Parisian tailor Maurice Courtelin (Maurice Chevalier) goes to the chateau of the Duke d’Artelines (C. Aubrey Smith) to collect a debt owed by a spendthrift nephew, the Viscount Gilbert de Varèze (Charlie Ruggles), Maurice passes as a Count and interacts with other members of the household, including the nervous bookworm the Count de Savignac (Charles Butterworth) and the near-nymphomaniac Countess Valentine (Myrna Loy). But he falls madly in love with Princess Jeanette (Jeanette MacDonald) and slowly wins her to his side. Now, how does Maurice explain to her that he’s nothing but a tailor?

1.48GB | 1h 28m | 706×529 | mkv

https://nitroflare.com/view/AC557BF7FD3BB39/Love.Me.Tonight.1932.DVDRIP.x264.AC3.KJNU.mkv
or
https://tezfiles.com/file/62bea5ac52339/Love.Me.Tonight.1932.DVDRIP.x264.AC3.KJNU.mkv

Language(s):English
Subtitles:None

The post Rouben Mamoulian – Love Me Tonight (1932) first appeared on Cinema of the World.

Synopsis:
Set against the background of the Battle of Waterloo, Becky Sharp is the story of Vanity Fair by Thackeray. Becky and Amelia are girls at school together, but Becky is from a “show biz” family, or in other words, very low class. Becky manages to insinuate herself in Amelia’s family and gets to know all their friends. From this possibly auspicious- beginning, she manages to ruin her own life, becoming sick, broke, and lonely, and also ruins the lives of many other “loved ones”. In the movie we get to see the class distinctions in England at the time, and get a sense of what it was like for the English military at the time of the Napoleonic wars.

2.54GB | 1 h 26 min | 788×576 | mkv

https://nitroflare.com/view/9A5EBCB9C3E9AA1/Becky.Sharp.1935.576p.BluRay.AAC.x264.mkv

Language:English
Subtitles:English (muxed)

The post Rouben Mamoulian & Lowell Sherman – Becky Sharp (1935) first appeared on Cinema of the World.

Quote:
Greta Garbo Appears as Queen Christina of Sweden in Her First Film in More Than Eighteen Months.
Soon after entering the Astor Theatre last night for the presentation of Greta Garbo’s first picture in eighteen months, the spectators were transported by the evanescent shadows from the snow of New York in 1933 to the snows of Sweden in 1650. The current offering, known as “Queen Christina,” is a skillful blend of history and fiction in which the Nordic star, looking as alluring as ever, gives a performance which merits nothing but the highest praise. She appears every inch a queen.

S. N. Behrman, the playwright, is responsible for the dialogue, which is a bright and smooth piece of writing, and Rouben Mamoulian did the direction. Mr. Mamoulian still has a penchant for asking the audience to fasten their gaze on his work with lights and shades rather than continuing the story, but here he does it less frequently than hitherto, and his scenes are, without a doubt, entrancing compositions.

It is an easy flowing romance in which there are several pleasingly humorous situations. As Queen Christina, Miss Garbo reveals her sense of humor and she handles some of the reticent levity in a superb fashion. She is forceful as Her Majesty and charming as Christina the woman. She is effectively supported in the romance by John Gilbert, who acts Don Antonio, an emissary from the King of Spain.

When Christina was born one is informed that her father Gustavus Adolphus regretted that she was not a boy. He persuaded her as a child to wear knickerbockers and it can be assumed that Oxenstierna, Chancellor of Sweden, insisted that she continue dressing as a boy after she was crowned Queen. This penchant for male attire is the result of a beguiling incident and the producers take the opportunity of giving Christina an elderly valet instead of a maid.

Christina has a dominant personality and in the film she is beloved of her people. She goes dashing on horseback over the snow-covered countryside escorted only by her valet Aage, who is played by C. Aubrey Smith. They do not spare their horses in riding and it chances that some miles distant from town they come across a coach, the front wheels of which are caught in the deep snow. Christina tells the driver how to get the vehicle freed and one of the passengers is so relieved at being able to continue his journey that he presents to the Queen a silver piece, one adorned by her own profile. This passenger, who is none other than Don Antonio, thinks the Queen is quite an intelligent young man.

It is in a lovely wayside inn a few hours later that Don Antonio next sets eyes on the “intelligent young man,” who, to digress for an instant, insists to one member of her court that she will not die an old maid, but “a bachelor.” Christina has reserved for herself the last room at the inn. By this time Don Antonio appreciates that the “intelligent young man” is evidently well born and wealthy. They chat together and become unusually interested in each other. Eventually, Don Antonio suggests that they share the room and — after some hesitation — Christina agrees.

In course of time Don Antonio realizes that his companion is a woman. It is a case of love and they spend the night together. Subsequently it is an abashed and bewildered Spaniard who presents his credentials to the Queen and discovers in the gorgeously clad creature on the throne his companion of the wayside inn. The fact that he comes to the Swedish ruler with a proposal of marriage from the King of Spain adds considerably to the emissary’s confusion.

How the film ends is best left untold here. And if history has been gilded it is accomplished neatly and intelligently. Mr. Mamoulian’s glimpses and vistas of the Queen’s palace are extraordinarily striking and as a contrast to them there is the rugged simplicity of the tap room in the inn.

The conflict of the narrative is simple but effective. Besides the fascinating Swedish performer, there are several players who contribute good work. Mr. Gilbert is far more restrained than he was in his silent films. Ian Keith is splendid as the artful Magnus. Lewis Stone is admirable as sensible old Oxenstierna. C. Aubrey Smith is splendid as Aage. The other performers also acquit themselves favorably.
Mordaunt Hall New York Times, December 27, 1933

https://nitro.download/view/11DE039E1C642EB/Queen_Christina.avi
http://nitroflare.com/view/F4A1CCE11D6EB92/Queen_Christina.cc.srt
http://nitroflare.com/view/2A54F1C38EA43C8/Queen_Christina.idx
http://nitroflare.com/view/3E63D1015CBB2E0/Queen_Christina.sub

Language(s):English, Spanish
Subtitles:English + Spanish + French sub/idx & English CC SRT

The post Rouben Mamoulian – Queen Christina (1933) first appeared on Cinema of the World.

Nan, a racketeer’s daughter, is in love with The Kid, a shooting gallery showman. Despite Nan’s prodding, The Kid has no ambitions about joining the rackets and making enough money to support Nan in the lifestyle she’s accustomed to. Her attitude changes after her father implicates her in a murder and she’s sent to prison. During her incarceration, her father convinces The Kid to join the gang in order to help free Nan. When Nan is released, she wants nothing more to do with the mob and tries to get The Kid to quit, but she may be too late.

City.Streets.1931.576p.BluRay.AAC.x264-HANDJOB.mkv

General
Container:  	Matroska
Runtime: 	1 h 23 min
Size: 	2.09 GiB
Video
Codec: 	x264
Resolution: 	790x576 
Aspect ratio:  	1.372
Frame rate: 	23.976 fps
Bit rate: 	3 505 kb/s
BPP: 	0.321
Audio
#1:  	English 2.0ch AAC LC @ 96.0 kb/s

https://nitro.download/view/1BA91EEBF6EC673/City.Streets.1931.576p.BluRay.AAC.x264-HANDJOB.mkv

https://rapidgator.net/file/35c3f34b43390d6bd22d8eeb5505e11c/City.Streets.1931.576p.BluRay.AAC.x264-HANDJOB.mkv

Language(s):English
Subtitles:English, French

The post Rouben Mamoulian – City Streets (1931) first appeared on Cinema of the World.

The film, made prior to the full enforcement of the Hays code, is remembered today for its strong sexual content, embodied mostly in the character of the prostitute, Ivy, played by Miriam Hopkins.

The secret of the astonishing transformation scenes was not revealed until decades later (Mamoulian himself revealed it in a volume of interviews with Hollywood directors published under the title The Celluloid Muse).
Hyde enjoys the rain.
Hyde enjoys the rain.

A series of rotating filters matching the make-up was used on the lenses, enabling the make-up to be gradually exposed or made invisible, depending upon the scene.

Wally Westmore’s make-up for Hyde, simian and hairy with tusks influenced greatly the popular image of Hyde in media and comic books (the American Classics Illustrated edition of Jekyll and Hyde clearly based its design of Hyde on the Fredric March movie, although it is more toned down); in part this reflected the novella’s implication of Hyde as embodying repressed evil and hence being semi-evolved or simian in appearance.

http://www.nitroflare.com/view/E25100C25DBC124/Dr._Jekyll_%26_Mr._Hyde.mkv

Language(s):English
Subtitles:English Spanish Portuguese Japanese Korean

The post Rouben Mamoulian – Dr. Jekyll and Mr. Hyde [+Commentary] (1931) first appeared on Cinema of the World.