Guy Lodge in Variety wrote:
“One Fine Morning” sounds an innocuous title for a grownup relationship drama — destined, perhaps, to be confused on streaming menus with the George Clooney-Michelle Pfeiffer romcom “One Fine Day” — and in a sense, the mellow, melancholic cinema of French writer-director Mia Hansen-Løve is its own kind of comfort viewing. But as with many facets of her filmmaking, there’s a smarter, sadder, more literary undertow to the title’s sunny simplicity. “Un beau matin” in French, it’s lifted from a haunting poem by poetic realist Jacques Prévert, which describes in plain imagery the conflict of facing absence in your life, all while pretending there’s literally nothing there.Suffice it to say, then, that Hansen-Løve’s latest is not a romantic comedy, except in the interludes when it is. At no cost to its calm, loping pace, “One Fine Morning” is about many things at once, in the way that every day of the everyday always is: Separate personal crises alternately surge and recede over the course of a year, given equal prominence in the script’s loose one-day-at-a-time structure. After 2018’s quasi-spiritual self-help story “Maya” and last year’s cinephile-centered film-within-a-film “Bergman Island” — both shot in English, both more stilted and artificial than her best work — the new film returns the filmmaker to her (bitter)sweet spot, rooting her not just back in France but in fine-grained domestic reality.
It’s a welcome change of pace, too, for the ubiquitous Léa Seydoux, recently seen on screen as almost everything (Bond girl, body-horror muse, glamazonic national symbol) but an ordinary woman, and projecting a warm sense of human wear and tear that we too rarely get to see from her. Deglammed inasmuch as it’s possible to deglam the star — with minimal makeup, a short, practical hairdo and an oft-recycled wardrobe of slouchy floral dresses, she’s casually chic in the manner of someone you might plausibly know — Seydoux plays Sandra, a bright, independent, long-single mother with a freelance translating career that just about pays the rent of the teeny apartment she shares in Paris with her eight-year-old daughter Linn (Camille Leban Martins).
We meet her en route to another cosy Parisian shoebox, this one belonging to her father Georg (Pascal Greggory), a former philosophy professor who has almost totally lost his sight — one consequence of the neurodegenerative disorder Benson’s syndrome, which is gradually claiming his mind and memory too. No longer able to live independently, and unable to cohabit with his partner due to her own health problems, he and his family are thus thrust into the administrative nightmare of the national care home system, barely able to secure him a room of his own amid a logistical tangle of waiting lists and exorbitant fees(…)
Hansen-Løve’s filmmaking, meanwhile, here feels as comfortingly lived-in as a hand-me-down cardigan, from the soft ecru textures of Denis Lenoir’s 35mm lensing to Marion Monnier’s relaxed, sociable editing to the director’s usual musical patchwork of favorites spanning Schubert, Dinah Washington and the plaintive folk balladry of Bill Fay. Few would accuse the director of pushing herself in “One Fine Morning,” but there’s much to be said for cinema that feels this at ease — at home, even — with itself.
In one of the film’s many wry scenes of mother-daughter sparring, Sandra takes Linn to the movies, sitting bemused through a kids’ fantasy blockbuster that a breathless Linn afterwards declares “amazing.” To her consternation, her mother is less enthusiastic: “The story was fine,” Sandra sighs, “but the images and sound were very aggressive.” “One Fine Morning,” like most of Hansen-Løve’s oeuvre, is safe from any such charges, but there can be something cutting in its gentleness too: It knows the fragility of quiet, which is sometimes the sound of inner peace, and sometimes, per that Prévert poem, the echoing unrest of an empty space.

Un.beau.matin.2022.1080p.BluRay.DD+5.1.x264-SbR.mkv

General
Container:  	Matroska
Runtime: 	1 h 52 min
Size: 	13.4 GiB
Video
Codec: 	x264
Resolution: 	1920x1038 
Aspect ratio:  	1.85:1
Frame rate: 	23.976 fps
Bit rate: 	15.9 Mb/s
BPP: 	0.334
Audio
#1:  	French 5.1ch E-AC-3 @ 1 024 kb/s

https://nitro.download/view/A45D469D7B39185/Un.beau.matin.2022.1080p.BluRay.DD+5.1.x264-SbR.mkv

https://fikper.com/Cos9SxNhzT/Un.beau.matin.2022.1080p.BluRay.DD+5.1.x264-SbR.mkv

Language(s):French
Subtitles:English,French

The post Mia Hansen-Løve – Un beau matin AKA One Fine Morning (2022) (HD) first appeared on Cinema of the World.

A 2021 internationally co-produced drama romance film, written and directed by Mia Hansen-Løve. It stars Vicky Krieps, Tim Roth, Mia Wasikowska and Anders Danielsen Lie. It had its world premiere at the Cannes Film Festival on 11 July 2021

Krieps and Roth play a married couple of filmmakers spending a working retreat on Fårö where cracks begin to appear in their marriage.

2.16GB | 1h 52m | 1024×426 | mkv

https://nitro.download/view/67C1A202424C870/Bergman_Island_(2021)_-_WebDLRip.576p.RuSub.mkv

Language(s):English,French,Swedish
Subtitles:English,Russian

The post Mia Hansen-Løve – Bergman Island (2021) first appeared on Cinema of the World.

Debut director Mia Hansen-Love turns seemingly random slices from the life of a disintegrating family unit into a remarkably graceful, natural film about what it is to be human. Perhaps the most persuasive aspect of this hopeful parable of failure is the way casting, acting, script, and camerawork conspire to usher us into an immediately believable world which is observed with a painterly eye yet never seems staged.

Originally produced by the late, great Humbert Balsan, then taken over after his death by Philippe Martin and David Thion’s Les Films Pelleas, Hansen-Love’s debut is too unconventional in structure and downbeat in theme – though not in approach – to break out of the arthouse niche, but it should garner consensus both in France (where it will be released theatrically by sales company Pyramide’s distribution arm) and in select overseas territories – particularly continental Europe.

The film opens in media res, observing the life of French lounger and aspiring poet Victor (Paul Blain), his petite but together Austrian partner Annette (Marie-Christine Friedrich) and their six-year old daughter Pamela (Victoire Rousseau) in Vienna, at a time when the first fractures are already apparent. Victor is an affectionate father, but he has a heroin problem which leads him to opt out of family life most afternoons. Moving back to Paris – where Victor is on his own ground and Annette is the foreigner – just makes things worse, as Victor starts spending whole nights away from home and soon starts an affair of sorts with fellow addict Gisele (Olivia Ross).

Hansen-Love gives time to scenes that have no immediate dramatic point, at least in the three-act textbooks; the payoff for the patient viewer is an unmediated, close-up sense of lives observed that is a rare gift even in more mature directors. Captioned chapter breaks move the action forward in time; the greatest leap comes two-thirds of the way in, after Annette has finally decided to leave Victor. Suddenly we are seeing things from Pamela’s point of view, 11 years after she last saw her father. (Casting Victoire’s teenage sister Constance Rousseau as her older self is further proof of the director’s commitment to naturalism.)

The material sounds bleak, but it’s dealt with in an unexploitative mode that stresses the ordinariness of Victor’s problem and the desperate affection that binds the family together. Part of this delicacy has to do with Pascal Auffray’s formal, lucid, light-filled photography, which has something in common with Annette’s job – she’s curator of 19th-century decorative art at the Musee d’Orsay (one of the film’s backers).

There’s a sense, at times, that casting and composition are too pretty for the story being told – but this is held in check by Hansen-Love’s assured way with her uniformly excellent ensemble cast. And in the end, it’s the director’s old-fashioned take on a contemporary story, with its symphonic structure and kind but reticent narrative eye, that is one of the most intriguing things about this convincing debut.

Tout.est.pardonne.AKA.All.Is.Forgiven.2007.DVDRip.x264-HANDJOB.mkv

General
Container:	Matroska
Runtime:	1h 39mn
Size:	1.68 GiB
DXVA:	Compatible
Minimum settings:	Met
Video
Codec:	x264
Resolution:	668x572 ~> 950x572
Aspect ratio:	1.661
Frame rate:	25.000 fps
Bit rate:	1 915 Kbps
Audio
French 5.1ch AC-3 @ 448 Kbps

https://nitro.download/view/927F2B86D44CF89/Tout.est.pardonne.AKA.All.Is.Forgiven.2007.DVDRip.x264-HANDJOB.mkv

Language(s):French
Subtitles:English, French

The post Mia Hansen-Løve – Tout est pardonné AKA All Is Forgiven (2007) first appeared on Cinema of the World.

December 2012. After four months in captivity in Syria, two French reporters are released.
Gabriel, the younger one, is just shy of 30.
Following a day of interrogations and medical exams, Gabriel is allowed to see his loved ones: his father, his ex- girlfriend Naomi… His mother lives in India, where he grew up. She has cut ties with everyone.
A few weeks later, unable to find his bearings, Gabriel decides to leave for India. He moves into his childhood home in Goa, and meets Maya, a young Indian girl.

3.21GB | 1 h 46 min | 1920×1080 | mkv

https://nitro.download/view/455EB8CBF6A71AD/Maya.2018.1080p.WEB-DL.AAC2.0.H264-CMYK.mkv
https://nitroflare.com/view/B34F9548AC47D67/Maya.2018.srt

Language:French, Some English
Subtitles:English,Spanish

The post Mia Hansen-Løve – Maya (2018) first appeared on Cinema of the World.

Gregoire Canvel has everything a man could want: a wife he loves, three delightful children and his dream job – he is a film producer. Discovering talented filmmakers and developing films that fit his conception of the cinema, free and true to life, is precisely his reason for living. Gregoire devotes almost all of his time and energy to his work. Although he spends weekends with his family at their house in the country, even these precious moments are regularly interrupted by demanding directors and concerned investors. While Gregoires very presence commands admiration, and his exceptional charisma lead many to believe he is invincible, the future of his prestigious production company, Moon Films, is in doubt; too many productions, too many risks, too many debts. Storm clouds are gathering, and Gregoires realisation that he may have made one gamble too many will trigger a series of events that will change the lives of his family forever.

Le.Pere.De.Mes.Enfants.2009.FRENCH.DVDRip.x264.AC3-zitoune69.mkv

General
Container:  	Matroska
Runtime: 	1 h 46 min
Size: 	2.13 GiB
Video
Codec: 	x264
Resolution: 	720x552 ~> 1021x552
Aspect ratio:  	1.85:1
Frame rate: 	25.000 fps
Bit rate: 	2 483 kb/s
BPP: 	0.250
Audio
#1:  	French 5.1ch AC-3 @ 384 kb/s (Surround)

https://nitro.download/view/7670D41BF1270CF/Le.Pere.De.Mes.Enfants.2009.FRENCH.DVDRip.x264.AC3-zitoune69.mkv

Language(s):French
Subtitles:English

The post Mia Hansen-Løve – Le père de mes enfants AKA Father of My Children [+Extras] (2009) first appeared on Cinema of the World.

Quote:
Nathalie teaches philosophy at a high school in Paris. She is passionate about her job and particularly enjoys passing on the pleasure of thinking. Married with two children, she divides her time between her family, former students and her very possessive mother. One day, Nathalie’s husband announces he is leaving her for another woman. With freedom thrust upon her, Nathalie must reinvent her life.

https://nitro.download/view/C2BE29110CB2295/Mia_Hansen-Love_-_(2016)_Things_to_Come.mkv

Language(s):French
Subtitles:English

The post Mia Hansen-Løve – L’avenir AKA Things to Come (2016) first appeared on Cinema of the World.

No story.. just a promenade with Isabelle in a park…

http://nitroflare.com/view/03979066BB5C9A9/Un_Pur_Esprit_%28Mia_Hansen-L%C3%B8ve_-_2004%29_DVDRIP.avi

Silent movie… no subs are needed.

The post Mia Hansen-Løve – Un Pur Esprit aka Pure Spirit (2004) first appeared on Cinema of the World.