A fiancée lost on the streets of Istanbul, a man who sets out to find the truth. Escape or love? The fate of the duo is written in Istanbul.

1 win, 13 nominations.

Hayat.2023.1080p.TOD.WEB-DL.AAC2.0.x264-TYTZ.mkv

General
Container:  	Matroska
Runtime: 	3 h 5 min
Size: 	2.11 GiB
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#1:  	Turkish 2.0ch AAC LC @ 96.0 kb/s

https://nitro.download/view/BC88E03D838C968/Hayat.2023.1080p.TOD.WEB-DL.AAC2.0.x264-TYTZ.mkv

Language(s):Turkish
Subtitles:none

The post Zeki Demirkubuz – Hayat AKA Life (2023) first appeared on Cinema of the World.

A man suspects his wife of being unfaithful, but he’s not prepared for what her confession will do to him.

Itiraf.2001.1080p.AMZN.WEB-DL.DDP2.0.H.264.ww45.mkv

General
Container:  	Matroska
Runtime: 	1 h 27 min
Size: 	5.50 GiB
Video
Codec: 	h264
Resolution: 	1920x1040 
Aspect ratio:  	1.85:1
Frame rate: 	24.000 fps
Bit rate: 	8 799 kb/s
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Audio
#1:  	Turkish 2.0ch E-AC-3 @ 224 kb/s

https://nitro.download/view/6D10CBC75E9C01D/Itiraf.2001.1080p.AMZN.WEB-DL.DDP2.0.H.264.ww45.mkv

Language(s):Turkish
Subtitles:English

The post Zeki Demirkubuz – Itiraf AKA The Confession: Tales About Darkness II (2001) (HD) first appeared on Cinema of the World.

Tulay, a restless woman whose marriage is slowly disintegrating sets out to come to terms with various traumas while continually being watched by Halit, a resident in her apartment complex.

Block.C.1994.1080p.AMZN.WEB-DL.DDP2.0.H.264.ww45.mkv

General
Container:  	Matroska
Runtime: 	1 h 26 min
Size: 	5.80 GiB
Video
Codec: 	h264
Resolution: 	1920x1040 
Aspect ratio:  	1.85:1
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Bit rate: 	9 425 kb/s
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#1:  	Turkish 2.0ch E-AC-3 @ 224 kb/s

https://nitro.download/view/EE7924FCC0E5193/Block.C.1994.1080p.AMZN.WEB-DL.DDP2.0.H.264.ww45.mkv

Language(s):Turkish
Subtitles:English

The post Zeki Demirkubuz – C Blok AKA Block C (1994) first appeared on Cinema of the World.

When her husband Cemal is arrested in Romania, Emine is left alone with their child who needs immediate surgery.

Kor.2022.1080p.AMZN.WEB-DL.DDP5.1.H.264.ww45.mkv

General
Container:  	Matroska
Runtime: 	1 h 53 min
Size: 	7.23 GiB
Video
Codec: 	h264
Resolution: 	1920x800 
Aspect ratio:  	2.40:1
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Bit rate: 	8 512 kb/s
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https://nitro.download/view/6CDF015B0A90ACF/Kor.2022.1080p.AMZN.WEB-DL.DDP5.1.H.264.ww45.mkv

Language(s):Turkish
Subtitles:English

The post Zeki Demirkubuz – Kor AKA Ember (2016) (HD) first appeared on Cinema of the World.

Synopsis:
Zeki Demirkubuz plays the lead character Ahmet who wants to make a film about Dostoyevsky’s ‘Crime and Punishment’. He falls into a deep depression, loses interest in the film and life, pushes those who love him away and cannot complete the film.

Review:
The third film in the trilogy, Tales about Darkness, Bekleme Odası (The Waiting Room) tells the story of Ahmet, a director who wants to film Dostoyevsky’s classic novel Crime and Punishment. Although Ahmet considers himself a conceited and faithless man, others perceive him as an idealist who lives by his principles. While in the grip of a disquieting disinterest in both his personal life and his film, Ahmet decides to cast a thief he had once caught trying to break into his house as Raskolnikov, the novel’s lead character, even though he has no idea where to find him. Bekleme Odası is a film that asks whether positive values such as spirituality and solitude can be the deliberate choices of egotism and arrogance. Can the exalted positions which used to be granted only to heroes as a reward for their suffering suit the selfish, morally troubled anti-hero of today? Zeki Demirkubuz says: “In the five films that I have made until today, I tried to narrate the stories of tens of people. However, after each film I saw that filmmaking itself has human situations, suspicions, questions and themes that are at least as powerful as those in the films. Having personally experienced them had a separate allure to itself. This idea that first hit me after making Üçüncü Sayfa (The Third Page) became a real thought after Yazgı (Fate). Ridding myself of my anger and emotions and the subjectivity that comes from having lived through it took two more years. And in the end a film that I thought accomplished at least these things – a distanced film that had no biographical or personal characteristics – emerged.”

Some interesting facts:

• The title (Waiting Room or The Waiting Room) has been used before. And not just by Fugazi. link
• But this isn’t the only “familiar” aspect of Demirkubuz’s latest. Here’s what he says in about it in the official 2004 Ljubljana International Film Festival catalogue: it is “a distant film free of biographic and personal qualities.”
• Distant? An interesting word to use. Distant is the English title of Uzak, a film whose success has, in the last year or so, propelled writer-director Nuri Bilge Ceylan to the front rank of Turkish film-makers in terms of international profile. Previously Demirkubuz was perhaps marginally the better-known: he’d had two films selected for the same Cannes Film Festival – Fate and Confession. It turns out that Demirkubuz and Ceylan are the best of friends. So is The Waiting Room some kind of response to Uzak? Perhaps a parody? Is this some kind of private “conversation” between film-makers which the audience is, in effect, eavesdropping into?
• Uzak takes place largely in a central Istanbul flat which is the residence of a prickly artist/intellectual. Most of the sound we hear is “ambient” – street noise, the cries of birds, etc.
• The Waiting Room takes place largely in a central Istanbul flat which is the residence of a prickly artist/intellectual – Ahmet, played by Demirkubuz himself. Most of the sound we hear is “ambient” – street noise, the cries of birds, etc. Harbour gulls.
• If anything, the protagonist of The Waiting Room is even more prickly and unpleasant than that of Uzak – you’d have to go back to Philippe Harel in Whatever for a more unflattering instance of a writer-director casting himself as the lead in his own film.
• Ahmet is a womanising auteur. Struggling with a Dostoyevsky adaptation. Raskolnikov identifications. Demirkubuz himself has tried to adapt the same book, Crime and Punishment – this is apparently the result. Is the choice of character-name supposed to indicate that the real writer-director (whose first name begins with Z) is somehow the “opposite” of the fictional one (whose first name begins with A).
• Travails of a bourgeous. Crisis of creative confidence: “Maybe I’ll find an easier way to humiliate myself.”
• His problem is not one failure but success: jaded at the summit, which turns out to be something of a dead end. Ahmet’s film is about “negation”. Life as a ‘waiting room’ for death?
• Convincing portrait of successful, solipsistic artist – as many biographies will attest. Perhaps too convincing: portrait of couch-potato louse. Emotional black hole: “Is he the devil or just plain crazy”. Not easy to be around an artist like this, not least because they always seem to end up using everyone they meet in some way. Sex is only the most obvious one, re Ahmet. Randy old goat – all women in the film become his conquests. He’s catnip even to much younger women. Woody Allen syndrome.
• All totally deadpan, but humour even more low-key and subtle than that in Uzak, which wasn’t by any means any kind of Carry on Up the Bosphorus…
• Moves at punishingly slow snail’s pace. Oblique touches of oddball to maintain our interest (some shenanigans involving a runaway cat which has abandoned its kittens – heavy-handed symbolism?). Raskolnikov amorality: crime sans punishment.
• “The creative process” reveals itself to be “The creative stasis.”
• Builds to climactic “joke”: Ahmet resolves his block by writing a film called The Waiting Room. Yes, that cheap old navelgazing trick. Funnier if his character had been called ‘Nuri’ and we’d seen him embark on ‘Distant’ at the fade…

Bekleme.Odasi.2003.1080p.MUBi.WEB-DL.AAC2.0.H.264-TURG.mkv

General
Container:  	Matroska
Runtime: 	1 h 28 min
Size: 	2.85 GiB
Video
Codec: 	x264
Resolution: 	1920x1080 
Aspect ratio:  	16:9
Frame rate: 	25.000 fps
Bit rate: 	5 500 kb/s / 5 500 kb/s
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#1:  	Turkish 2.0ch AAC

https://nitro.download/view/32A77C221CFCA78/Bekleme.Odasi.2003.1080p.MUBi.WEB-DL.AAC2.0.H.264-TURG.mkv

Language(s):Turkish
Subtitles:English

The post Zeki Demirkubuz – Bekleme odasi aka The Waiting Room (2004) first appeared on Cinema of the World.

A man suspects his wife of being unfaithful, but he’s not prepared for what her confession will do to him.

1.09GB | 1h 28m | 720×576 | mkv

https://nitro.download/view/63F0D0293CE520B/Itiraf.(aka.The.Confession).(2002).DVDRip.AC3.x264-MandR.mkv

Language(s):Turkish
Subtitles:English

The post Zeki Demirkubuz – Itiraf AKA The Confession: Tales About Darkness II (2001) first appeared on Cinema of the World.

quote:
The first installment of Zeki Demirkubuz’s Tales of Darkness trilogy (which would subsequently include The Confession and The Waiting Room), Fate is perhaps his most fully realized adoption of themes inspired by his literary influences (and self-acknowledged personal favorite among his films to date), in this case, Albert Camus’s widely read, absurdist fiction, The Stranger. Fusing the essentiality of actors’ faces that characterize Robert Bresson’s cinema with the acute, muted humor of Darezhan Omirbaev (and on occasion, upending it, as in the case of an initially Kaïrat-like innocent encounter at a movie theater that soon escalates into awkward groping), Fate chronicles the strange turn of events in the life of a seductive, accommodating, and enigmatic junior customs clerk named Musa (Serder Orçin) who lives alone with his mother at a low rent apartment in Istabul following her death one day from natural causes. Proceeding to go to work on the (apparent) morning of his mother’s death – and even working overtime – despite a nagging suspicion that something was amiss after she stayed in bed without preparing his customary breakfast (as well as failing to heed his well-intentioned coworkers’ advice to check in on her at lunch time), his strange behavior would soon fall into scrutiny after he comes to the aid of his neighbor after he runs afoul with his mistress’s brothers, and acquiesces to a marriage with his attractive colleague who had been carrying out a clandestine affair with their philandering, married boss. As equally bracing in its moral ambiguity as it is wryly comical in the young antihero’s complacent resignation to the misaligning forces of his manipulated (and to a certain extent, self-inflicted) “fate”, the film is also a probing cautionary tale of soullessness and the folly of sentimental inertia that is borne of one’s complete submission to the will of external forces. It is in this respect that Demirkubuz’s dark and unconventional vision remains both culturally specific and universally relevant, a scathing indictment of kismet as a scapegoat for personal accountability, and an accepted pathology to the social malady of urban alienation.

1.46GB | 1s 53m | 1024×576 | mkv

https://nitro.download/view/3F50D599AC273A0/Zeki_Demirkubuz_-_(2001)_Fate.mkv

Language:Turkish
Subtitles:English, French, German

The post Zeki Demirkubuz – Yazgi aka Fate: Tales About Darkness (2001) first appeared on Cinema of the World.