rhythms, revealing the undercurrent of doubt plaguing each couple. Even more staggering, life’s traditionally important benchmarks (the birth of a child, a retirement party, and a promotion) are minimal afterthoughts to the narrative, while the seemingly arbitrary crossroads of everyday life are given an unmatched immediacy and impact. It’s this focus on the mundane elements that makes the film’s sudden sex scenes and the continuous betrayals so striking, and the downfall of each person’s inability to trust so believable.

Petite Anna (Alba Rohrwacher) and robust Alessio (Giuseppe Battinston) seem to be a content modern Italian couple, commiserating with family and friends naturally and lovingly while going about their pleasurable middle class existence. In the hurried opening moments of Come Undone, the two happily drive Anna’s pregnant sister to the hospital in the middle of the night, acting as sturdy anchors to the younger woman’s manic hysteria. But Anna’s cold, almost repellant reaction to the experience shows her to be someone who sees the violence of childbirth rather than the beauty. As she and Alessio return home the next morning, her worn face and slouched posture affirm the kind of doubts that will plague her decision process throughout the film. Later, when Anna’s eyes light up for the first time when she meets a charming waiter named Domenico (Pierfrancesco Favino), the contrast is fascinating. Even thought their first exchange is short, it’s riddled with sensual chemistry. This chance meeting evolves into a full-blown affair, but it feels more like an accident than classic love at first sight. Both are pulled toward each other, not necessarily out of unhappiness with their lives, but because of some magnetic pulse that cannot be denied.

Come Undone delves into Domenico’s more complicated blue-collar world (children, wife, family) only after firmly establishing Anna’s relationship life with the kindhearted Alessio. While Anna has no problem hiding her affair from her trusting spouse, Domenico experiences a tough foreshadowing the first time he returns home after cheating. His wife, in the middle of yelling at their son, says, “Look at the mess he’s in,” sending Domenico into the bathroom to hide evidence of his exploits. It’s just one of the many uncomfortable moments the film favors, a trend that will begin to include Anna’s segments with Alessio as well. Soldini mirrors the experiences of both Anna and Domenico as they try and subvert their respective relationships to be together, detailing interior spaces and colors of both their short-lived trysts and their regular lives. The blood reds of the hotel room where they first make love stand out just as much as the cramped yellow walls of the bathroom in Anna’s apartment. This aesthetic pattern gives equal importance to the flourishes of character while flushed with passion and mired in apathy.

If Alessio represents Anna’s comfortable, worn in, and predictable lifestyle, Domenico offers a sexy, alluring, and breezy change of pace. This is a tired and occasionally cliché setup, but Soldino executes the evocative exchanges between Anna and Domenico with an acute attention to detail, melting away the conventionality of the plot with palpable moments of human connection and panic. As their affair expectedly becomes more complicated, the walls begin to crash down around them, the lies growing more elaborate, the brazenness of their sexual encounters more ambitious. But the slow burn of their romantic suffering is far more interesting than the tired end result, culminating in an unfulfilling denouement where everyone puts their cards on the table and hearts are momentarily broken. The brilliant ambiguity of the affair is shattered, and the characters fall prey to the genre conventions they’ve so effortlessly skipped over for most of the film.

So Come Undone works best as a time capsule of momentary self-indulgence, a passage in someone’s life when they purposefully make the wrong decisions about sex, love, and physicality just because it feels right. Late in the film, as both lovers begin to question the validity of their affair, Domenico asks Anna, “Can’t you just live in the moment?” Anna hesitates, thinking about her future instead of lusting after the hard body in front of her, wondering about the virtues of predictability over the craziness of lying. The fact that she can’t fully answer the question speaks to the film’s ability to transcend its often trite material with complex characterizations. Like most films that dramatize adultery, Come Undone is about the fantasy of attraction evaporating over time. But Soldini manages to express the somber hesitations within this construct just as much as the feverish flights of fancy, the seconds of waiting and yearning just as much as the sweaty hot sex. Such a balance makes all the difference.

2.14GB | 2h 07m | 1024×434 | mkv

https://nitro.download/view/FE146B46918B58C/Silvio_Soldini_-_(2010)_Come_Undone.mkv
https://nitro.download/view/9EFA0B38517433B/Silvio_Soldini_-_(2010)_Come_Undone.srt
or
https://fikper.com/NGzhsPuglb/Silvio_Soldini_-_(2010)_Come_Undone.mkv.html
https://fikper.com/uNjokGtmYt/Silvio_Soldini_-_(2010)_Come_Undone.srt.html

Language:French,Italian
Subtitles:English,German

The post Silvio Soldini – Cosa voglio di più AKA Come Undone (2010) first appeared on Cinema of the World.

Quote:
Nena’s family, who reunite in their house by the sea to celebrate her birthday. Everybody is there. Even Paco, Alma’s peacock.

3.62GB | 1h 27m | 1920×1080 | mkv

https://nitro.download/view/F546B55AA1BCFDE/The.Peacocks.Paradise.2021.1080p.WEB-DL.AAC.2.0.H.264-KUCHU.mkv

Language(s):Italian
Subtitles:English,Spanish

The post Laura Bispuri – Il paradiso del pavone AKA The Peacock’s Paradise (2021) first appeared on Cinema of the World.

The story of three families living in three apartments in the same bourgeois condominium.

3.21B | 2h 00mn | 1920×1080 | mkv

https://nitro.download/view/C69AF33DE9F6992/Three.Floors.2021.1080p.mkv
or
https://nitro.download/view/FCEB3F38DDC2607/Three.Floors.2021.1080p.part1.rar
https://nitro.download/view/79DB0DB195C6C81/Three.Floors.2021.1080p.part2.rar
https://nitro.download/view/321C9AA08D4E9BB/Three.Floors.2021.1080p.part3.rar
https://nitro.download/view/90E1C713C87904E/Three.Floors.2021.1080p.part4.rar

Language(s):Italian
Subtitles:English hardsubbed

The post Nanni Moretti – Tre piani AKA Three Floors (2021) first appeared on Cinema of the World.