Synopsis:
In a racially mixed American town, a 5-year-old black girl falls unnoticed into a hidden, forgotten well on her way to school. Having nothing better to go on, the police follow up a report that the child was seen with a white stranger, and rumors run wild. Before hapless, innocent Claude Packard is even found, popular hysteria has him tried and convicted. But Packard’s troubles pale by comparison as ever more inflated rumors uncap the well of racial tensions and mob violence. And young Carolyn Crawford, forgotten by most, is still missing…
— Rod Crawford

The Well (1951) -- Leo C. Popkin, Russell Rouse.mkv

General
Container:  	Matroska
Runtime: 	1 h 25 min
Size: 	1.32 GiB
Video
Codec: 	x264
Resolution: 	714x478 ~> 714x535
Aspect ratio:  	4:3
Frame rate: 	23.976 fps
Bit rate: 	2 000 kb/s
BPP: 	0.244
Audio
#1:  	English 2.0ch AC-3 @ 224 kb/s

https://nitro.download/view/F2B9ADBEED07B22/The_Well_(1951)_–_Leo_C._Popkin,_Russell_Rouse.mkv

Language(s):English
Subtitles:None

The post Leo C. Popkin & Russell Rouse – The Well (1951) first appeared on Cinema of the World.

Review:
A telephone rings in the dark—three times, pauses, then rings three times again. A fully-clothed figure lights a cigarette before rising from bed, dons a raincoat, then sets out into the night. Another figure emerges from the shadows, lights a cigarette, then discards a crumpled cigarette pack, which the first picks up and carries home. Back in his room, the first man places the refuse on his desk, paces apprehensively about his apartment before he finally removes the inner foil and examines it. After letting what it reveals sink in, he sets it on fire, and a cold look comes over his face…

Thus begins The Thief, a 1952 cold war, espionage thriller—unique in that it is completely without dialogue—directed by Russell Rouse, and produced by Clarence Greene, who co-wrote the screenplay. Allan Fields (Ray Milland) is an award-winning nuclear scientist working at the Atomic Energy Commission research laboratory. He is also a spy, photographing top secret documents, then relaying the miniature film canisters back through an elaborate network to enemy agents in Egypt. His signal is the telephone, and his liaison outlines his assignments through instructions on his cigarette refuse, with nary a word spoken. It is a dangerous business, and one that creates many close calls—too close for comfort. When one of his assignments goes awry, the FBI begins to close in, and the race is on to leave the country before he is caught.

The Thief has all the trappings of classic noir. Produced at the height of the “Red Scare,” the film manages to maintain a constant state of tension, relying heavily on reaction shots and Herschel Burke Gilbert’s riveting musical score. The cinematography heightens the effect, utilizing lighting and camera angles to convey the unspoken. Milland, who won an Oscar® for his role in Billy Wilder’s The Lost Weekend, carries the part off to perfection, letting the audience read his character’s thoughts solely through facial expression and body language. The direction also fools the audience into anticipating dialogue, then cleverly avoiding it. Only the Oscar®-nominated score and sound effects break the silence.

This is a fascinating use of visuals to tell a story, and a gripping suspense film, which held my interest throughout, and aside from one sequence where Fields’ conscience begins to plague him, the narrative is fairly straight forward, without much in the way of gimmickry. Avoid the back cover text because it gives away the ending, which was the only part that didn’t really work for this reviewer. For those interested in cold war-era film noir, this is certainly worth a look, if for no other reason than its uniqueness.

https://nitro.download/view/A16DE8877EF882B/The_Thief_(1952)_(DVDRip)__Guild55_.avi

Language(s):English
Subtitles:None

The post Russell Rouse – The Thief (1952) first appeared on Cinema of the World.