“Vivienne Dick’s second film has at its centre two of the subjects of her first film “Guerillere Talks”, Pat Place and Lydia Lunch. Moving from a kitchen on the Lower East Side of Manhattan, the film explores the dynamic between a complacent, almost catatonic/zombified Pat Place and the demonic, aggressive Lydia Lunch (repeating “What are you going to do?” over and over), ending with a showdown (i.e. Pat strangling Lydia) at the rollercoaster on Coney Island. The film utilises a linear narrative which is counterbalanced by an impressionistic view of New York, lit by green fluorescent lights, with intermittent effects added in-camera by Dick, including red filters and ‘earthquakes’. The relationship between the two women is ambiguous, they may represent elements of a single identity or the influence of a stronger will over a weaker character. It is the dynamic between these two unequal forces which propels the narrative. Premiered @ Max’s Kansas City, New York in September 1978.”

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https://nitro.download/view/4C3F94100A8356D/She.Had.Her.Gun.All.Ready.1978-EN.srt

Language(s):English
Subtitles:English

The post Vivienne Dick – She Had Her Gun All Ready (1978) first appeared on Cinema of the World.

Vivienne Dick (b. 1950, Ireland) is an internationally-celebrated film-maker and artist. A key figure of the ‘No Wave’ movement in New York in the late 1970s and early 1980s, she has gone on to develop an extraordinary body of work, which has been shown in cinemas, films festivals and art galleries around the world.

Shot on Super-8, 16mm and video, Dick’s film-making practice slips between fiction and documentary, using elements of both, along with fragmentary narrative, dislocated imagery and compelling self-reflexive performances.
Between Truth and Fiction is co-published with The Crawford Gallery, Cork in conjunction with their show of Vivienne Dick’s work in autumn 2009.

DVD includes:
Beauty Becomes The Beast, 40 mins, Super-8 / video, 1979
Visibility Moderate, 45 mins, Super-8 / video, 1981
Like Dawn to Dust, 6 mins, Super-8 / video, 1983
A Skinny Little Man Attacked Daddy, 28 mins, video, 1994
Saccade, 3 mins, video, 2004

https://nitro.download/view/0364B74CDCE102D/Between_Truth_and_Fiction_(Vivienne_Dick__1979_-_2004).part1.rar https://nitro.download/view/F1BBABD7F20060E/Between_Truth_and_Fiction_(Vivienne_Dick__1979_-_2004).part2.rar

Language:English
Subtitles:None

The post Vivienne Dick – Between Truth and Fiction (1979-2004) first appeared on Cinema of the World.

Irish filmmaker Vivienne Dick helped define New York’s No Wave film scene in the late 1970s and early 1980s. The No Wave movement embraced a brash guerrilla aesthetic and Dick’s films, shot on Super-8 and starring an unruly cast of artists and musicians, perfectly capture the lo-fi glamour of the scene. Guerrillere Talks is Dick’s first film, it consists of six cartridges of Super-8 footage strung together, each running for three and a half minutes.

Founded in 1966, the London Film-Makers’ Co-operative started life at Better Books, a counter-culture bookshop on Charing Cross Road, where a group led by poet Bob Cobbing and filmmakers Stephen Dwoskin and Jeff Keen met to screen films. Initially inspired by the activities of the New American Cinema Group in New York, the London Co-op grew into a pioneering organisation that incorporated a film workshop, cinema space and distribution office. During its four-decade history, the Co-op played a crucial role in establishing film as an art form in the UK and participated in a vibrant international film scene. This BFI Player collection brings together new scans of films distributed by and/or produced at the London Co-op.

	
Guerillere.Talks.1978.1080p.CRIT.WEB-DL.AAC2.0.x264-SiGLA.mkv

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https://nitro.download/view/99103580377E4C0/Guerillere.Talks.1978.1080p.CRIT.WEB-DL.AAC2.0.x264-SiGLA.mkv

Language(s):English
Subtitles:English

The post Vivienne Dick – Guerillere Talks (1978) first appeared on Cinema of the World.

“Born in Donegal, Ireland, Vivienne Dick moved to New York in 1975. There she became part of a group of filmmakers affiliated to the music and aesthetics known as ‘No Wave’. Shot mainly on Super-8, Dick’s films from this period feature many people and musicians from the No Wave movement in New York, such as Lydia Lunch, Pat Place, James Chance and Ikue Mori. Invoking the spirit of ’60s underground filmmakers, her work betrays an interest in individual transgression, urban street life, kitsch and pop culture. Multilayered and open-ended, the work is framed from a female perspective, with an overriding concern for social conditioning and sexual politics”.

Quote:
Pat Place plays a creature who lives in an old abandoned barge on a rubbish strewn beach.
The mood is post-apocalyptic and the music of Telstar mixed with domestic kitchen clatter. V.D.

Quote:
“The quintessential No Wave filmmaker.” J.Hoberman

http://www.nitroflare.com/view/2C2FD181D5BB8E5/staten.avi

55MB
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The post Vivienne Dick – Staten Island (1978) first appeared on Cinema of the World.