Unable to deal with her parents, Jeannie Tyne runs away from home. Larry and Lyne Tyne search for her, and in the process meet other people whose children ran away. With their children gone, the parents are now free to rediscover/enjoy life.

Taking.Off.1971.576p.BluRay.AAC.x264-HANDJOB.mkv

General
Container:  	Matroska
Runtime: 	1 h 32 min
Size: 	2.45 GiB
Video
Codec: 	x264
Resolution: 	1024x554 
Aspect ratio:  	1.85:1
Frame rate: 	23.976 fps
Bit rate: 	3 621 kb/s
BPP: 	0.266
Audio
#1:  	English 2.0ch AAC @ 160 kb/s

https://nitro.download/view/2EF9C7815AD0DAE/Taking.Off.1971.576p.BluRay.AAC.x264-HANDJOB.mkv

Language(s):English
Subtitles:English, Brazilian

The post Milos Forman – Taking Off (1971) first appeared on Cinema of the World.

imdb .com wrote:
Larry Flynt is the hedonistically obnoxious, but indomitable, publisher of Hustler magazine. The film recounts his struggle to make an honest living publishing his porn magazine and how it changes into a battle to protect the freedom of speech for all people. Written by Kenneth Chisholm

The.People.vs.Larry.Flynt.576p.BDRip.x264-HANDJOB.mkv

General
Container:	Matroska
Runtime:	2h 9mn
Size:	2.28 GiB
DXVA:	Compatible
Minimum settings:	Met
Video
Codec:	x264
Resolution:	1024x426
Aspect ratio:	2.40:1
Frame rate:	23.976 fps
Bit rate:	1 859 Kbps
Audio
#1:	English 5.1ch AC-3 @ 448 Kbps (English Audio)
#2:	English 2.0ch Vorbis @ 80.0 Kbps (Commentary With Writers Scott Alexander and Larry Karaszewski)
#3:	English 2.0ch Vorbis @ 80.0 Kbps (Commentary With Actress Courtney Love)

https://nitro.download/view/426C2A75211306E/The.People.vs.Larry.Flynt.576p.BDRip.x264-HANDJOB.mkv

Language(s):English
Subtitles:English

The post Milos Forman – The People vs. Larry Flynt (1996) first appeared on Cinema of the World.

Synopsis:
A well-to-do New Rochelle family is split when it takes in a homeless black woman (Debbie Allen) and her child; all initially looks well when her estranged boyfriend, Coalhouse Walker Jr. (Howard E. Rollins Jr.) reappears with a good job and an offer of marriage. The ‘younger brother’ of the family (Brad Dourif) falls in love with the notorious playgirl Evelyn Nesbit (Elizabeth McGovern) as she awaits the outcome of her husband Harry Thaw’s murder trial – Thaw killed famous architect Stanford White (Norman Mailer) out of jealousy.Coalhouse is returning to the city in his new Model T when he’s harassed and humiliated by a team of volunteer firemen led by Irish-American lout Willie Conklin (Kenneth McMillan), and a dreadful series of events stemming from Walker’s refusal to swallow his pride escalates into a violent debacle. Police Commissioner Rheinlander Waldo (James Cagney) has to step in to restore order when Coalhouse and his gang use force to take over a J.P.Morgan library.

Ragtime.1981.576p.BDRip-AVC.ZONE.mkv

General
Container:  	Matroska
Runtime: 	2 h 35 min
Size: 	4.19 GiB
Video
Codec: 	x264
Resolution: 	1024x428 
Aspect ratio:  	2.40:1
Frame rate: 	23.976 fps
Bit rate: 	3 000 kb/s
BPP: 	0.285
Audio
#1:  	English 5.1ch AC-3 @ 640 kb/s
#2:  	English 2.0ch AC-3 @ 224 kb/s (Audio Commentary with director Milos Forman and executive producer Michael Hausman)

https://nitro.download/view/413C824D61EC80C/Ragtime.1981.576p.BDRip-AVC.ZONE.mkv

Language(s):English
Subtitles:None

The post Milos Forman – Ragtime (1981) first appeared on Cinema of the World.

Quote:
A milestone of the Czech New Wave, Milos Forman’s first color film The Firemen’s Ball (Horí, má panenko) is both a dazzling comedy and a provocative political satire. A hilarious saga of good intentions confounded, the story chronicles a firemen’s ball where nothing goes right—from a beauty pageant whose reluctant participants embarrass the organizers to a lottery from which nearly all the prizes are pilfered. Presumed to be a commentary on the floundering Czech leadership, the film was “banned forever” in Czechoslovakia following the Russian invasion and prompted Forman’s move to America.

1.46GB | 1h 13mn | 784×576 | mkv

https://nitroflare.com/view/1205A92EC9C5DF5/Milos_Forman_-_(1967)_Firemen’s_Ball.mkv

Language(s):Czech
Subtitles:English

The post Milos Forman – Horí, má panenko AKA The Firemen’s Ball (1967) first appeared on Cinema of the World.

Synopsis: For this film adaptation of Peter Shaffer’s Broadway hit, director Milos Forman returned to the city of Prague that he’d left behind during the Czech political crises of 1968, bringing along his usual cinematographer and fellow Czech expatriate, Miroslav Ondricek. Amadeus is an expansion of a Viennese “urban legend” concerning the death of 18th-century musical genius Wolfgang Amadeus Mozart. From the vantage point of an insane asylum, aging royal composer Salieri (F. Murray Abraham) recalls the events of three decades earlier, when the young Mozart (Tom Hulce) first gained favor in the court of Austrian emperor Joseph II (Jeffrey Jones). Salieri was incensed that God would bless so vulgar and obnoxious a young snipe as Mozart with divine genius. Why was Salieri–so disciplined, so devoted to his art, and so willing to toady to his superiors–not touched by God? Unable to match Mozart’s talent, Salieri uses his influence in court to sabotage the young upstart’s career. Disguising himself as a mysterious benefactor, Salieri commissions the backbreaking “Requiem,” which eventually costs Mozart his health, wealth, and life. Among the film’s many pearls of dialogue, the best line goes to the Emperor, who rejects a Mozart composition on the grounds that it has “too many notes.” Amadeus won eight Academy Awards, including Best Picture, Best Director, Best Adapted Screenplay, and Best Actor for F. Murray Abraham. In 2002, the film received a theatrical re-release as “Amadeus: The Director’s Cut,” a version that includes 22 minutes of additional footage. -Hal Erickson (AMG)

Review: Amadeus is a rarity: a dramatic film made by people who understood music as much as filmmaking. A celebration of music and genius, the film exults over Mozart’s seemingly divine creations even as it refuses to canonize the man behind them. Instead, the decision to tell the story from Salieri’s point of view provides a justly critical portrait of Mozart, and in so doing so it provides a commentary on genius that mines trenchant insight from resolute objectivity. That Mozart’s music is beyond reproach is never called into doubt; likewise, that the man himself could be utterly reproachful is also beyond question. Paradox is at the film’s core, both in the presentation of Mozart and his music, and in the character of Salieri, who managed to be both Mozart’s greatest fan and most punishing detractor. In making this sort of paradox its central theme, Amadeus is one of the most illuminating pictures of genius ever committed to celluloid. Part of its brilliance lies in its principal performances: in Tom Hulce’s Mozart, we see a man equally un-self-conscious about his genius and his vulgarity, and in F. Murray Abraham’s Oscar-winning Salieri, we see the tragedy that results from the inability of talent to live up to desire. These performances are lavishly complemented by the music in question, a forceful character in its own right. Part of Forman’s great acheivement as the film’s director was bringing this music to millions who had never set foot inside of an opera house or theatre, with a passion and immediacy that could appeal to a much wider audience than just classical music enthusiasts. -Rebecca Flint (AMG)

The Making of Amadeus :

2.68GB | 3h 0mn | 720×304 | avi

https://nitro.download/view/D82938BCB7F3825/Amadeus_(1984)_BDRip.avi
https://nitro.download/view/F5F307B1ADFD407/eng.srt
https://nitro.download/view/58BF6CA987835A8/The_Making_Of_Amadeus.avi
https://nitro.download/view/2B98A1DB68EA713/Amadeus_-_Theatrical_Trailer.avi

Language:English
Subtitles:English (srt.)

The post Milos Forman – Amadeus [Director’s Cut + Extras] (1984) first appeared on Cinema of the World.

Synopsis :
Upon arrival at a mental institution, a brash rebel rallies the patients together to take on the oppressive Nurse Ratched, a woman more a dictator than a nurse.

+Commentary with Director Milos Forman and Producers Saul Zaentz and Michael Douglas

3.04GB | 2h 13m | 854×480 | mkv

https://nitro.download/view/288B2A31E9D274C/One.Flew.Over.the.Cuckoos.Nest.1975.480p.BDRip.x264-HANDJOB.mkv

Language(s):English
Subtitles:English,Spanish,French,German,Italian,Portuguese

The post Milos Forman – One Flew Over the Cuckoo’s Nest (1975) first appeared on Cinema of the World.

Quote:
“Valmont,” Milos Forman’s spin on “Les Liaisons Dangereuses,” is sumptuous suds, a broadly played trivialization of de Laclos’s 18th-century novel of boudoir intrigue. With its callow cast and playful tone, there is nothing dangerous about Forman’s variation on the novelist’s schemes. It’s a naughty costume dramedy in which the erotic conquests of bored libertines are transformed into children’s kissing games.

Colin Firth and Annette Bening play the story’s sexual strategists, the smarmy Vicomte de Valmont and the devious Marquise de Merteuil, whose machinations sully the virtuous Madame de Tourvel (Meg Tilly) and the virginal Cecile de Volanges (Fairuza Balk). A generation younger than the cast of Stephen Frears’s “Dangerous Liaisons,” the actors’ ages more closely mirror those of the novel’s young adults and teenagers, but they seem less bedroom Machiavellians than members of a 1700s Breakfast Club, not tragically flawed, hopelessly jaded, ultimately doomed and self-destructive, just wet behind the leers.

The screenplay by Jean-Claude Carriere unfortunately focuses on the 15-year-old Cecile, whose upcoming marriage to the marquise’s lover, Gercourt (Jeffrey Jones), sets the story in motion. A woman spurned, the marquise asks her confidant Valmont to seduce the convent-educated virgin, though he is presently sniffing after the saintly Madame de Tourvel. And only when the marquise puts her body up as bounty does Valmont agree to cuckold Gercourt.

Their plans are complicated by Chevalier Danceny (Henry Thomas, E.T.’s earth brother), a lovesick harpist who woos the wide-eyed, Miss Piggish Cecile with childish poetry and clumsy zeal. The klutzy musician and his chubby heart’s desire, though less compelling, recall Mozart and his missus in Forman’s “Amadeus,” which likewise saw youth manipulated by the worldly-wise. But unlike the unfortunate Amadeus, both Danceny and Cecile learn from their pawn-hood and promise to become every bit as cunning as their tutors.

Valmont’s pursuit of the faithful wife, Madame de Tourvel, and his subsequent love for her hasn’t the tragic weight it had in Frears’s version of Christopher Hampton’s play. For one thing, Madame de Tourvel meets a happier fate and Valmont seems to die not of true love lost, but of sheer ennui — not his, but the movie’s. For another, Firth is more of a capering Brat Packer who gets dumped than a callous aristocrat in need of love’s redemption. While no woman I know would share a park bench, much less a bed, with John Malkovich’s Valmont in “Dangerous Liaisons,” he was at least convincingly malevolent, unlike the dandy Firth.

Frears’s version, like his hero, was priss and vinegar, viciously funny and deeply tragic. Forman, who moves the story 50 years back in time, seems to be directing a mini-series, all sloppy opulence. If the people were frivolous, then so is the approach. It’s as if they and we are expected to titter behind our fans, like gossips at the opera, at the folly of the doomed French elite.

While Bening gives a bravura performance, silkily shrewd as the widowed marquise, she’s always a cat, never a lionesse. She’ll scratch you good, but Glenn Close would eat you alive, with a knife and fork, then wipe her lips on a napkin. Close’s is an Everywoman’s performance that speaks for all the women who ever struggled behind the throne. Bening is delicious, but she’s a burlesque.

Tilly, who does not burn as Michelle Pfeiffer did in Tourvel’s place, is limpid to a fault, glowing like a bug lamp with love suppressed, poor dear thing. Pfeiffer gave us a saint, Tilly offers a Sunday school teacher. That’s the thing. When piety is ordered, “Valmont” serves up nicey-nice.

– Rita Kempley, January 12, 1990, Washington Post

https://nitro.download/view/0D3947DF38465A9/Milos_Forman_-_(1989)_Valmont.mkv

Language(s):English
Subtitles:English

The post Milos Forman – Valmont (1989) first appeared on Cinema of the World.